Author: Bedřich Smetana
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 80
Book Description
Trio in G Minor, Opus 15, for Violin, Cello and Piano
Author: Bedřich Smetana
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 80
Book Description
An Encyclopedia of the Violin
Author: Alberto Bachmann
Publisher:
ISBN:
Category : Cellists
Languages : en
Pages : 508
Book Description
Publisher:
ISBN:
Category : Cellists
Languages : en
Pages : 508
Book Description
Trio in G Minor - Opus 26
Author: Antonín Dvořák
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 84
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 84
Book Description
Trio in G minor
Author: Antonín Dvořák
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 56
Book Description
Catalogs
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 620
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 620
Book Description
Charles Villiers Stanford
Author: Paul Rodmell
Publisher: Routledge
ISBN: 1351572261
Category : Music
Languages : en
Pages : 531
Book Description
The first book devoted to the composer Charles Villiers Stanford (1852-1924) since 1935, this survey provides the fullest account of his life and the most detailed appraisal of his music to date. Renowned in his own lifetime for the rapid rate at which he produced new works, Stanford was also an important conductor and teacher. Paul Rodmell assesses these different roles and considers what Stanford's legacy to British music has been. Born and brought up in Dublin, Stanford studied at Cambridge and was later appointed Professor of Music there. His Irish lineage remained significant to him throughout his life, and this little-studied aspect of his character is examined here in detail for the first time. A man about whom no-one who met him could feel indifferent, Stanford made friends and enemies in equal numbers. Rodmell charts these relationships with people and institutions such as Richter, Parry and the Royal College of Music, and discusses how they influenced Stanford's career. Perhaps not the most popular of teachers, Stanford nevertheless coached a generation of composers who were to revitalize British music, amongst them Coleridge-Taylor, Ireland, Vaughan-Williams, Holst, Bridge and Howells. While their musical styles may not be obviously indebted to Stanford's, it is clear that, without him, British music of the first half of the twentieth century might have taken a very different course.
Publisher: Routledge
ISBN: 1351572261
Category : Music
Languages : en
Pages : 531
Book Description
The first book devoted to the composer Charles Villiers Stanford (1852-1924) since 1935, this survey provides the fullest account of his life and the most detailed appraisal of his music to date. Renowned in his own lifetime for the rapid rate at which he produced new works, Stanford was also an important conductor and teacher. Paul Rodmell assesses these different roles and considers what Stanford's legacy to British music has been. Born and brought up in Dublin, Stanford studied at Cambridge and was later appointed Professor of Music there. His Irish lineage remained significant to him throughout his life, and this little-studied aspect of his character is examined here in detail for the first time. A man about whom no-one who met him could feel indifferent, Stanford made friends and enemies in equal numbers. Rodmell charts these relationships with people and institutions such as Richter, Parry and the Royal College of Music, and discusses how they influenced Stanford's career. Perhaps not the most popular of teachers, Stanford nevertheless coached a generation of composers who were to revitalize British music, amongst them Coleridge-Taylor, Ireland, Vaughan-Williams, Holst, Bridge and Howells. While their musical styles may not be obviously indebted to Stanford's, it is clear that, without him, British music of the first half of the twentieth century might have taken a very different course.
The Musical Record
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 876
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 876
Book Description
Temporal Processes in Beethoven's Music
Author: David B. Greene
Publisher: Taylor & Francis
ISBN: 9780677056005
Category : Music
Languages : en
Pages : 206
Book Description
Publisher: Taylor & Francis
ISBN: 9780677056005
Category : Music
Languages : en
Pages : 206
Book Description
Beethoven in Russia
Author: Frederick W. Skinner
Publisher: Indiana University Press
ISBN: 025306306X
Category : History
Languages : en
Pages : 346
Book Description
How did Ludwig van Beethoven help overthrow a tsarist regime? With the establishment of the Russian Musical Society and its affiliated branches throughout the empire, Beethoven's music reached substantially larger audiences at a time of increasing political instability. In addition, leading music critics of the regime began hearing Beethoven's dramatic works as nothing less than a call to revolution. Beethoven in Russia deftly explores the interface between music and politics in Russia by examining the reception of Beethoven's works from the late 18th century to the present. In part 1, Frederick W. Skinner's clear and sweeping review examines the role of Beethoven's more dramatic works in the revolutionary struggle that culminated in the Revolution of 1917. In part 2, Skinner reveals how this same power was again harnessed to promote Stalin's campaign of rapid industrialization. The appropriation of Beethoven and his music to serve the interests of the state remained the hallmark of Soviet Beethoven reception until the end of communist rule. With interdisciplinary appeal in the areas of history, music, literature, and political thought, Beethoven in Russia shows how Beethoven's music served as a call to action for citizens and weaponized state propaganda in the great political struggles that shaped modern Russian history.
Publisher: Indiana University Press
ISBN: 025306306X
Category : History
Languages : en
Pages : 346
Book Description
How did Ludwig van Beethoven help overthrow a tsarist regime? With the establishment of the Russian Musical Society and its affiliated branches throughout the empire, Beethoven's music reached substantially larger audiences at a time of increasing political instability. In addition, leading music critics of the regime began hearing Beethoven's dramatic works as nothing less than a call to revolution. Beethoven in Russia deftly explores the interface between music and politics in Russia by examining the reception of Beethoven's works from the late 18th century to the present. In part 1, Frederick W. Skinner's clear and sweeping review examines the role of Beethoven's more dramatic works in the revolutionary struggle that culminated in the Revolution of 1917. In part 2, Skinner reveals how this same power was again harnessed to promote Stalin's campaign of rapid industrialization. The appropriation of Beethoven and his music to serve the interests of the state remained the hallmark of Soviet Beethoven reception until the end of communist rule. With interdisciplinary appeal in the areas of history, music, literature, and political thought, Beethoven in Russia shows how Beethoven's music served as a call to action for citizens and weaponized state propaganda in the great political struggles that shaped modern Russian history.
Catalogue of Augener & Co's. Universal Circulating Musical Library with Supplements
Author: Augener & Co
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1404
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1404
Book Description