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Author: Ch. Didier Gondola
Publisher: Indiana University Press
ISBN: 0253020808
Category : Social Science
Languages : en
Pages : 271
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Book Description
“An innovative and original study that sheds light on masculinity, youth culture, performative violence, and the circuit of global imagery.” —Stephan F. Miescher, author of Making Men in Ghana During the 1950s and 60s in the Congo city of Kinshasa, there emerged young urban male gangs known as “Bills” or “Yankees.” Modeling themselves on the images of the iconic American cowboy from Hollywood film, the Bills sought to negotiate lives lived under oppressive economic, social, and political conditions. They developed their own style, subculture, and slang and as Ch. Didier Gondola shows, engaged in a quest for manhood through bodybuilding, marijuana, violent sexual behavior, and other transgressive acts. Gondola argues that this street culture became a backdrop for Congo-Zaire’s emergence as an independent nation and continues to exert powerful influence on the country’s urban youth culture today. “Aligns social banditry with popular cultural formations and subcultures. This has been a longstanding feature of Didier Gondola’s scholarship that is of great interest.” —Peter J. Bloom, University of California, Santa Barbara “Its approach in terms of poverty and unemployment combined with a subtle interest in performance and the creation of an original culture makes this book an eye-opener. Both the dramatic subject and the author’s vivid style make it a pleasure to read and also food for thought regarding issues that haunt not only Africa but also the world at large.” —American Historical Review
Author: Ch. Didier Gondola
Publisher: Indiana University Press
ISBN: 0253020808
Category : Social Science
Languages : en
Pages : 271
Get Book Here
Book Description
“An innovative and original study that sheds light on masculinity, youth culture, performative violence, and the circuit of global imagery.” —Stephan F. Miescher, author of Making Men in Ghana During the 1950s and 60s in the Congo city of Kinshasa, there emerged young urban male gangs known as “Bills” or “Yankees.” Modeling themselves on the images of the iconic American cowboy from Hollywood film, the Bills sought to negotiate lives lived under oppressive economic, social, and political conditions. They developed their own style, subculture, and slang and as Ch. Didier Gondola shows, engaged in a quest for manhood through bodybuilding, marijuana, violent sexual behavior, and other transgressive acts. Gondola argues that this street culture became a backdrop for Congo-Zaire’s emergence as an independent nation and continues to exert powerful influence on the country’s urban youth culture today. “Aligns social banditry with popular cultural formations and subcultures. This has been a longstanding feature of Didier Gondola’s scholarship that is of great interest.” —Peter J. Bloom, University of California, Santa Barbara “Its approach in terms of poverty and unemployment combined with a subtle interest in performance and the creation of an original culture makes this book an eye-opener. Both the dramatic subject and the author’s vivid style make it a pleasure to read and also food for thought regarding issues that haunt not only Africa but also the world at large.” —American Historical Review
Author: James W. Martin
Publisher: University of New Mexico Press
ISBN: 0826359434
Category : History
Languages : en
Pages : 263
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Book Description
The iconic American banana man of the early twentieth century—the white “banana cowboy” pushing the edges of a tropical frontier—was the product of the corporate colonialism embodied by the United Fruit Company. This study of the United Fruit Company shows how the business depended on these complicated employees, especially on acclimatizing them to life as tropical Americans.
Author: Derham Groves
Publisher: Springer Nature
ISBN: 3031128834
Category : Performing Arts
Languages : en
Pages : 165
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Book Description
Australian Western in the Fifties: Kangaroo, Hopalong Cassidy on Tour, and Whiplash looks at Australian Westerns from three points of view—film, personal appearance, and television at the beginning, middle, and end of the 1950s, the American Western’s golden age. It looks at three significant but “forgotten” cases: (1) Kangaroo: The Australian Story, the first Technicolor film made in Australia, produced by the Hollywood movie studio 20th Century Fox, directed by the Academy Award-winning filmmaker Lewis Milestone, starring Maureen O’Hara, Peter Lawford, and Richard Boone. (2) The successful goodwill tour of Australia by the Hollywood actor William Boyd who played the film, radio, and television cowboy Hopalong Cassidy. (3) The British-American produced black-and-white TV series Whiplash, made in Australia and starring the Hollywood actor Peter Graves. The American filmmakers’ ignorance of Australia meant they learned the hard way there was more to Australian Westerns than simply replacing the prairie with the bush, bison with kangaroos, and Native Americans with Aboriginals. Indeed, the depiction of place and the presentation of Aboriginal culture are two of the most intriguing aspects of Australian Westerns. In retelling the filmmakers’ stories, a unique picture of the Australian film and television industry and everyday life during the 1950s is revealed.
Author: Michael T. Martin
Publisher: Indiana University Press
ISBN: 0253066220
Category : Art
Languages : en
Pages : 637
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Book Description
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema.
Author: Rautenstrauch-Joest-Museum
Publisher: Jacana Media
ISBN: 1431403253
Category : Architecture
Languages : en
Pages : 332
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Book Description
Metropolises often evoke images of flashy high-rise buildings, permanent background noise, backed-up cars and people moving quickly in all directions in their masses. New York, Tokyo, London, Sao Paulo. But what about Cairo?
Author: June Naylor
Publisher: Andrews McMeel Publishing
ISBN: 0740790749
Category : Cooking
Languages : en
Pages : 244
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Book Description
Almost 100 recipes celebrating the cowboy lifestyle, plus cooking secrets, photos & stories from real cowboy cooks, ranchers & locals across North America. Life in the saddle, on the trail, and in the outback has forged a style of living that cowboy-turned-chef Grady Spears calls the Cowboy Way. In Cooking the Cowboy Way, he takes you on a journey around the country to amazing places full of food, history, and people who have an appreciation for the land. These places where life and living (and that always includes cooking and eating) come alive in the spirit of the cowboy. In Cooking the Cowboy Way, you’ll have a ringside seat at the rodeo as Grady wrestles down new recipes from some incredible cowboy cooks and kitchen wranglers who know what hungry cow folks want to eat. And in the process, you’ll be carried away by the magic of starry nights by the campfire and seduced by the heritage of the chuck wagon and ranch kitchens, where the menus are still stoked by the traditions of the Old West just as they have been for a century or more. Cowboys live life by a simple code that is shared through their rustic lifestyles and the delicious recipes found in Cooking the Cowboy Way. Cowboy cooks, ranchers, and locals from across North America share their recipes, cooking secrets, photos, and stories about their unique and proud way of life. From the Lone Star State to the Grand Canyon State, and from Florida to Alberta, Canada, cowboys have a way with the land and the food that comes form it. Each chapter focuses on a different location, including the Wildcatter Cattle Ranch in Graham, Texas; the Bellamy Brothers Ranch in Darby, Florida; the Homeplace Ranch in Alberta, Canada; Rancho de la Osa in Tucson, Arizona; and more. Praise for Cooking the Cowboy Way “Cooking the Cowboy Way is not a guide to old-fashioned ranch and trail grub. And that’s a good thing. The book is an homage to the cowboy legacy, which Spears finds evolving on the nation’s ranches.” —Dallas Morning News “[Grady Spears and June Naylor] went all over the country, with a heavy emphasis on Texas, of course, drawing inspiration from cooks on and around ranches large and small. They then took these recipes and adapted them for regular kitchens and modern uses (i.e., dinner parties and backyard cooking). The results sound great.” —Texas Monthly
Author: Odile Goerg
Publisher: Oxford University Press, USA
ISBN: 0190089075
Category : History
Languages : en
Pages : 213
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Book Description
A highly original investigation of who went to the movies in colonial Africa, what they watched, and why.
Author: Jeremy Tambling
Publisher: Springer
ISBN: 1137549114
Category : Literary Criticism
Languages : en
Pages : 848
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Book Description
This book is about the impact of literature upon cities world-wide, and cities upon literature. It examines why the city matters so much to contemporary critical theory, and why it has inspired so many forms of writing which have attempted to deal with its challenges to think about it and to represent it. Gathering together 40 contributors who look at different modes of writing and film-making in throughout the world, this handbook asks how the modern city has engendered so much theoretical consideration, and looks at cities and their literature from China to Peru, from New York to Paris, from London to Kinshasa. It looks at some of the ways in which modern cities – whether capitals, shanty-towns, industrial or ‘rust-belt’ – have forced themselves on people’s ways of thinking and writing.
Author: Lew Freedman
Publisher: McFarland
ISBN: 1476640068
Category : Biography & Autobiography
Languages : en
Pages : 245
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Book Description
William F. "Buffalo Bill" Cody (1846-1917) rose from humble origins in Iowa to become one of the most famous and most photographed people in the world. He became a leading scout during the American Indian Wars, winner of the Congressional Medal of Honor, and a renowned show business fixture whose traveling Wild West exhibitions played to millions of spectators the world over for 30 years. He hobnobbed with presidents, kings, queens and European heads of state, befriending many legendary individuals of the West, from General George Armstrong Custer and Sitting Bull to Wild Bill Hickok and Annie Oakley. Aside from these achievements, Cody's most important legacy may be how he shaped the world's enduring views of the American West through his shows, which he considered to be educational events rather than entertainment. This biography is a fresh look at the life of Buffalo Bill.
Author: Boukary Sawadogo
Publisher: MSU Press
ISBN: 1628953578
Category : Art
Languages : en
Pages : 289
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Book Description
The culturally rooted comic traditions of koteba theater and joking kinship have shaped West African comedies through various forms of humor. Débrouillardise (hustle) has turned the urban scene into a comic scene, a site for individual realization. To highlight the ever-growing production and success of comedies and other popular genres, West African Screen Media: Comedy, TV Series, and Transnationalization explores the distribution and reception of selected productions by emphasizing the public’s strong resonance with local stories and a character-based comedy involving popular comedians. In contrast to art films or “auteur films” that tend to be confined to the festival circuit, comedies and popular genres reach a far wider audience through local distribution networks, satellite TV channels, pirated DVDs, and online distribution platforms. This book engages a discussion of contemporary African media productions as seen outside the usual frameworks of cinéma engagé, the art house, or auteur approaches. While examining production and distribution through the lenses of proximity, appropriation, and transnationalization, this volume invites readers to reconsider the way genre films, as well as other kinds of productions, have been previously evaluated and in doing so addresses the critical neglect of comedy and other popular genres in the scholarship on African cinema.
