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Author: George Kennedy
Publisher: Applause Theatre & Cinema
ISBN: 1557839166
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
(Applause Books). "These are memoirs of a kid born in New York City in 1925. His dad, George Senior, was a pianist, composer, and orchestra leader at Proctor's Vaudeville Theatre, and his mother, Helen, played in a classic dance troupe. Hanky-panky ensued. They married, and I soon was the result... I write like I talk. A long time ago I tried making 'talking and telling the truth' one and the same. That isn't just difficult; it means painfully reviewing things you've been led to believe since you were a child. That's very hard to do. Like many, I have marched along adhering to conventions (sex, color, church, party, gang) without examination. There's a wonderful, protective 'togetherness' in that anonymity. You obey or are damned, less joined together than stuck together. You become an echo rather than a voice. This book is about what happens when you stop fearing and think. I like writing, but warmed-over BS is not on the menu. You are the most important thing in life. Every phrase in the book awkward or not is how I think and question everything. I wrote every word as if we were sitting together. I want you to think, too..." George Kennedy, from the preface
Author: George Kennedy
Publisher: Applause Theatre & Cinema
ISBN: 1557839166
Category : Performing Arts
Languages : en
Pages : 229
Get Book Here
Book Description
(Applause Books). "These are memoirs of a kid born in New York City in 1925. His dad, George Senior, was a pianist, composer, and orchestra leader at Proctor's Vaudeville Theatre, and his mother, Helen, played in a classic dance troupe. Hanky-panky ensued. They married, and I soon was the result... I write like I talk. A long time ago I tried making 'talking and telling the truth' one and the same. That isn't just difficult; it means painfully reviewing things you've been led to believe since you were a child. That's very hard to do. Like many, I have marched along adhering to conventions (sex, color, church, party, gang) without examination. There's a wonderful, protective 'togetherness' in that anonymity. You obey or are damned, less joined together than stuck together. You become an echo rather than a voice. This book is about what happens when you stop fearing and think. I like writing, but warmed-over BS is not on the menu. You are the most important thing in life. Every phrase in the book awkward or not is how I think and question everything. I wrote every word as if we were sitting together. I want you to think, too..." George Kennedy, from the preface
Author: Bill Fawcett
Publisher: Penguin
ISBN: 0425257363
Category : History
Languages : en
Pages : 418
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Book Description
Hindsight hurts. * The British Parliament passes the Stamp Act, having the American colonies pay for their own defense—which instead starts a revolution. * In 1929, President Herbert Hoover decides to let the economy fix itself…and the Great Depression gets greater. * Nixon tapes everything he says in the Oval Office, believing it will all be of great historical value. He turns out to be right when those same tapes cost him his presidency. * Charles the First cuts a deal with the Irish to fight Parliament that instead loses him public support—and later his head. Along with 100 Mistakes that Changed the World, Trust Me, I Know What I'm Doing proves once again that when global leaders drop the ball, the whole world shakes. With a hundred more bombshell blunders—from Pickett’s Charge to the Lewinski scandal—this compendium takes a fascinating look at some of history’s greatest turns for the worse.
Author: Ryan Holiday
Publisher: Penguin
ISBN: 1591846285
Category : Social Science
Languages : en
Pages : 354
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Book Description
The cult classic that predicted the rise of fake news—revised and updated for the post-Trump, post-Gawker age. Hailed as "astonishing and disturbing" by the Financial Times and "essential reading" by TechCrunch at its original publication, former American Apparel marketing director Ryan Holiday’s first book sounded a prescient alarm about the dangers of fake news. It's all the more relevant today. Trust Me, I’m Lying was the first book to blow the lid off the speed and force at which rumors travel online—and get "traded up" the media ecosystem until they become real headlines and generate real responses in the real world. The culprit? Marketers and professional media manipulators, encouraged by the toxic economics of the news business. Whenever you see a malicious online rumor costs a company millions, politically motivated fake news driving elections, a product or celebrity zooming from total obscurity to viral sensation, or anonymously sourced articles becoming national conversation, someone is behind it. Often someone like Ryan Holiday. As he explains, “I wrote this book to explain how media manipulators work, how to spot their fingerprints, how to fight them, and how (if you must) to emulate their tactics. Why am I giving away these secrets? Because I’m tired of a world where trolls hijack debates, marketers help write the news, opinion masquerades as fact, algorithms drive everything to extremes, and no one is accountable for any of it. I’m pulling back the curtain because it’s time the public understands how things really work. What you choose to do with this information is up to you.”
Author: Andy Hill
Publisher: Hal Leonard Corporation
ISBN: 1540004813
Category : Music
Languages : en
Pages : 425
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Book Description
(Music Pro Guides). Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo , To Kill a Mockingbird , Patton , The Untouchables , or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music . This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art , to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language , developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning . To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): "If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today."
Author: Shawn M. Tomlinson
Publisher: Lulu.com
ISBN: 132967460X
Category : Performing Arts
Languages : en
Pages : 684
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Book Description
The Hitchhiker in Time columns were the single most popular things ever written by Shawn M. Tomlinson, which honestly doesn't say all that much. All together, they appeared in fewer than 10 newspapers between 1988 and 2001. Well, multiple copies of those newspapers, of course. The highest circulation was approximately 40,000, so not exactly Bob Greene levels. Still, Tomlinson had a following with these columns and to a great extent, they hold up well today. Either that or Tomlinson would like to think so. Many of these columns appeared in chapbooks over the years, but this is the first full collection of them to be in print.
Author: Shelly Peiken
Publisher: Rowman & Littlefield
ISBN: 1495063623
Category : Biography & Autobiography
Languages : en
Pages : 306
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Book Description
Confessions of a Serial Songwriter is an amusing and poignant memoir about songwriter Shelly Peiken's journey from young girl falling under the spell of magical songs to working professional songwriter writing hits of her own. It's about growing up, the creative process – the highs and the lows, the conflicts that arise between motherhood and career success, the divas and schemers, but also the talented and remarkable people she's found along the way. It's filled with stories and step-by-step advice about the songwriting process, especially collaboration. And it's about the challenge of staying relevant in a rapidly changing and youth-driven world. As Shelly so eloquently states in Confessions of a Serial Songwriter: “If I had to come up with one X factor that I could cite as a characteristic most hit songs have in common (and this excludes hit songs that are put forth by an already well-oiled machine...that is, a recording artist who has so much notoriety and momentum that just about anything he or she releases, as long as it's 'pretty good ' will have a decent shot at succeeding), I would say it would be: A universal sentiment in a unique frame.” Peiken has tapped the universal sentiment again and again; her songs have been recorded by such artists as Christina Aguilera, Natalie Cole, Selena Gomez, Celine Dion, the Pretenders, and others. In Confessions of a Serial Songwriter, she pulls the curtain back on the music business from the perspective of a behind-the-scenes hit creator and shares invaluable insight into the craft of songwriting.
Author: Brian Cherney
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228023130
Category : Music
Languages : en
Pages : 192
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Book Description
In the fall of 1959 Norma Beecroft, a twenty-five-year-old composition student, left her home in Toronto and travelled to Rome to study with the eminent Italian composer Goffredo Petrassi. She left behind her lover and mentor, the thirty-four-year-old Harry Somers, by then recognized as one of Canada’s leading young composers. For the next six months they wrote each other almost every day. Their intense and intimate correspondence documents lives lived apart but shared on the page, until the relationship came to an abrupt end. Selected from the full extant correspondence, the letters show both composers at pivotal moments in their careers, processing music and culture in their respective environments in ways that would remain influential for themselves and to each other. Beyond illuminating a tempestuous love affair, their wide-ranging letters capture the development of Canadian arts and culture of the period. They record observations about significant figures in their circles; the performances, theatre, and art Somers experienced in Toronto; and Beecroft’s attempts to forge a viable compositional approach through contact with important artists and composers abroad. Somers eventually realized that what he wanted most was for Beecroft to give up her studies and return to Toronto to marry him. She turned him down and remained in Italy to study and write music, cementing her commitment to the vocation that would shape the rest of her creative life. She would break ground as a woman in her field, a producer for the CBC, and a composer and early champion of electroacoustic music. A window into cultural life in Canada and Rome at the end of the 1950s, Between Composers is a striking record of a turning point in the lives and careers of two young artists that would mark them and their music for decades.
Author: Laura Annawyn Shamas
Publisher: Dramatic Publishing
ISBN: 9780871294753
Category : Sexual harassment of women
Languages : en
Pages : 84
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Book Description
Author: Jonathan Rosenbaum
Publisher: Univ of California Press
ISBN: 0520247388
Category : Performing Arts
Languages : en
Pages : 696
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Book Description
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Author: Stephen Walsh
Publisher: Univ of California Press
ISBN: 9780520227491
Category : Art
Languages : en
Pages : 744
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Book Description
A meticulously-researched biography of the great 20th-century composer by a biographer who is also a musicologist and who worked to get beyond the often unreliable stories Stravinsky told about his life.
