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Author: Petra ten-Doesschate Chu
Publisher: Associated University Presse
ISBN: 0874130115
Category : Art
Languages : en
Pages : 289
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Book Description
"This book presents an interdisciplinary and inclusive view of nineteenth-century art, observed from the vantage point of the new twenty-first century. The areas of expertise represented by the thirty essays herein span the full range of nineteenth-century studies, and include discussions of such artistic styles as realism, impressionism, romanticism, and art nouveau, as well as early twentieth-century movements that owe their formative influence to the nineteenth century. Topics span the historical gamut from revivalism to the roots of modernism, considering along the way such themes as the depiction of women, Orientalism, art criticism, evolutionary theory, political propaganda, history painting, landscape, and national identity. Aspects of art display, public monuments, and international exhibitions shed light on the roles of government and individuals in the dissemination of artistic styles and subject matter. Unique in this collection is an emphasis on the marketing of art, both in America and abroad, which considers the important financial and commercial issues that continue to influence viewers' beliefs and perceptions. Most important, this book demonstrates that the rich field of nineteenth-century studies continues to inspire discovery and creativity."--Publisher description.
Author: Petra ten-Doesschate Chu
Publisher: Associated University Presse
ISBN: 0874130115
Category : Art
Languages : en
Pages : 289
Get Book Here
Book Description
"This book presents an interdisciplinary and inclusive view of nineteenth-century art, observed from the vantage point of the new twenty-first century. The areas of expertise represented by the thirty essays herein span the full range of nineteenth-century studies, and include discussions of such artistic styles as realism, impressionism, romanticism, and art nouveau, as well as early twentieth-century movements that owe their formative influence to the nineteenth century. Topics span the historical gamut from revivalism to the roots of modernism, considering along the way such themes as the depiction of women, Orientalism, art criticism, evolutionary theory, political propaganda, history painting, landscape, and national identity. Aspects of art display, public monuments, and international exhibitions shed light on the roles of government and individuals in the dissemination of artistic styles and subject matter. Unique in this collection is an emphasis on the marketing of art, both in America and abroad, which considers the important financial and commercial issues that continue to influence viewers' beliefs and perceptions. Most important, this book demonstrates that the rich field of nineteenth-century studies continues to inspire discovery and creativity."--Publisher description.
Author: Petra ten-Doesschate Chu
Publisher: Prentice Hall Art History
ISBN:
Category : Art
Languages : en
Pages : 562
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Book Description
This survey explores the history of nineteenth-century European art and visual culture. Focusing primarily on painting and sculpture, it places these two art forms within the larger context of visual culture including photography, graphic design, architecture, and decorative arts. In turn, all are treated within a broad historical framework to show the connections between visual cultural production and the political, social, and economic order of the time. Topics covered include The Classical Paradigm, Art and Revolutionary Propaganda In France, The Arts under Napoleon and Francisco Goya and Spanish Art at the Turn of the Eighteenth Century. For art enthusiasts, or anyone who wants to learn more about Art History.
Author: Stephen Eisenman
Publisher:
ISBN: 9780500237939
Category : Art
Languages : en
Pages : 428
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Book Description
"The revised and expanded edition of Nineteenth Century Art: A Critical History embraces many aspects of the so-called 'new' art history - attention to issues of class and gender, reception and spectatorship, racism and Eurocentrism - while at the same time recovering the remarkable vitality, salience and subversiveness of the era's best art. Indeed, the authors insist that there is a profound sympathy between these new perspectives and the art under examination. For it was nineteenth-century artists who first addressed the issues that preoccupy audiences and scholars today: the relation between popular and elite culture, the legacy of the Enlightenment, the question of the canon, and the representation of workers, women and non-whites."--BOOK JACKET.
Author: Robert Rosenblum
Publisher: Discontinued 3pd
ISBN:
Category : Art
Languages : en
Pages : 552
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Book Description
Originally published twenty years ago, "Nineteenth Century Art, Second Edition "remains true to the original, with its superior survey of Western painting and sculpture presented in four historical parts, beginning in 1776 and ending with the dawn of the new century. This book draws on the historical documentation of the period, tracing the dynamics of the making and viewing of art, and examining the reciprocal influences of art and technology, art and politics, art and literature, art and music. For nineteenth century art enthusiasts.
Author: Stephen Eisenman
Publisher:
ISBN: 9780500288887
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
Rich in ideas and illustrations...of interest to scholars and art enthusiasts alike.--Library Journal
Author: Hew Strachan
Publisher: Oxford University Press, USA
ISBN: 0199232024
Category : History
Languages : en
Pages : 334
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Book Description
The volume considers Clausewitz's timeless On War against the background of actual armed conflict. With scholars from a range of disciplines and countries, it throws new light on a classic text and contemporary issues.
Author: Birgit Däwes
Publisher: Routledge
ISBN: 1317507339
Category : Social Science
Languages : en
Pages : 300
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Book Description
In recent years, the interdisciplinary fields of Native North American and Indigenous Studies have reflected, at times even foreshadowed and initiated, many of the influential theoretical discussions in the humanities after the "transnational turn." Global trends of identity politics, performativity, cultural performance and ethics, comparative and revisionist historiography, ecological responsibility and education, as well as issues of social justice have shaped and been shaped by discussions in Native American and Indigenous Studies. This volume brings together distinguished perspectives on these topics by the Native scholars and writers Gerald Vizenor (Anishinaabe), Diane Glancy (Cherokee), and Tomson Highway (Cree), as well as non-Native authorities, such as Chadwick Allen, Hartmut Lutz, and Helmbrecht Breinig. Contributions look at various moments in the cultural history of Native North America—from earthmounds via the Catholic appropriation of a Mohawk saint to the debates about Makah whaling rights—as well as at a diverse spectrum of literary, performative, and visual works of art by John Ross, John Ridge, Elias Boudinot, Emily Pauline Johnson, Leslie Marmon Silko, Emma Lee Warrior, Louise Erdrich, N. Scott Momaday, Stephen Graham Jones, and Gerald Vizenor, among others. In doing so, the selected contributions identify new and recurrent methodological challenges, outline future paths for scholarly inquiry, and explore the intersections between Indigenous Studies and contemporary Literary and Cultural Studies at large.
Author: Tiffany Lani Ing
Publisher: University of Hawaii Press
ISBN: 0824881567
Category : History
Languages : en
Pages : 289
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Book Description
Reclaiming Kalākaua: Nineteenth-Century Perspectives on a Hawaiian Sovereign examines the American, international, and Hawaiian representations of David La‘amea Kamananakapu Mahinulani Nalaiaehuokalani Lumialani Kalākaua in English- and Hawaiian-language newspapers, books, travelogues, and other materials published during his reign as Hawai‘i’s mō‘ī (sovereign) from 1874 to 1891. Beginning with an overview of Kalākaua’s literary genealogy of misrepresentation, Tiffany Lani Ing surveys the negative, even slanderous, portraits of him that have been inherited from his enemies, who first sought to curtail his authority as mō‘ī through such acts as the 1887 Bayonet Constitution and who later tried to justify their parts in overthrowing the Hawaiian kingdom in 1893 and annexing it to the United States in 1898. A close study of contemporary international and American newspaper accounts and other narratives about Kalākaua, many highly favorable, results in a more nuanced and wide-ranging characterization of the mō‘ī as a public figure. Most importantly, virtually none of the existing nineteenth-, twentieth-, and twenty-first-century texts about Kalākaua consults contemporary Kanaka Maoli (Native Hawaiian) sentiment for him. Offering examples drawn from hundreds of nineteenth-century Hawaiian-language newspaper articles, mele (songs), and mo‘olelo (histories, stories) about the mō‘ī, Reclaiming Kalākaua restores balance to our understanding of how he was viewed at the time—by his own people and the world. This important work shows that for those who did not have reasons for injuring or trivializing Kalākaua’s reputation as mō‘ī, he often appeared to be the antithesis of our inherited understanding. The mō‘ī struck many, and above all his own people, as an intelligent, eloquent, compassionate, and effective Hawaiian leader.
Author: Thomas Piketty
Publisher: Harvard University Press
ISBN: 0674979850
Category : Business & Economics
Languages : en
Pages : 817
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Book Description
What are the grand dynamics that drive the accumulation and distribution of capital? Questions about the long-term evolution of inequality, the concentration of wealth, and the prospects for economic growth lie at the heart of political economy. But satisfactory answers have been hard to find for lack of adequate data and clear guiding theories. In this work the author analyzes a unique collection of data from twenty countries, ranging as far back as the eighteenth century, to uncover key economic and social patterns. His findings transform debate and set the agenda for the next generation of thought about wealth and inequality. He shows that modern economic growth and the diffusion of knowledge have allowed us to avoid inequalities on the apocalyptic scale predicted by Karl Marx. But we have not modified the deep structures of capital and inequality as much as we thought in the optimistic decades following World War II. The main driver of inequality--the tendency of returns on capital to exceed the rate of economic growth--today threatens to generate extreme inequalities that stir discontent and undermine democratic values if political action is not taken. But economic trends are not acts of God. Political action has curbed dangerous inequalities in the past, the author says, and may do so again. This original work reorients our understanding of economic history and confronts us with sobering lessons for today.
Author: Ting Chang
Publisher: Routledge
ISBN: 1351538454
Category : Art
Languages : en
Pages : 210
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Book Description
Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.
