Author: Judith Yaross Lee
Publisher: Univ. Press of Mississippi
ISBN: 162674453X
Category : Social Science
Languages : en
Pages : 347
Book Description
Samuel L. Clemens lost the 1882 lawsuit declaring his exclusive right to use “Mark Twain” as a commercial trademark, but he succeeded in the marketplace, where synergy among his comic journalism, live performances, authorship, and entrepreneurship made “Mark Twain” the premier national and international brand of American humor in his day. And so it remains in ours, because Mark Twain's humor not only expressed views of self and society well ahead of its time, but also anticipated ways in which humor and culture coalesce in today's postindustrial information economy—the global trade in media, performances, and other forms of intellectual property that began after the Civil War. In Twain's Brand: Humor in Contemporary American Culture, Judith Yaross Lee traces four hallmarks of Twain's humor that are especially significant today. Mark Twain's invention of a stage persona, comically conflated with his biographical self, lives on in contemporary performances by Garrison Keillor, Margaret Cho, Jerry Seinfeld, and Jon Stewart. The postcolonial critique of Britain that underlies America's nationalist tall tale tradition not only self-destructs in A Connecticut Yankee in King Arthur's Court but also drives the critique of American Exceptionalism in Philip Roth's literary satires. The semi-literate writing that gives Adventures of Huckleberry Finn its “vernacular vision”—wrapping cultural critique in ostensibly innocent transgressions and misunderstandings—has a counterpart in the apparently untutored drawing style and social critique seen in The Simpsons, Lynda Barry's comics, and The Boondocks. And the humor business of recent decades depends on the same brand-name promotion, cross-media synergy, and copyright practices that Clemens pioneered and fought for a century ago. Twain's Brand highlights the modern relationship among humor, commerce, and culture that were first exploited by Mark Twain.
Twain's Brand
Author: Judith Yaross Lee
Publisher: Univ. Press of Mississippi
ISBN: 162674453X
Category : Social Science
Languages : en
Pages : 347
Book Description
Samuel L. Clemens lost the 1882 lawsuit declaring his exclusive right to use “Mark Twain” as a commercial trademark, but he succeeded in the marketplace, where synergy among his comic journalism, live performances, authorship, and entrepreneurship made “Mark Twain” the premier national and international brand of American humor in his day. And so it remains in ours, because Mark Twain's humor not only expressed views of self and society well ahead of its time, but also anticipated ways in which humor and culture coalesce in today's postindustrial information economy—the global trade in media, performances, and other forms of intellectual property that began after the Civil War. In Twain's Brand: Humor in Contemporary American Culture, Judith Yaross Lee traces four hallmarks of Twain's humor that are especially significant today. Mark Twain's invention of a stage persona, comically conflated with his biographical self, lives on in contemporary performances by Garrison Keillor, Margaret Cho, Jerry Seinfeld, and Jon Stewart. The postcolonial critique of Britain that underlies America's nationalist tall tale tradition not only self-destructs in A Connecticut Yankee in King Arthur's Court but also drives the critique of American Exceptionalism in Philip Roth's literary satires. The semi-literate writing that gives Adventures of Huckleberry Finn its “vernacular vision”—wrapping cultural critique in ostensibly innocent transgressions and misunderstandings—has a counterpart in the apparently untutored drawing style and social critique seen in The Simpsons, Lynda Barry's comics, and The Boondocks. And the humor business of recent decades depends on the same brand-name promotion, cross-media synergy, and copyright practices that Clemens pioneered and fought for a century ago. Twain's Brand highlights the modern relationship among humor, commerce, and culture that were first exploited by Mark Twain.
Publisher: Univ. Press of Mississippi
ISBN: 162674453X
Category : Social Science
Languages : en
Pages : 347
Book Description
Samuel L. Clemens lost the 1882 lawsuit declaring his exclusive right to use “Mark Twain” as a commercial trademark, but he succeeded in the marketplace, where synergy among his comic journalism, live performances, authorship, and entrepreneurship made “Mark Twain” the premier national and international brand of American humor in his day. And so it remains in ours, because Mark Twain's humor not only expressed views of self and society well ahead of its time, but also anticipated ways in which humor and culture coalesce in today's postindustrial information economy—the global trade in media, performances, and other forms of intellectual property that began after the Civil War. In Twain's Brand: Humor in Contemporary American Culture, Judith Yaross Lee traces four hallmarks of Twain's humor that are especially significant today. Mark Twain's invention of a stage persona, comically conflated with his biographical self, lives on in contemporary performances by Garrison Keillor, Margaret Cho, Jerry Seinfeld, and Jon Stewart. The postcolonial critique of Britain that underlies America's nationalist tall tale tradition not only self-destructs in A Connecticut Yankee in King Arthur's Court but also drives the critique of American Exceptionalism in Philip Roth's literary satires. The semi-literate writing that gives Adventures of Huckleberry Finn its “vernacular vision”—wrapping cultural critique in ostensibly innocent transgressions and misunderstandings—has a counterpart in the apparently untutored drawing style and social critique seen in The Simpsons, Lynda Barry's comics, and The Boondocks. And the humor business of recent decades depends on the same brand-name promotion, cross-media synergy, and copyright practices that Clemens pioneered and fought for a century ago. Twain's Brand highlights the modern relationship among humor, commerce, and culture that were first exploited by Mark Twain.
Mark Twain and Money
Author: Henry B. Wonham
Publisher: University of Alabama Press
ISBN: 0817319441
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
Explores the importance of economics and prosperity throughout Samuel Clemens's writing and personal life
Publisher: University of Alabama Press
ISBN: 0817319441
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
Explores the importance of economics and prosperity throughout Samuel Clemens's writing and personal life
The Purloining of Prince Oleomargarine
Author: Mark Twain
Publisher: Doubleday Books for Young Readers
ISBN: 0553523228
Category : Juvenile Fiction
Languages : en
Pages : 161
Book Description
New York Times Bestseller! A School Library Journal Best Book of the Year A never-before-published, previously unfinished Mark Twain children’s story is brought to life by Philip and Erin Stead, creators of the Caldecott Medal-winning A Sick Day for Amos McGee. In a hotel in Paris one evening in 1879, Mark Twain sat with his young daughters, who begged their father for a story. Twain began telling them the tale of Johnny, a poor boy in possession of some magical seeds. Later, Twain would jot down some rough notes about the story, but the tale was left unfinished . . . until now. Plucked from the Mark Twain archive at the University of California at Berkeley, Twain’s notes now form the foundation of a fairy tale picked up over a century later. With only Twain’s fragmentary script and a story that stops partway as his guide, author Philip Stead has written a tale that imagines what might have been if Twain had fully realized this work. Johnny, forlorn and alone except for his pet chicken, meets a kind woman who gives him seeds that change his fortune, allowing him to speak with animals and sending him on a quest to rescue a stolen prince. In the face of a bullying tyrant king, Johnny and his animal friends come to understand that generosity, empathy, and quiet courage are gifts more precious in this world than power and gold. Illuminated by Erin Stead’s graceful, humorous, and achingly poignant artwork, this is a story that reaches through time and brings us a new book from America’s most legendary writer, envisioned by two of today’s most important names in children’s literature. A Bank Street College of Education Best Children's Book of the Year "Will capture the imaginations of readers of all ages"—USA Today, ★ ★ ★ ★ (out of four stars) ★ "Samuel Langhorne Clemens himself would be proud."—Booklist, starred review ★ "A cast of eccentric characters, celestially fine writing, and a crusade against pomp that doesn't sacrifice humor."—Publishers Weekly, starred review ★ "Completing a story penned by arguably America's greatest author is no easy feat, but the Caldecott-winning author-illustrator (and husband-wife) team proves more than equal to the task. . . . A pensive and whimsical work that Twain would applaud."—Kirkus, starred review ★ "The combination of Twain’s (often sarcastic) humor and “lessons of life,” a touch of allegory, and Stead’s own storytelling skills result in an awesome piece of fantasy."—School Library Journal, starred review ★ "Beautifully understated and nuanced illustrations by Erin Stead add the finishing flourishes to this remarkable work."—Shelf Awareness, starred review “drawn with a graceful crosshatched intelligence that seems close to the best of Wyeth.”—Adam Gopnik, The New York Times "Twain and the two Steads have created what could become a read-aloud classic, perfect for families to enjoy together."—The Horn Book "Artful and meta and elegant”—The Wall Street Journal "Should inspire readers young and old to seek further adventures with Twain."—The Washington Post
Publisher: Doubleday Books for Young Readers
ISBN: 0553523228
Category : Juvenile Fiction
Languages : en
Pages : 161
Book Description
New York Times Bestseller! A School Library Journal Best Book of the Year A never-before-published, previously unfinished Mark Twain children’s story is brought to life by Philip and Erin Stead, creators of the Caldecott Medal-winning A Sick Day for Amos McGee. In a hotel in Paris one evening in 1879, Mark Twain sat with his young daughters, who begged their father for a story. Twain began telling them the tale of Johnny, a poor boy in possession of some magical seeds. Later, Twain would jot down some rough notes about the story, but the tale was left unfinished . . . until now. Plucked from the Mark Twain archive at the University of California at Berkeley, Twain’s notes now form the foundation of a fairy tale picked up over a century later. With only Twain’s fragmentary script and a story that stops partway as his guide, author Philip Stead has written a tale that imagines what might have been if Twain had fully realized this work. Johnny, forlorn and alone except for his pet chicken, meets a kind woman who gives him seeds that change his fortune, allowing him to speak with animals and sending him on a quest to rescue a stolen prince. In the face of a bullying tyrant king, Johnny and his animal friends come to understand that generosity, empathy, and quiet courage are gifts more precious in this world than power and gold. Illuminated by Erin Stead’s graceful, humorous, and achingly poignant artwork, this is a story that reaches through time and brings us a new book from America’s most legendary writer, envisioned by two of today’s most important names in children’s literature. A Bank Street College of Education Best Children's Book of the Year "Will capture the imaginations of readers of all ages"—USA Today, ★ ★ ★ ★ (out of four stars) ★ "Samuel Langhorne Clemens himself would be proud."—Booklist, starred review ★ "A cast of eccentric characters, celestially fine writing, and a crusade against pomp that doesn't sacrifice humor."—Publishers Weekly, starred review ★ "Completing a story penned by arguably America's greatest author is no easy feat, but the Caldecott-winning author-illustrator (and husband-wife) team proves more than equal to the task. . . . A pensive and whimsical work that Twain would applaud."—Kirkus, starred review ★ "The combination of Twain’s (often sarcastic) humor and “lessons of life,” a touch of allegory, and Stead’s own storytelling skills result in an awesome piece of fantasy."—School Library Journal, starred review ★ "Beautifully understated and nuanced illustrations by Erin Stead add the finishing flourishes to this remarkable work."—Shelf Awareness, starred review “drawn with a graceful crosshatched intelligence that seems close to the best of Wyeth.”—Adam Gopnik, The New York Times "Twain and the two Steads have created what could become a read-aloud classic, perfect for families to enjoy together."—The Horn Book "Artful and meta and elegant”—The Wall Street Journal "Should inspire readers young and old to seek further adventures with Twain."—The Washington Post
Mark Twain, American Humorist
Author: Tracy Wuster
Publisher: University of Missouri Press
ISBN: 0826274110
Category : Literary Criticism
Languages : en
Pages : 502
Book Description
Mark Twain, American Humorist examines the ways that Mark Twain’s reputation developed at home and abroad in the period between 1865 and 1882, years in which he went from a regional humorist to national and international fame. In the late 1860s, Mark Twain became the exemplar of a school of humor that was thought to be uniquely American. As he moved into more respectable venues in the 1870s, especially through the promotion of William Dean Howells in the Atlantic Monthly, Mark Twain muddied the hierarchical distinctions between class-appropriate leisure and burgeoning forms of mass entertainment, between uplifting humor and debased laughter, and between the literature of high culture and the passing whim of the merely popular.
Publisher: University of Missouri Press
ISBN: 0826274110
Category : Literary Criticism
Languages : en
Pages : 502
Book Description
Mark Twain, American Humorist examines the ways that Mark Twain’s reputation developed at home and abroad in the period between 1865 and 1882, years in which he went from a regional humorist to national and international fame. In the late 1860s, Mark Twain became the exemplar of a school of humor that was thought to be uniquely American. As he moved into more respectable venues in the 1870s, especially through the promotion of William Dean Howells in the Atlantic Monthly, Mark Twain muddied the hierarchical distinctions between class-appropriate leisure and burgeoning forms of mass entertainment, between uplifting humor and debased laughter, and between the literature of high culture and the passing whim of the merely popular.
CliffsNotes on Twain's The Adventures of Huckleberry Finn
Author: Robert Bruce
Publisher: Houghton Mifflin Harcourt
ISBN: 0544182103
Category : Literary Criticism
Languages : en
Pages : 113
Book Description
The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format. In CliffsNotes on Huckleberry Finn, you follow the Mississippi River adventures of Mark Twain's mischief-making protagonist Huck Finn and the runaway slave Jim. Just like Huck's makeshift raft, this study guide carries you along on his incredible journey by providing chapter summaries and critical analyses on life in the late-19th-century American south. You'll also gain insight into the man behind this American classic—Mark Twain, a.k.a. Samuel Clemens. Other features that help you study include Character analyses of major players A character map that graphically illustrates the relationships among the characters Critical essays A review section that tests your knowledge A Resource Center full of books, articles, films, and Internet sites Classic literature or modern-day treasure—you'll understand it all with expert information and insight from CliffsNotes study guides.
Publisher: Houghton Mifflin Harcourt
ISBN: 0544182103
Category : Literary Criticism
Languages : en
Pages : 113
Book Description
The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format. In CliffsNotes on Huckleberry Finn, you follow the Mississippi River adventures of Mark Twain's mischief-making protagonist Huck Finn and the runaway slave Jim. Just like Huck's makeshift raft, this study guide carries you along on his incredible journey by providing chapter summaries and critical analyses on life in the late-19th-century American south. You'll also gain insight into the man behind this American classic—Mark Twain, a.k.a. Samuel Clemens. Other features that help you study include Character analyses of major players A character map that graphically illustrates the relationships among the characters Critical essays A review section that tests your knowledge A Resource Center full of books, articles, films, and Internet sites Classic literature or modern-day treasure—you'll understand it all with expert information and insight from CliffsNotes study guides.
Mark Twain's Book for Bad Boys and Girls
Author: Mark Twain
Publisher: M J F Books
ISBN: 9781567315318
Category : Humor
Languages : en
Pages : 196
Book Description
This is the first-ever compilation of Twain's wise and witty essays, sketches, and stories on the joys and rewards of misbehavior. With themes including "honesty is not always the best policy, ""the wicked are not always punished," and "virtue is often its only reward," this is a charming treasury that will warm the hearts of bad boys and girls (of any age)everywhere
Publisher: M J F Books
ISBN: 9781567315318
Category : Humor
Languages : en
Pages : 196
Book Description
This is the first-ever compilation of Twain's wise and witty essays, sketches, and stories on the joys and rewards of misbehavior. With themes including "honesty is not always the best policy, ""the wicked are not always punished," and "virtue is often its only reward," this is a charming treasury that will warm the hearts of bad boys and girls (of any age)everywhere
Mark Twain's Autobiography
Author: Mark Twain
Publisher:
ISBN:
Category :
Languages : en
Pages : 398
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 398
Book Description
Mark Twain & France
Author: Paula Harrington
Publisher: University of Missouri Press
ISBN: 0826273777
Category : Biography & Autobiography
Languages : en
Pages : 242
Book Description
Blending cultural history, biography, and literary criticism, this book explores how one of America's greatest icons used the French to help build a new sense of what it is to be “American” in the second half of the nineteenth century. While critics have generally dismissed Mark Twain’s relationship with France as hostile, Harrington and Jenn see Twain’s use of the French as a foil to help construct his identity as “the representative American.” Examining new materials that detail his Montmatre study, the carte de visite album, and a chronology of his visits to France, the book offers close readings of writings that have been largely ignored, such as The Innocents Adrift manuscript and the unpublished chapters of A Tramp Abroad, combining literary analysis, socio-historical context and biographical research.
Publisher: University of Missouri Press
ISBN: 0826273777
Category : Biography & Autobiography
Languages : en
Pages : 242
Book Description
Blending cultural history, biography, and literary criticism, this book explores how one of America's greatest icons used the French to help build a new sense of what it is to be “American” in the second half of the nineteenth century. While critics have generally dismissed Mark Twain’s relationship with France as hostile, Harrington and Jenn see Twain’s use of the French as a foil to help construct his identity as “the representative American.” Examining new materials that detail his Montmatre study, the carte de visite album, and a chronology of his visits to France, the book offers close readings of writings that have been largely ignored, such as The Innocents Adrift manuscript and the unpublished chapters of A Tramp Abroad, combining literary analysis, socio-historical context and biographical research.
The Mercurial Mark Twain(s)
Author: James L. Machor
Publisher: Taylor & Francis
ISBN: 1000814203
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
Who was Mark Twain? Was he the genial author of two beloved boys books, the white-haired and white-suited avuncular humorist, the realistic novelist, the exposer of shams, the author repressed by bourgeois values, or the social satirist whose later writings embody an increasingly dark view? In light of those and other conceptions, the question we need to ask is not who he was but how did we get so many Mark Twains? The Mercurial Mark Twains(s): Reception History and Iconic Authorship provides answers to that question by examining the way Twain, his texts, and his image have been constructed by his audiences. Drawing on archival records of responses from common readers, reviewer reactions, analyses by Twain scholars and critics, and film and television adaptations, this study provides the first wide-ranging, fine-grained historical analysis of Twain’s reception in both the public and private spheres, from the 1860s until the end of the twentieth century.
Publisher: Taylor & Francis
ISBN: 1000814203
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
Who was Mark Twain? Was he the genial author of two beloved boys books, the white-haired and white-suited avuncular humorist, the realistic novelist, the exposer of shams, the author repressed by bourgeois values, or the social satirist whose later writings embody an increasingly dark view? In light of those and other conceptions, the question we need to ask is not who he was but how did we get so many Mark Twains? The Mercurial Mark Twains(s): Reception History and Iconic Authorship provides answers to that question by examining the way Twain, his texts, and his image have been constructed by his audiences. Drawing on archival records of responses from common readers, reviewer reactions, analyses by Twain scholars and critics, and film and television adaptations, this study provides the first wide-ranging, fine-grained historical analysis of Twain’s reception in both the public and private spheres, from the 1860s until the end of the twentieth century.
Mark Twain in the Company of Women
Author: Laura E. Skandera Trombley
Publisher: University of Pennsylvania Press
ISBN: 9780812216196
Category : Biography & Autobiography
Languages : en
Pages : 252
Book Description
The field of Mark Twain biography has been dominated by men, and Samuel Clemens himself - riverboat pilot, Western correspondent, silver prospector, world traveler - has been traditionally portrayed as a man's man. The publication of Laura E. Skandera-Trombley's Mark Twain in the Company of Women, however, marks a significant departure from conventional scholarship. Skandera-Trombley, the first woman to write a scholarly biography of Mark Twain, contends that Clemens intentionally surrounded himself with women, and that his capacity to produce extended fictions had almost as much to do with the environment shaped by his female family as with the talent and genius of the writer himself. Women helped Clemens to define his boundaries, both personal and literary. Women shaped his life, edited his books, and provided models for his fictional characters. Clemens read and corresponded with female authors, and often actively promoted their careers. Skandera-Trombley seeks to combine a biographical study of Clemens's life with his beloved wife, Olivia (Livy) Langdon, and their three daughters, Susy, Clara, and Jean, with new readings of Adventures of Huckleberry Finn and Personal Recollections of Joan of Arc. Several crucial areas are investigated: the nature of Clemens's family participation in his writing process, the degree to which their experiences as women during the mid- and late nineteenth century affected his writing, and the extent to which the loss of his family may have impeded and ultimately ended his ability to write lengthy narratives. Skandera-Trombley points out that in marrying Livy, Clemens not only joined a family of substantial means, but also entered one active in thesuffragist, abolitionist, and other reformist movements, which had deep roots in the progressive community of Elmira, New York. Mark Twain in the Company of Women will be of interest to Twain scholars and readers as well as students in American studies, women's studies, nineteenth-century history, and political and cultural studies.
Publisher: University of Pennsylvania Press
ISBN: 9780812216196
Category : Biography & Autobiography
Languages : en
Pages : 252
Book Description
The field of Mark Twain biography has been dominated by men, and Samuel Clemens himself - riverboat pilot, Western correspondent, silver prospector, world traveler - has been traditionally portrayed as a man's man. The publication of Laura E. Skandera-Trombley's Mark Twain in the Company of Women, however, marks a significant departure from conventional scholarship. Skandera-Trombley, the first woman to write a scholarly biography of Mark Twain, contends that Clemens intentionally surrounded himself with women, and that his capacity to produce extended fictions had almost as much to do with the environment shaped by his female family as with the talent and genius of the writer himself. Women helped Clemens to define his boundaries, both personal and literary. Women shaped his life, edited his books, and provided models for his fictional characters. Clemens read and corresponded with female authors, and often actively promoted their careers. Skandera-Trombley seeks to combine a biographical study of Clemens's life with his beloved wife, Olivia (Livy) Langdon, and their three daughters, Susy, Clara, and Jean, with new readings of Adventures of Huckleberry Finn and Personal Recollections of Joan of Arc. Several crucial areas are investigated: the nature of Clemens's family participation in his writing process, the degree to which their experiences as women during the mid- and late nineteenth century affected his writing, and the extent to which the loss of his family may have impeded and ultimately ended his ability to write lengthy narratives. Skandera-Trombley points out that in marrying Livy, Clemens not only joined a family of substantial means, but also entered one active in thesuffragist, abolitionist, and other reformist movements, which had deep roots in the progressive community of Elmira, New York. Mark Twain in the Company of Women will be of interest to Twain scholars and readers as well as students in American studies, women's studies, nineteenth-century history, and political and cultural studies.