The Works of John Ruskin: Turner. The harbours of England. Catalogues and notes

The Works of John Ruskin: Turner. The harbours of England. Catalogues and notes PDF Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 836

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The Works of John Ruskin: Turner. The harbours of England. Catalogues and notes

The Works of John Ruskin: Turner. The harbours of England. Catalogues and notes PDF Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 836

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Book Description


The Works of John Ruskin: Turner. The harbours of England

The Works of John Ruskin: Turner. The harbours of England PDF Author: John Ruskin
Publisher:
ISBN:
Category : Art critics
Languages : en
Pages : 834

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Book Description
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.

The Life and Masterworks of J.M.W. Turner

The Life and Masterworks of J.M.W. Turner PDF Author: Eric Shanes
Publisher: Parkstone International
ISBN: 1780429592
Category : Art
Languages : en
Pages : 256

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Book Description
At fifteen, Turner was already exhibiting View of Lambeth. He soon acquired the reputation of an immensely clever watercolourist. A disciple of Girtin and Cozens, he showed in his choice and presentation of theme a picturesque imagination which seemed to mark him out for a brilliant career as an illustrator. He travelled, first in his native land and then on several occasions in France, the Rhine Valley, Switzerland and Italy. He soon began to look beyond illustration. However, even in works in which we are tempted to see only picturesque imagination, there appears his dominant and guiding ideal of lyric landscape. His choice of a single master from the past is an eloquent witness for he studied profoundly such canvases of Claude as he could find in England, copying and imitating them with a marvellous degree of perfection. His cult for the great painter never failed. He desired his Sun Rising through Vapour and Dido Building Carthage to be placed in the National Gallery side by side with two of Claude’s masterpieces. And, there, we may still see them and judge how legitimate was this proud and splendid homage. It was only in 1819 that Turner went to Italy, to go again in 1829 and 1840. Certainly Turner experienced emotions and found subjects for reverie which he later translated in terms of his own genius into symphonies of light and colour. Ardour is tempered with melancholy, as shadow strives with light. Melancholy, even as it appears in the enigmatic and profound creation of Albrecht Dürer, finds no home in Turner’s protean fairyland – what place could it have in a cosmic dream? Humanity does not appear there, except perhaps as stage characters at whom we hardly glance. Turner’s pictures fascinate us and yet we think of nothing precise, nothing human, only unforgettable colours and phantoms that lay hold on our imaginations. Humanity really only inspires him when linked with the idea of death – a strange death, more a lyrical dissolution – like the finale of an opera.

J. M. W. Turner

J. M. W. Turner PDF Author: Luke Herrmann
Publisher: OUP Oxford
ISBN: 0199217556
Category : Art
Languages : en
Pages : 122

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Book Description
Definitive, concise, and very interesting... From William Shakespeare to Winston Churchill, the Very Interesting People series provides authoritative bite-sized biographies of Britain's most fascinating historical figures - people whose influence and importance have stood the test of time. Each book in the series is based upon the biographical entry from the world-famous Oxford Dictionary of National Biography. The Very Interesting People series includes the following titles: 1.William Shakespeare by Peter Holland 2. George Eliot by Rosemary Ashton 3. Charles Dickens by Michael Slater 4. Charles Darwin by Adrian Desmond, James Moore, and Janet Browne 5. Isaac Newton by Richard S.Westfall 6. Elizabeth I by Patrick Collinson 7. George III by John Cannon 8. Benjamin Disraeli by Jonathan Parry 9. Christopher Wren by Kerry Downes 10. John Ruskin by Robert Hewison 11. James Joyce by Bruce Stewart 12. John Milton by Gordon Campbell 13. Jane Austen by Marilyn Butler 14. Henry VIII by Eric Ives 15. Queen Victoria by K. D. Reynolds and H. C. G. Matthew 16. Winston Churchill by Paul Addison 17. Oliver Cromwell by John Morrill 18. Thomas Paine by Mark Philp 19. J. M. W. Turner by Luke Herrmann 20. William and Mary by Tony Claydon and W. A. Speck -

Turner as Draughtsman

Turner as Draughtsman PDF Author: Andrew Wilton
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754600268
Category : Art
Languages : en
Pages : 196

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Book Description
Turner as Draughtsman looks at the artist's practice of drawing in various media (pen, pencil and chalk as well as watercolour and oil paint), an aspect of Turner's work which has hitherto received very little attention. Andrew Wilton shows that, while Turner's art has always been celebrated for its atmospheric breadth and freedom of handling, he based his working procedures throughout his career on the discipline of drawing in outline, which was an essential element in the grand strategy by which he achieved his formidable results. An important section of the book is devoted to the vexed question of Turner's drawing of the human figure, and the crucial role played by the figure both in his conception of landscape and in his ambitious attempts to master all the genres of fashionable contemporary art.

Turner on the Seine

Turner on the Seine PDF Author: Ian Warrell
Publisher: Tate Publishing(UK)
ISBN:
Category : Architecture
Languages : en
Pages : 300

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Book Description
Turner published two volumes of views of the River Seine in the early 1830s, when he was at the height of his success. All of the watercolours he completed for the project are reproduced in this book, along with many of his preliminary studies. As the text demonstrates, the watercolours are born out of Turner's long familiarity with the river. His views came as part of an explosion in the market for travel books, particularly for the area between Paris and the coast, and a number of these comparable publications, with their illustrations by some of Turner's finest rivals, are discussed. The book also examines how Turner confronted the technical innovations of the new age, making contemporary features, such as canals and steamboats, the subjects of his pictures, and thereby preparing the ground for masterpieces such as The Fighting Temeraire.

Turner at the National Gallery and in Mr. Ruskin's collection

Turner at the National Gallery and in Mr. Ruskin's collection PDF Author: John Ruskin
Publisher:
ISBN:
Category : Painting, British
Languages : en
Pages : 520

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Book Description


Literature of Travel and Exploration: R to Z, index

Literature of Travel and Exploration: R to Z, index PDF Author: Jennifer Speake
Publisher: Taylor & Francis
ISBN: 9781579584405
Category : Travel
Languages : en
Pages : 566

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Book Description
Containing more than 600 entries, this valuable resource presents all aspects of travel writing. There are entries on places and routes (Afghanistan, Black Sea, Egypt, Gobi Desert, Hawaii, Himalayas, Italy, Northwest Passage, Samarkand, Silk Route, Timbuktu), writers (Isabella Bird, Ibn Battuta, Bruce Chatwin, Gustave Flaubert, Mary Kingsley, Walter Ralegh, Wilfrid Thesiger), methods of transport and types of journey (balloon, camel, grand tour, hunting and big game expeditions, pilgrimage, space travel and exploration), genres (buccaneer narratives, guidebooks, New World chronicles, postcards), companies and societies (East India Company, Royal Geographical Society, Society of Dilettanti), and issues and themes (censorship, exile, orientalism, and tourism). For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Literature of Travel and Exploration: An Encyclopedia website.

Turner, the Fourth Decade

Turner, the Fourth Decade PDF Author: Ian Warrell
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 76

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Book Description


Joseph Mallord William Turner and artworks

Joseph Mallord William Turner and artworks PDF Author: Eric Shanes
Publisher: Parkstone International
ISBN: 1781608296
Category : Art
Languages : en
Pages : 135

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Book Description
At fifteen, Turner was already exhibiting View of Lambeth. He soon acquired the reputation of an immensely clever watercolourist. A disciple of Girtin and Cozens, he showed in his choice and presentation of theme a picturesque imagination which seemed to mark him out for a brilliant career as an illustrator. He travelled, first in his native land and then on several occasions in France, the Rhine Valley, Switzerland and Italy. He soon began to look beyond illustration. However, even in works in which we are tempted to see only picturesque imagination, there appears his dominant and guiding ideal of lyric landscape. His choice of a single master from the past is an eloquent witness for he studied profoundly such canvases of Claude as he could find in England, copying and imitating them with a marvellous degree of perfection. His cult for the great painter never failed. He desired his Sun Rising through Vapour and Dido Building Carthage to be placed in the National Gallery side by side with two of Claude’s masterpieces. And, there, we may still see them and judge how legitimate was this proud and splendid homage. It was only in 1819 that Turner went to Italy, to go again in 1829 and 1840. Certainly Turner experienced emotions and found subjects for reverie which he later translated in terms of his own genius into symphonies of light and colour. Ardour is tempered with melancholy, as shadow strives with light. Melancholy, even as it appears in the enigmatic and profound creation of Albrecht Dürer, finds no home in Turner’s protean fairyland – what place could it have in a cosmic dream? Humanity does not appear there, except perhaps as stage characters at whom we hardly glance. Turner’s pictures fascinate us and yet we think of nothing precise, nothing human, only unforgettable colours and phantoms that lay hold on our imaginations. Humanity really only inspires him when linked with the idea of death – a strange death, more a lyrical dissolution – like the finale of an opera.