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Author: David H. Stam
Publisher: Good Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 98
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Book Description
In 'Turgenev in English: A Checklist of Works by and about Him', editors David H. Stam and Rissa Yachnin offer a meticulously curated anthology that serves as a comprehensive guide to the translation and critical reception of Ivan Turgenev's works in the English-speaking world. This collection highlights the diversity of literary formsfrom novels and short stories to plays and essaysshowcasing the varied ways in which Turgenev's oeuvre has been interpreted and valued across different cultures and literary periods. It invites readers to explore the rich tapestry of literary styles and the significant impact of Turgenev's work on English literature. The compilation stands out for its detailed cataloging of translations and critical works, providing an invaluable resource for scholars and enthusiasts alike. The contributing editors, Stam and Yachnin, bring to the project their vast expertise in library and information science and Russian literature, respectively. Their backgrounds afford a unique lens through which the cross-cultural dissemination of Turgenev's work is examined, offering insights into the historical and cultural contexts that have influenced translations and literary criticism. This anthology aligns with wider literary movements by tracing the intertextual dialogues between Russian and English literary traditions, enhancing our understanding of Turgenev's enduring influence. 'Turgenev in English: A Checklist of Works by and about Him' is recommended for scholars, students, and general readers interested in Russian literature, translation studies, and comparative literature. This volume provides an unparalleled opportunity to delve into the complexities of literary translation and its impact on reception and scholarship. It encourages a deeper appreciation of Turgenev's contributions to literature and the nuanced interplay between his Russian heritage and his global legacy. For anyone looking to broaden their literary horizons and engage with the multifaceted world of literary translation and criticism, this anthology is an indispensable resource.
Author: David H. Stam
Publisher: Good Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 98
Get Book Here
Book Description
In 'Turgenev in English: A Checklist of Works by and about Him', editors David H. Stam and Rissa Yachnin offer a meticulously curated anthology that serves as a comprehensive guide to the translation and critical reception of Ivan Turgenev's works in the English-speaking world. This collection highlights the diversity of literary formsfrom novels and short stories to plays and essaysshowcasing the varied ways in which Turgenev's oeuvre has been interpreted and valued across different cultures and literary periods. It invites readers to explore the rich tapestry of literary styles and the significant impact of Turgenev's work on English literature. The compilation stands out for its detailed cataloging of translations and critical works, providing an invaluable resource for scholars and enthusiasts alike. The contributing editors, Stam and Yachnin, bring to the project their vast expertise in library and information science and Russian literature, respectively. Their backgrounds afford a unique lens through which the cross-cultural dissemination of Turgenev's work is examined, offering insights into the historical and cultural contexts that have influenced translations and literary criticism. This anthology aligns with wider literary movements by tracing the intertextual dialogues between Russian and English literary traditions, enhancing our understanding of Turgenev's enduring influence. 'Turgenev in English: A Checklist of Works by and about Him' is recommended for scholars, students, and general readers interested in Russian literature, translation studies, and comparative literature. This volume provides an unparalleled opportunity to delve into the complexities of literary translation and its impact on reception and scholarship. It encourages a deeper appreciation of Turgenev's contributions to literature and the nuanced interplay between his Russian heritage and his global legacy. For anyone looking to broaden their literary horizons and engage with the multifaceted world of literary translation and criticism, this anthology is an indispensable resource.
Author: Tracy Chevalier
Publisher: Routledge
ISBN: 1135314101
Category : Reference
Languages : en
Pages : 1032
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Book Description
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
Author: Patrick Waddington
Publisher: Springer
ISBN: 1349034312
Category : Literary Criticism
Languages : en
Pages : 409
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Book Description
Author: Ivan Turgenev
Publisher: OUP Oxford
ISBN: 019160545X
Category : Fiction
Languages : en
Pages : 402
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Book Description
Turgenev's masterpiece about the conflict between generations is as fresh, outspoken, and exciting today as it was in when it was first published in 1862. The controversial portrait of Bazarov, the energetic, cynical, and self-assured `nihilist' who repudiates the romanticism of his elders, shook Russian society. Indeed the image of humanity liberated by science from age-old conformities and prejudices is one that can threaten establishments of any political or religious persuasion, and is especially potent in the modern era. This new translation, specially commissioned for the World's Classics, is the first to draw on Turgenev's working manuscript, which only came to light in 1988. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author: Rebecca Beasley
Publisher: Oxford University Press
ISBN: 0192522485
Category : Literary Criticism
Languages : en
Pages : 553
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Book Description
Russomania: Russian Culture and the Creation of British Modernism provides a new account of modernist literature's emergence in Britain. British writers played a central role in the dissemination of Russian literature and culture during the early twentieth century, and their writing was transformed by the encounter. This study restores the thick history of that moment, by analyzing networks of dissemination and reception to recover the role of neglected as well as canonical figures, and institutions as well as individuals. The dominant account of British modernism privileges a Francophile genealogy, but the turn-of-the century debate about the future of British writing was a triangular debate, a debate not only between French and English models, but between French, English, and Russian models. Francophile modernists associated Russian literature, especially the Tolstoyan novel, with an uncritical immersion in 'life' at the expense of a mastery of style, and while individual works might be admired, Russian literature as a whole was represented as a dangerous model for British writing. This supposed danger was closely bound up with the politics of the period, and this book investigates how Russian culture was deployed in the close relationships between writers, editors, and politicians who made up the early twentieth-century intellectual class--the British intelligentsia. Russomania argues that the most significant impact of Russian culture is not to be found in stylistic borrowings between canonical authors, but in the shaping of the major intellectual questions of the period: the relation between language and action, writer and audience, and the work of art and lived experience. The resulting account brings an occluded genealogy of early modernism to the fore, with a different arrangement of protagonists, different critical values, and stronger lines of connection to the realist experiments of the Victorian past, and the anti-formalism and revived romanticism of the 1930s and 1940s future.
Author: Henry James
Publisher: U of Nebraska Press
ISBN: 0803246196
Category : Literary Collections
Languages : en
Pages : 329
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Book Description
Volume 2. This volume contains letters written from December 21, 1877, to September 29, 1878, when, having settled comfortably into London life, James finished preparing the foundation for the career that would define his reputation as a critic and fiction writer. During this time James published "Daisy Miller" and "The Europeans" as well as other fiction, reviews, and cultural criticism.
Author: David H. Stam
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 97
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Book Description
DigiCat Publishing presents to you this special edition of "Turgenev in English: A Checklist of Works by and about Him" by David H. Stam, Rissa Yachnin. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Orlando Figes
Publisher: Metropolitan Books
ISBN: 1627792155
Category : History
Languages : en
Pages : 488
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Book Description
From the “master of historical narrative” (Financial Times), a dazzling, richly detailed, panoramic work—the first to document the genesis of a continent-wide European culture. The nineteenth century in Europe was a time of unprecedented artistic achievement. It was also the first age of cultural globalization—an epoch when mass communications and high-speed rail travel brought Europe together, overcoming the barriers of nationalism and facilitating the development of a truly European canon of artistic, musical, and literary works. By 1900, the same books were being read across the continent, the same paintings reproduced, the same music played in homes and heard in concert halls, the same operas performed in all the major theatres. Drawing from a wealth of documents, letters, and other archival materials, acclaimed historian Orlando Figes examines the interplay of money and art that made this unification possible. At the center of the book is a poignant love triangle: the Russian writer Ivan Turgenev; the Spanish prima donna Pauline Viardot, with whom Turgenev had a long and intimate relationship; and her husband Louis Viardot, an art critic, theater manager, and republican activist. Together, Turgenev and the Viardots acted as a kind of European cultural exchange—they either knew or crossed paths with Delacroix, Berlioz, Chopin, Brahms, Liszt, the Schumanns, Hugo, Flaubert, Dickens, and Dostoyevsky, among many other towering figures. As Figes observes, nearly all of civilization’s great advances have come during periods of heightened cosmopolitanism—when people, ideas, and artistic creations circulate freely between nations. Vivid and insightful, The Europeans shows how such cosmopolitan ferment shaped artistic traditions that came to dominate world culture.
Author: David H. Stam
Publisher: AuthorHouse
ISBN: 1491861487
Category : Biography & Autobiography
Languages : en
Pages : 333
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Book Description
What Happened to Me: My Life with Books, Research Libraries, and Performing Arts is a personal memoir, providing insight into the world of research libraries and particularly colorful librarians in the U.S. from the 1960s through the 1990s. It focuses largely on the authors own experiences in leadership positions at Marlboro College, The Newberry Library, The Johns Hopkins University, The New York Public Library, and Syracuse University. Told partly as an exploration of predestination and free will, the story begins with the authors childhood in a Christian fundamentalist environment, and goes on to recount frankly his distinctly secular coming-of-age experiences through the Navy, the arts world in New York City, the Vermont scene of the 1960s, his many years of involvementsurprising to himin some rarified academic and research circles, the philanthropic world of New York, and the integration in later years of personal interests in music, local community, family, and classical music and musicians.
Author: Mau-sang Ng
Publisher: SUNY Press
ISBN: 9780887068805
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
The Russian influence took root in the Chinese intellectual tradition that evolved after the Literary Revolution of 1917. When the Chinese communists turned to Russia for their inspiration they also accepted the Russian version of the novel's form and function in society. However, they did not accept it uncritically. Chinese understanding of the arts goes back for thousands of years and thus Chinese intellectuals brought their own kinds of tradition and intelligence to these new arts and political solutions. In this lucid study, the author demonstrates how Chinese writers, guided by Russian authors such as Chekhov, Turgenev, and Andreyev, created works of art that are both original and Chinese. However, he also shows that the familiar heroes of such famous novelists as Lu Xun, Yu Dafu, Mao Dun, and Ba Jin have a strong Russian flavor linked to prototypes in the Russian literary tradition. The author depicts the fortune of Soviet literature and the fate of the intellectual hero in the People's Republic of China. He believes that the humanistic May Fourth intellectual tradition, which inspired enthusiasm for classical Russian literature, has been revived with the publication of works like Dai Houying's Man ah, Man! and Zhao Zhenkai's Waves.
