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Author: Kathy Cawsey
Publisher: Routledge
ISBN: 131700583X
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Shifting ideas about Geoffrey Chaucer's audience have produced radically different readings of Chaucer's work over the course of the past century. Kathy Cawsey, in her book on the changing relationship among Chaucer, critics, and theories of audience, draws on Michel Foucault's concept of the 'author-function' to propose the idea of an 'audience function' which shows the ways critics' concepts of audience affect and condition their criticism. Focusing on six trend-setting Chaucerian scholars, Cawsey identifies the assumptions about Chaucer's audience underpinning each critic's work, arguing these ideas best explain the diversity of interpretation in Chaucer criticism. Further, Cawsey suggests few studies of Chaucer's own understanding of audience have been done, in part because Chaucer criticism has been conditioned by scholars' latent suppositions about Chaucer's own audience. In making sense of the confusing and conflicting mass of modern Chaucer criticism, Cawsey also provides insights into the development of twentieth-century literary criticism and theory.
Author: Kathy Cawsey
Publisher: Routledge
ISBN: 131700583X
Category : Literary Criticism
Languages : en
Pages : 198
Get Book
Book Description
Shifting ideas about Geoffrey Chaucer's audience have produced radically different readings of Chaucer's work over the course of the past century. Kathy Cawsey, in her book on the changing relationship among Chaucer, critics, and theories of audience, draws on Michel Foucault's concept of the 'author-function' to propose the idea of an 'audience function' which shows the ways critics' concepts of audience affect and condition their criticism. Focusing on six trend-setting Chaucerian scholars, Cawsey identifies the assumptions about Chaucer's audience underpinning each critic's work, arguing these ideas best explain the diversity of interpretation in Chaucer criticism. Further, Cawsey suggests few studies of Chaucer's own understanding of audience have been done, in part because Chaucer criticism has been conditioned by scholars' latent suppositions about Chaucer's own audience. In making sense of the confusing and conflicting mass of modern Chaucer criticism, Cawsey also provides insights into the development of twentieth-century literary criticism and theory.
Author: Kathy Cawsey
Publisher: Routledge
ISBN: 1317005821
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Shifting ideas about Geoffrey Chaucer's audience have produced radically different readings of Chaucer's work over the course of the past century. Kathy Cawsey, in her book on the changing relationship among Chaucer, critics, and theories of audience, draws on Michel Foucault's concept of the 'author-function' to propose the idea of an 'audience function' which shows the ways critics' concepts of audience affect and condition their criticism. Focusing on six trend-setting Chaucerian scholars, Cawsey identifies the assumptions about Chaucer's audience underpinning each critic's work, arguing these ideas best explain the diversity of interpretation in Chaucer criticism. Further, Cawsey suggests few studies of Chaucer's own understanding of audience have been done, in part because Chaucer criticism has been conditioned by scholars' latent suppositions about Chaucer's own audience. In making sense of the confusing and conflicting mass of modern Chaucer criticism, Cawsey also provides insights into the development of twentieth-century literary criticism and theory.
Author: Hendrik Haiko Dragstra
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
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Book Description
Author: David B. Raybin
Publisher: Penn State Press
ISBN: 9780271035673
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
"Eleven essays that explore how modern scholarship interprets Chaucer's writings"--Provided by publisher.
Author: S. H. Rigby
Publisher: Manchester University Press
ISBN: 1526148242
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
Amongst the most written about works of English literature, Chaucer's Canterbury Tales still defy categorization, claims the author of this book. Was Chaucer a poet of profound religious piety or a sceptic who questioned all religious and moral certainties? Do his pilgrims reflect the society of the day, or were they a product of an already well-established literary tradition and convention? Surveying and assessing competing critical approaches to Chaucer's work, this text emphasizes a need to see Chaucer in historical context; the context of the social and political concerns of his own day.
Author: Heather Blurton
Publisher: University of Michigan Press
ISBN: 047213034X
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Reinvigorating the scholarly debate surrounding approaches to one of Chaucer's most notorious tales
Author: Caroline Frances Eleanor Spurgeon
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 680
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Book Description
Author: Corinne Saunders
Publisher: Wiley-Blackwell
ISBN: 9780631217121
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
This comprehensive collection of the major critical views of Chaucer's works over time engages students with the entire critical history. Introduces students to the critical discourse on Chaucer's works from a historical perspective. Encourages students to make links between past and present criticism. Foregrounds those modern approaches that are genuinely productive. Avoids a formulaic approach through lively editorial commentary and judicious selection of texts.
Author: Katharine S. Gittes
Publisher: Praeger
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 192
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Book Description
A clear emphasis on literary antecedents of the Canterbury Tales differentiates this book from most criticism of Chaucer's work. Katharine S. Gittes finds a blending of two frame narrative traditions in the Canterbury Tales, one that originated in India and the Near East and the other in ancient Greece. To illustrate this dual literary tradition, Gittes compares Chaucer's work to a selection of pre-Chaucerian frame narratives that influenced his form directly or indirectly, and other narratives contemporary with Chaucer, that, in their likenesses or differences, illuminate the methodology of the Canterbury Tales. Covering materials written in eight different languages, Framing the Canterbury Tales includes discussion of the Indian-Arabic Panchatantra, Boccaccio's Decameron, Gower's Confessio Amantis, and both Eastern and Western versions of the Book of Sinbad. Gittes addresses the relationship between the framing stories and the tales, the degree of open-endedness in theme and structure, aesthetic principles, didactic elements, the significance of prologues and epilogues, the travel/pilgrimmage motif, the function of the narrator, and the degree of characterization in both Eastern and Western frame narratives. An examination of Eastern and Western elements in Chaucer's Canterbury Tales reveals the existing tension between the two, and the ingenious way Chaucer responds to and makes the most of this tension. Eastern features include the open-endedness, the random ordering of tales, and the mode of narration; Western elements include the dramatic features, the grouping or pairing of tales, the symmetry and the recurring motifs. In examining different cultural outlooks and a variety of different, non-literary disciplines, Gittes expands the field of Chaucer criticism. Her book will interest students and scholars of diverse cultures and literary periods, as well as Chaucer enthusiasts.
Author: Isabel Davis
Publisher: Boydell & Brewer Ltd
ISBN: 1843844079
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Fama, or fame, is a central concern of late medieval literature. Where fame came from, who deserved it, whether it was desirable, how it was acquired and kept were significant inquiries for a culture that relied extensively on personal credit and reputation. An interest in fame was not new, being inherited from the classical world, but was renewed and rethought within the vernacular revolutions of the later Middle Ages. The work of Geoffrey Chaucer shows a preoccupation with ideas on the subject of fama, not only those received from the classical world but also those of his near contemporaries; via an engagement with their texts, he aimed to negotiate a place for his own work in the literary canon, establishing fame as the subject-site at which literary theory was contested and writerly reputation won. Chaucer's place in these negotiations was readily recognized in his aftermath, as later writers adopted and reworked postures which Chaucer had struck, in their own bids for literary place. This volume considers the debates on fama which were past, present and future to Chaucer, using his work as a centre point to investigate canon formation in European literature from the late Middle Ages and into the Early Modern period. Isabel Davis is Senior Lecturer in Medieval Literature at Birkbeck, University of London; Catherine Nall is Senior Lecturer in Medieval Literature at Royal Holloway, University of London. Contributors: Joanna Bellis, Alcuin Blamires, Julia Boffey, Isabel Davis, Stephanie Downes, A.S.G. Edwards, Jamie C. Fumo, Andrew Galloway, Nick Havely, Thomas A. Prendergast, Mike Rodman Jones, William T. Rossiter, Elizaveta Strakhov.
