Author: David L. Minter
Publisher: Prentice Hall
ISBN:
Category :
Languages : en
Pages : 136
Book Description
Twentieth Century Interpretations of Light in August
Author: David L. Minter
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 136
Book Description
Interpretations and view points by such authors as Cleanth Brooks, Malcolm Cowley, Leslie Fiedler, and others.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 136
Book Description
Interpretations and view points by such authors as Cleanth Brooks, Malcolm Cowley, Leslie Fiedler, and others.
Critical Companion to William Faulkner
Author: A. Nicholas Fargnoli
Publisher: Infobase Publishing
ISBN: 1438108591
Category : Mississippi
Languages : en
Pages : 575
Book Description
As I Lay Dying; Light in August; The Sound and the Fury; Absalom, Absalom!; "The Bear"; and many others.
Publisher: Infobase Publishing
ISBN: 1438108591
Category : Mississippi
Languages : en
Pages : 575
Book Description
As I Lay Dying; Light in August; The Sound and the Fury; Absalom, Absalom!; "The Bear"; and many others.
Light in August
Author: William Faulkner
Publisher: Vintage
ISBN: 030779217X
Category : Fiction
Languages : en
Pages : 530
Book Description
From the Nobel Prize winner—one of the most highly acclaimed writers of the twentieth century—a novel set in the American South during Prohibition about hopeful perseverance in the face of mortality. Light in August features some of Faulkner’s most memorable characters: guileless, dauntless Lena Grove, in search of the father of her unborn child; Reverend Gail Hightower, who is plagued by visions of Confederate horsemen; and Joe Christmas, a desperate, enigmatic drifter consumed by his mixed ancestry. “Read, read, read. Read everything—trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. If it is good, you’ll find out. If it’s not, throw it out the window.” —William Faulkner
Publisher: Vintage
ISBN: 030779217X
Category : Fiction
Languages : en
Pages : 530
Book Description
From the Nobel Prize winner—one of the most highly acclaimed writers of the twentieth century—a novel set in the American South during Prohibition about hopeful perseverance in the face of mortality. Light in August features some of Faulkner’s most memorable characters: guileless, dauntless Lena Grove, in search of the father of her unborn child; Reverend Gail Hightower, who is plagued by visions of Confederate horsemen; and Joe Christmas, a desperate, enigmatic drifter consumed by his mixed ancestry. “Read, read, read. Read everything—trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. If it is good, you’ll find out. If it’s not, throw it out the window.” —William Faulkner
Literature and the New Interdisciplinarity
Author: Roger D. Sell
Publisher: Rodopi
ISBN: 9789051836097
Category : History
Languages : en
Pages : 278
Book Description
In recent years there has been an increasing realization that language and literature are, so to speak, socioculturally consubstantial. Accordingly literary scholars and linguists now often define their interests in sociohistorical terms, and the 'lang.-lit.' divide is giving way to shared concerns which are interdisciplinary between the three poles: poetics, linguistics, society. To illustrate and consolidate this new interdisciplinarity, the editors of this volume have collected a number of articles specially written by an international team of scholars, including figures of the highest international distinction. Key interdisciplinary terms such as contextualization, addressivity, and convention are subjected to critical scrutiny and applied to particular texts. Some of the most widely canvassed theories of communication and literature, particularly Sperber and Wilson's relevance theory and Bakhtin's sociolinguistic poetics, are carefully assessed and extended to new areas. And there are contextualizing approaches to phenomena such as genre, historical genre modulation, irony, metaphor, Modernist impersonality, unreliable narration, informal style, and literary gossip. The book's argument is carefully structured. An extensive introduction outlines the general background of ideas and the thirteen articles are grouped into four main sections, linked together by a clear line of questioning and discussion which is made explicit in sectional introductions. The book is addressed to established scholars, postgraduate students, and advanced undergraduates who are interested in linguistics, literary theory, literary criticism, and sociocultural history and searching for ways of bringing these branches of learning into synergetic relation with each other.
Publisher: Rodopi
ISBN: 9789051836097
Category : History
Languages : en
Pages : 278
Book Description
In recent years there has been an increasing realization that language and literature are, so to speak, socioculturally consubstantial. Accordingly literary scholars and linguists now often define their interests in sociohistorical terms, and the 'lang.-lit.' divide is giving way to shared concerns which are interdisciplinary between the three poles: poetics, linguistics, society. To illustrate and consolidate this new interdisciplinarity, the editors of this volume have collected a number of articles specially written by an international team of scholars, including figures of the highest international distinction. Key interdisciplinary terms such as contextualization, addressivity, and convention are subjected to critical scrutiny and applied to particular texts. Some of the most widely canvassed theories of communication and literature, particularly Sperber and Wilson's relevance theory and Bakhtin's sociolinguistic poetics, are carefully assessed and extended to new areas. And there are contextualizing approaches to phenomena such as genre, historical genre modulation, irony, metaphor, Modernist impersonality, unreliable narration, informal style, and literary gossip. The book's argument is carefully structured. An extensive introduction outlines the general background of ideas and the thirteen articles are grouped into four main sections, linked together by a clear line of questioning and discussion which is made explicit in sectional introductions. The book is addressed to established scholars, postgraduate students, and advanced undergraduates who are interested in linguistics, literary theory, literary criticism, and sociocultural history and searching for ways of bringing these branches of learning into synergetic relation with each other.
The Rose Upon the Trellis: William Faulkner’s Lena Grove
Author: Diane Elizabeth Kelleher
Publisher: AuthorHouse
ISBN: 1665534362
Category : Fiction
Languages : en
Pages : 104
Book Description
Regarding William Faulkner’s novel, Light in August, the majority of critics view Lena Grove as an insignificant character. It is the intent of this thesis to right the discourse by showing that Lena Grove is a major figure: generally, symbolically, and when considered in her role as a literary device. Generally, Lena Grove functions as an eccentric individual and a Southern folk figure; symbolically she has become a pagan fertility goddess, an “opposite equal” to Joanna Burden, and a Persephone-Kore figure. As a literary device she comprises the entity who most closely offers us a set of “horizons of expectations” closest to a straightforward linear plotline. Even when we are in the “deconstructed” phases of her plotline, that is, embroiled in the construction of one of the other three plotlines, that of Joe Christmas, Byron Bunch or Reverend Gail Hightower, we consistently think of Lena Grove and wonder where she is in her journey across the South and her journey through life. In Light in August, in her own unique manner, Lena Grove is a major figure - ever present.
Publisher: AuthorHouse
ISBN: 1665534362
Category : Fiction
Languages : en
Pages : 104
Book Description
Regarding William Faulkner’s novel, Light in August, the majority of critics view Lena Grove as an insignificant character. It is the intent of this thesis to right the discourse by showing that Lena Grove is a major figure: generally, symbolically, and when considered in her role as a literary device. Generally, Lena Grove functions as an eccentric individual and a Southern folk figure; symbolically she has become a pagan fertility goddess, an “opposite equal” to Joanna Burden, and a Persephone-Kore figure. As a literary device she comprises the entity who most closely offers us a set of “horizons of expectations” closest to a straightforward linear plotline. Even when we are in the “deconstructed” phases of her plotline, that is, embroiled in the construction of one of the other three plotlines, that of Joe Christmas, Byron Bunch or Reverend Gail Hightower, we consistently think of Lena Grove and wonder where she is in her journey across the South and her journey through life. In Light in August, in her own unique manner, Lena Grove is a major figure - ever present.
Bloom's How to Write about William Faulkner
Author: Anna Priddy
Publisher: Infobase Publishing
ISBN: 1438126514
Category : American literature
Languages : en
Pages : 241
Book Description
William Faulkner is one of America's most highly regarded novelists. This title reveals his timeless novels and short stories, including The Sound and the Fury; Light in August; Go Down, Moses; As I Lay Dying; 'Absalom, Absalom ; Barn Burning; The Bear; and, A Rose for Emily.
Publisher: Infobase Publishing
ISBN: 1438126514
Category : American literature
Languages : en
Pages : 241
Book Description
William Faulkner is one of America's most highly regarded novelists. This title reveals his timeless novels and short stories, including The Sound and the Fury; Light in August; Go Down, Moses; As I Lay Dying; 'Absalom, Absalom ; Barn Burning; The Bear; and, A Rose for Emily.
Light in August
Author: William Faulkner
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 363
Book Description
DigiCat Publishing presents to you this special edition of "Light in August" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 363
Book Description
DigiCat Publishing presents to you this special edition of "Light in August" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Character and Personality in the Novels of William Faulkner
Author: Ineke Bockting
Publisher: University Press of America
ISBN: 9780819198495
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
Bockting has produced a work that focuses on the "people" that Faulkner created in his four major psychological novels: The Sound and the Fury (1929); As I Lay Dying (1920), Light in August (1932), and Absalom, Absalom! (1936). The author writes not about these people, either as literary characters or as human beings, but instead has allowed them to come alive in their own time, through their own texts. Psychostylistics is the innovative approach to the literary character that Bockting employs, bringing together new developments in narrative psychology and psychiatry with literary stylistics and mind-style to provide detailed textual and contextual evidence in support of its observations on personality. Contents: The Literary Character: Between Life and Linguistic Style; Mind-Style in The Sound and the Fury; Multiple Voices in As I Lay Dying; Light in August and the Issues of Unreliability; Absalom, Absalom!: A Novel of Attribution; Character, Personality, and Psychostylistics.
Publisher: University Press of America
ISBN: 9780819198495
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
Bockting has produced a work that focuses on the "people" that Faulkner created in his four major psychological novels: The Sound and the Fury (1929); As I Lay Dying (1920), Light in August (1932), and Absalom, Absalom! (1936). The author writes not about these people, either as literary characters or as human beings, but instead has allowed them to come alive in their own time, through their own texts. Psychostylistics is the innovative approach to the literary character that Bockting employs, bringing together new developments in narrative psychology and psychiatry with literary stylistics and mind-style to provide detailed textual and contextual evidence in support of its observations on personality. Contents: The Literary Character: Between Life and Linguistic Style; Mind-Style in The Sound and the Fury; Multiple Voices in As I Lay Dying; Light in August and the Issues of Unreliability; Absalom, Absalom!: A Novel of Attribution; Character, Personality, and Psychostylistics.
Twentieth Century Interpretations of Romeo and Juliet
Author: Douglas Cole
Publisher: Prentice Hall
ISBN:
Category : Drama
Languages : en
Pages : 136
Book Description
A collection of critical essays about "Romeo and Juliet".
Publisher: Prentice Hall
ISBN:
Category : Drama
Languages : en
Pages : 136
Book Description
A collection of critical essays about "Romeo and Juliet".
Faulkner’s Treatment of Women
Author: Dr. Vibha Manoj Sharma
Publisher: KY Publications
ISBN: 8193390415
Category : Literary Criticism
Languages : en
Pages : 179
Book Description
The overview of William Faulkner‟s scholarship shows certain obvious limitations in concern to his treatment to his fictional female characters. Critics have concentrated on the male characters the outmost. The first limitation is that the critics have not paid the needed attention to his treatment of the female characters in their totality. Critics have taken up Faulkner‟s characterization but their concentration is more on the male figures only. If at all they discuss women characters, they are seen as figure only. If at all they discuss women characters, they are seen as subordinate figures to their male counterparts. The second limitation is that the bulk of Faulkner scholarship treats Faulkner‟s individual works, in these studies also the concentration is mainly on the themes and techniques, and the discussion on female characters is again scanty. Quite a few studies concentrate deeply on his individual works and explain Faulkner‟s larger themes but they, too, are specifically male oriented. The next limitation is that a large number of articles, appearing in various decades, also, cover individual aspects of Faulkner‟s themes and characters, and give only partial treatment to his women characters. The fourth limitation is that even while discussing Faulkner as moralist the concentration is more on the male figure than the female figures. The last limitation of Faulkner scholarship is that mostly it concentrates on his craftsmanship; a large number of studies on Faulkner assess his stylistics and technique. Tracing technical aspects, thematic patterns, and stylistic devices used by him critics establish Faulkner scholarship, but are oblivion to the central thrust of women characters. Thus Faulkner scholarship treats women characters, either as secondary characters, or, at the most, in relation to their male counterparts only. They have been treated less as individuals than as common commodities; the critics have been casual in their approach towards women characters and taken them for granted. This nonchalant view may lead us to conclude that women in Faulkner are „a silent sex‟. For that a complete survey has been done as mentioned in “Introduction” of the study to trace scope on full length study in context to Faulkner‟s women characters. At times, the survey let to conclude that Faulkner himself is not projecting as pleasant pictures of women in his novels as he does in the case of male figures. In fact, Faulkner was accused of being hostile to women. At times, Faulkner may strike us as a misogynist. These points led to give a kind of impulse to start working on the women characters in Faulkner. His imaginary fictional world – Yoknapatawpha- explains the intertexuality, so sometimes the same women character in different types of roles in his novels, or shows amelioration and redemption in his other text. Keeping all these points in consideration as his indispensable women characters fascinate to study in-depth and I could got the form under the heading Faulkner’s Treatment of Women. It is a humble attempt; I do not claim it to the last word on the issue. -Dr. Vibha Manoj sharma
Publisher: KY Publications
ISBN: 8193390415
Category : Literary Criticism
Languages : en
Pages : 179
Book Description
The overview of William Faulkner‟s scholarship shows certain obvious limitations in concern to his treatment to his fictional female characters. Critics have concentrated on the male characters the outmost. The first limitation is that the critics have not paid the needed attention to his treatment of the female characters in their totality. Critics have taken up Faulkner‟s characterization but their concentration is more on the male figures only. If at all they discuss women characters, they are seen as figure only. If at all they discuss women characters, they are seen as subordinate figures to their male counterparts. The second limitation is that the bulk of Faulkner scholarship treats Faulkner‟s individual works, in these studies also the concentration is mainly on the themes and techniques, and the discussion on female characters is again scanty. Quite a few studies concentrate deeply on his individual works and explain Faulkner‟s larger themes but they, too, are specifically male oriented. The next limitation is that a large number of articles, appearing in various decades, also, cover individual aspects of Faulkner‟s themes and characters, and give only partial treatment to his women characters. The fourth limitation is that even while discussing Faulkner as moralist the concentration is more on the male figure than the female figures. The last limitation of Faulkner scholarship is that mostly it concentrates on his craftsmanship; a large number of studies on Faulkner assess his stylistics and technique. Tracing technical aspects, thematic patterns, and stylistic devices used by him critics establish Faulkner scholarship, but are oblivion to the central thrust of women characters. Thus Faulkner scholarship treats women characters, either as secondary characters, or, at the most, in relation to their male counterparts only. They have been treated less as individuals than as common commodities; the critics have been casual in their approach towards women characters and taken them for granted. This nonchalant view may lead us to conclude that women in Faulkner are „a silent sex‟. For that a complete survey has been done as mentioned in “Introduction” of the study to trace scope on full length study in context to Faulkner‟s women characters. At times, the survey let to conclude that Faulkner himself is not projecting as pleasant pictures of women in his novels as he does in the case of male figures. In fact, Faulkner was accused of being hostile to women. At times, Faulkner may strike us as a misogynist. These points led to give a kind of impulse to start working on the women characters in Faulkner. His imaginary fictional world – Yoknapatawpha- explains the intertexuality, so sometimes the same women character in different types of roles in his novels, or shows amelioration and redemption in his other text. Keeping all these points in consideration as his indispensable women characters fascinate to study in-depth and I could got the form under the heading Faulkner’s Treatment of Women. It is a humble attempt; I do not claim it to the last word on the issue. -Dr. Vibha Manoj sharma