Author: Osbert Sitwell
Publisher: Ayer Publishing
ISBN: 9780836937107
Category : Manners and customs
Languages : en
Pages : 311
Book Description
Triple Fugue
Author: Osbert Sitwell
Publisher: Ayer Publishing
ISBN: 9780836937107
Category : Manners and customs
Languages : en
Pages : 311
Book Description
Publisher: Ayer Publishing
ISBN: 9780836937107
Category : Manners and customs
Languages : en
Pages : 311
Book Description
Baroque Counterpoint
Author: Christoph Neidhofer
Publisher: State University of New York Press
ISBN: 143849324X
Category : Music
Languages : en
Pages : 624
Book Description
This book teaches Baroque compositional techniques through writing and improvisation exercises and analysis of repertoire examples. It provides readers with a historical outlook by focusing largely on principles taught in treatises from the period 1680–1780. This expanded edition includes new sections with keyboard exercises that provide training in Partimento performance as it was practiced at the time, helping students master Baroque style from the inside. While the focus of the book is on fugue, it also treats chorale preludes, stylized dances, inventions, and trio sonatas. The volume is divided into two parts—basic and advanced— which could be taught in a two-semester sequence. There are various options to introduce material from Part II into Part I for a one-semester course.
Publisher: State University of New York Press
ISBN: 143849324X
Category : Music
Languages : en
Pages : 624
Book Description
This book teaches Baroque compositional techniques through writing and improvisation exercises and analysis of repertoire examples. It provides readers with a historical outlook by focusing largely on principles taught in treatises from the period 1680–1780. This expanded edition includes new sections with keyboard exercises that provide training in Partimento performance as it was practiced at the time, helping students master Baroque style from the inside. While the focus of the book is on fugue, it also treats chorale preludes, stylized dances, inventions, and trio sonatas. The volume is divided into two parts—basic and advanced— which could be taught in a two-semester sequence. There are various options to introduce material from Part II into Part I for a one-semester course.
The Study of Fugue
Author: Alfred Mann
Publisher: Courier Corporation
ISBN: 0486171345
Category : Music
Languages : en
Pages : 369
Book Description
Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples.
Publisher: Courier Corporation
ISBN: 0486171345
Category : Music
Languages : en
Pages : 369
Book Description
Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples.
The Well-Tempered Clavier, Volume II
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457411175
Category : Music
Languages : en
Pages : 248
Book Description
Edited by Baroque scholar Judith Schneider, with expert fingering suggestions by Stuttgart Professor Maria Sofianska, the long-awaited Volume II of Bach's essential masterpiece contains extensive research and insight into Baroque music. Painstakingly compared with the most important autograph and manuscript sources, this comprehensive edition includes thorough analysis of written and improvised ornamentation, a discussion of period keyboard instruments, insight into pedaling, touch, tempo and rhythm issues, as well as a discussion of preludes and fugues.
Publisher: Alfred Music
ISBN: 9781457411175
Category : Music
Languages : en
Pages : 248
Book Description
Edited by Baroque scholar Judith Schneider, with expert fingering suggestions by Stuttgart Professor Maria Sofianska, the long-awaited Volume II of Bach's essential masterpiece contains extensive research and insight into Baroque music. Painstakingly compared with the most important autograph and manuscript sources, this comprehensive edition includes thorough analysis of written and improvised ornamentation, a discussion of period keyboard instruments, insight into pedaling, touch, tempo and rhythm issues, as well as a discussion of preludes and fugues.
Fugue
Author: Ebenezer Prout
Publisher:
ISBN:
Category : Fugue
Languages : en
Pages : 282
Book Description
Publisher:
ISBN:
Category : Fugue
Languages : en
Pages : 282
Book Description
Fugal Analysis
Author: Ebenezer Prout
Publisher: London : Augener
ISBN:
Category : Fugue
Languages : en
Pages : 274
Book Description
Publisher: London : Augener
ISBN:
Category : Fugue
Languages : en
Pages : 274
Book Description
A Course of Instruction on Canon and Fugue
Author: Salomon Jadassohn
Publisher:
ISBN:
Category : Canon (Musical form)
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category : Canon (Musical form)
Languages : en
Pages : 212
Book Description
The Art of Fugue
Author: Joseph Kerman
Publisher: Univ of California Press
ISBN: 0520962591
Category : Music
Languages : en
Pages : 193
Book Description
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues fromTheWell-Tempered Clavier—C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on "Jesus Christus unser Heiland," BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.
Publisher: Univ of California Press
ISBN: 0520962591
Category : Music
Languages : en
Pages : 193
Book Description
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues fromTheWell-Tempered Clavier—C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on "Jesus Christus unser Heiland," BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.
The Creative Development of Johann Sebastian Bach, Volume II: 1717-1750
Author: Richard D. P. Jones
Publisher:
ISBN: 0199696284
Category : Biography & Autobiography
Languages : en
Pages : 450
Book Description
This last in a two-volume study examines Bach's musical compositional development in his later years, including his time at Cðthen and Leipzig.
Publisher:
ISBN: 0199696284
Category : Biography & Autobiography
Languages : en
Pages : 450
Book Description
This last in a two-volume study examines Bach's musical compositional development in his later years, including his time at Cðthen and Leipzig.
Authorship as Alchemy
Author: David Glenn Kropf
Publisher: Stanford University Press
ISBN: 0804765308
Category : Literary Criticism
Languages : en
Pages : 442
Book Description
This book is an attempt to answer Michel Foucault's question, 'What is an author?' It examines the relationship between personal identity, the physical person of the writer, and the 'author' projected as a matter of public perception via the reception of written texts. It approaches this problem by analyzing the way Romantic writers play upon and subvert the 'author' position projected upon them in the public reception of their texts, and it sheds light on the use of anonyms and pseudonyms as strategies that subvert the emerging institution of authorship.
Publisher: Stanford University Press
ISBN: 0804765308
Category : Literary Criticism
Languages : en
Pages : 442
Book Description
This book is an attempt to answer Michel Foucault's question, 'What is an author?' It examines the relationship between personal identity, the physical person of the writer, and the 'author' projected as a matter of public perception via the reception of written texts. It approaches this problem by analyzing the way Romantic writers play upon and subvert the 'author' position projected upon them in the public reception of their texts, and it sheds light on the use of anonyms and pseudonyms as strategies that subvert the emerging institution of authorship.