Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 44
Book Description
Trio I, in G Major, K.496
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 44
Book Description
Trio I in G Major, K. 496, for Piano, Violin and Violoncello
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 60
Book Description
Trio V in G Major, K. 564, for Piano, Violin and Violoncello
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 30
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 30
Book Description
Complete piano trios and quartets and piano quintet
Author: Wolfgang Amadeus Mozart
Publisher: Courier Corporation
ISBN: 0486267148
Category : Music
Languages : en
Pages : 273
Book Description
Splendid collection contains all eight piano trios, the two piano quartets, and the piano quintet, reprinted from the definitive Breitkopf & Härtel editions. Indispensable for pianists and chamber musicians.
Publisher: Courier Corporation
ISBN: 0486267148
Category : Music
Languages : en
Pages : 273
Book Description
Splendid collection contains all eight piano trios, the two piano quartets, and the piano quintet, reprinted from the definitive Breitkopf & Härtel editions. Indispensable for pianists and chamber musicians.
Trio II in B♭ Major, K.502
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 48
Book Description
The Chamber Music of Mozart
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 9781457471155
Category : Music
Languages : en
Pages : 288
Book Description
A collection of chamber ensembles, composed by Wolfgang Amadeus Mozart.
Publisher: Alfred Music
ISBN: 9781457471155
Category : Music
Languages : en
Pages : 288
Book Description
A collection of chamber ensembles, composed by Wolfgang Amadeus Mozart.
Interpreting Mozart
Author: Eva Badura-Skoda
Publisher: Routledge
ISBN: 1135868506
Category : Music
Languages : en
Pages : 579
Book Description
Originally published in German as Interpreting Mozart on the Keyboard in 1957, this definitive work on the performance of Mozart's works has greatly influenced students and scholars of keyboard literature and of Mozart. Now, in a completely updated and revised edition, this book includes the last half century of scholarship on Mozart's music, addressing the elements of performance and problems that may occur in performing Mozart's works on modern instruments.
Publisher: Routledge
ISBN: 1135868506
Category : Music
Languages : en
Pages : 579
Book Description
Originally published in German as Interpreting Mozart on the Keyboard in 1957, this definitive work on the performance of Mozart's works has greatly influenced students and scholars of keyboard literature and of Mozart. Now, in a completely updated and revised edition, this book includes the last half century of scholarship on Mozart's music, addressing the elements of performance and problems that may occur in performing Mozart's works on modern instruments.
Beethoven's Compositional Process
Author: William Kinderman
Publisher: U of Nebraska Press
ISBN: 9780803212220
Category : Music
Languages : en
Pages : 216
Book Description
Fresh perspectives on the symphonies and piano concertos of Ludwig van Beethoven are offered in the inaugural volume of North American Beethoven Studies. To be published under the joint auspices of the University of Nebraska Press and the Ira F. Brilliant Center for Beethoven Studies, the volumes in the new series will focus on the life and work, milieu and influence of the great composer. The first volume, edited by the noted music scholar and pianist William Kinderman, brings together recent studies by leading scholars on Beethoven?s major orchestral, including the first two piano concertos, the Egmont overture, the Missa Solemnis, and several of the symphonies, especially the Third, Fifth, and Ninth. They devote special attention to Beethoven?s creative process by analyzing, in some instances closely for the first time, his numerous surviving musical sketchbooks and loose sketch-leaves. The issues dealt with include Beethoven?s reinterpretation of the composition models of Haydn and Mozart, his working methods in composition, the structural expansion of his symphonic forms, the design of variation movements in his symphonies, and Beethoven?s musical symbolism. Four introductory essays probe the relation between Beethoven?s sketches and the analysis of his finished works; it is a fascinating and controversial undertaking. The first volume of North American Beethoven Studies illuminates critical issues and challenges traditional interpretations of some of Beethoven?s most celebrated works while avoiding the narrow specialization of some recent scholarship. Future volumes will focus on performance practices, composition, and recording history.
Publisher: U of Nebraska Press
ISBN: 9780803212220
Category : Music
Languages : en
Pages : 216
Book Description
Fresh perspectives on the symphonies and piano concertos of Ludwig van Beethoven are offered in the inaugural volume of North American Beethoven Studies. To be published under the joint auspices of the University of Nebraska Press and the Ira F. Brilliant Center for Beethoven Studies, the volumes in the new series will focus on the life and work, milieu and influence of the great composer. The first volume, edited by the noted music scholar and pianist William Kinderman, brings together recent studies by leading scholars on Beethoven?s major orchestral, including the first two piano concertos, the Egmont overture, the Missa Solemnis, and several of the symphonies, especially the Third, Fifth, and Ninth. They devote special attention to Beethoven?s creative process by analyzing, in some instances closely for the first time, his numerous surviving musical sketchbooks and loose sketch-leaves. The issues dealt with include Beethoven?s reinterpretation of the composition models of Haydn and Mozart, his working methods in composition, the structural expansion of his symphonic forms, the design of variation movements in his symphonies, and Beethoven?s musical symbolism. Four introductory essays probe the relation between Beethoven?s sketches and the analysis of his finished works; it is a fascinating and controversial undertaking. The first volume of North American Beethoven Studies illuminates critical issues and challenges traditional interpretations of some of Beethoven?s most celebrated works while avoiding the narrow specialization of some recent scholarship. Future volumes will focus on performance practices, composition, and recording history.
Compleat Mozart
Author: Neal Zaslaw
Publisher: W. W. Norton & Company
ISBN: 9780393028867
Category : Biography & Autobiography
Languages : en
Pages : 378
Book Description
Collection of essays in a single volume for nonspecialists with information about each of Mozart's compositions, where, when, and why it was written, what it is like, and what special significance it may have within the composer's oeuvre.
Publisher: W. W. Norton & Company
ISBN: 9780393028867
Category : Biography & Autobiography
Languages : en
Pages : 378
Book Description
Collection of essays in a single volume for nonspecialists with information about each of Mozart's compositions, where, when, and why it was written, what it is like, and what special significance it may have within the composer's oeuvre.
Chamber Music
Author: James M. Keller
Publisher: Oxford University Press, USA
ISBN: 0195382536
Category : Music
Languages : en
Pages : 518
Book Description
Oxford's highly successful listener's guides--The Symphony, The Concerto, and Choral Masterworks--have been widely praised for their blend of captivating biography, crystal clear musical analysis, and delightful humor. Now James Keller follows these greatly admired volumes with Chamber Music. Approaching the tradition of chamber music with knowledge and passion, Keller here serves as the often-opinionated but always genial guide to 192 essential works by 56 composers, providing illuminating essays on what makes each piece distinctive and admirable. Keller spans the history of this intimate genre of music, from key works of the Baroque through the emotionally stirring "golden age" of the Classical and Romantic composers, to modern masterpieces rich in political, psychological, and sometimes comical overtones. For each piece, from Bach through to contemporary figures like George Crumb and Steve Reich, the author includes an astute musical analysis that casual music lovers can easily appreciate yet that more experienced listeners will find enriching. Keller shares the colorful, often surprising stories behind the compositions while revealing the delights of an art form once described by Goethe as the musical equivalent of "thoughtful people conversing."
Publisher: Oxford University Press, USA
ISBN: 0195382536
Category : Music
Languages : en
Pages : 518
Book Description
Oxford's highly successful listener's guides--The Symphony, The Concerto, and Choral Masterworks--have been widely praised for their blend of captivating biography, crystal clear musical analysis, and delightful humor. Now James Keller follows these greatly admired volumes with Chamber Music. Approaching the tradition of chamber music with knowledge and passion, Keller here serves as the often-opinionated but always genial guide to 192 essential works by 56 composers, providing illuminating essays on what makes each piece distinctive and admirable. Keller spans the history of this intimate genre of music, from key works of the Baroque through the emotionally stirring "golden age" of the Classical and Romantic composers, to modern masterpieces rich in political, psychological, and sometimes comical overtones. For each piece, from Bach through to contemporary figures like George Crumb and Steve Reich, the author includes an astute musical analysis that casual music lovers can easily appreciate yet that more experienced listeners will find enriching. Keller shares the colorful, often surprising stories behind the compositions while revealing the delights of an art form once described by Goethe as the musical equivalent of "thoughtful people conversing."