Author: Ludwig van Beethoven
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Trio for piano, violin and violoncello, in B flat major, op. 97 ("Arch duke")
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Trio in Bb major for piano, violin and cello, op. 97 ("Archduke") [sound recording] The Alma Trio: Baller, piano; Toth, violin; Rejto, cello
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Trio in B Flat, Op. 97 Archduke Trio
Author: Ludwig Van Beethoven
Publisher: G. Schirmer, Incorporated
ISBN: 9781617804236
Category : Music
Languages : en
Pages : 76
Book Description
Publisher: G. Schirmer, Incorporated
ISBN: 9781617804236
Category : Music
Languages : en
Pages : 76
Book Description
Source Studies for Beethoven's Piano Trio in B-flat Major, Op. 97 ("Archduke")
Author: Seow-Chin Peter Ong
Publisher:
ISBN:
Category : Beethoven, Ludwig van
Languages : en
Pages : 828
Book Description
Publisher:
ISBN:
Category : Beethoven, Ludwig van
Languages : en
Pages : 828
Book Description
Trio, B Flat Major, for Pianoforte, Violin and Violoncello, Op. 97
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Six great piano trios, opp. 1, 70, and 97
Author: Ludwig van Beethoven
Publisher: Courier Corporation
ISBN: 0486253988
Category : Music
Languages : en
Pages : 210
Book Description
This definitive Breitkopf & Härtel edition of Beethoven's most performed and recorded piano trios includes the Ghost (Op. 70, No. 1) and the Archduke (Op. 97). Features lay-flat sewn binding.
Publisher: Courier Corporation
ISBN: 0486253988
Category : Music
Languages : en
Pages : 210
Book Description
This definitive Breitkopf & Härtel edition of Beethoven's most performed and recorded piano trios includes the Ghost (Op. 70, No. 1) and the Archduke (Op. 97). Features lay-flat sewn binding.
Trio for piano, violin and violoncello, op. 97 in B♭
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 130
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 130
Book Description
Beethoven 1806
Author: Mark Ferraguto
Publisher: Oxford University Press
ISBN: 0190947195
Category : Music
Languages : en
Pages : 256
Book Description
Between early 1806 and early 1807, Ludwig van Beethoven completed a remarkable series of instrumental works. But critics have struggled to reconcile the music of this banner year with Beethoven's "heroic style," the paradigm through which his middle-period works have typically been understood. Drawing on theories of mediation and a wealth of primary sources, Beethoven 1806 explores the specific contexts in which the music of this year was conceived, composed, and heard. As author Mark Ferraguto argues, understanding this music depends on appreciating the relationships that it both creates and reflects. Not only did Beethoven depend on patrons, performers, publishers, critics, and audiences to earn a living, but he also tailored his compositions to suit particular sensibilities, proclivities, and technologies.
Publisher: Oxford University Press
ISBN: 0190947195
Category : Music
Languages : en
Pages : 256
Book Description
Between early 1806 and early 1807, Ludwig van Beethoven completed a remarkable series of instrumental works. But critics have struggled to reconcile the music of this banner year with Beethoven's "heroic style," the paradigm through which his middle-period works have typically been understood. Drawing on theories of mediation and a wealth of primary sources, Beethoven 1806 explores the specific contexts in which the music of this year was conceived, composed, and heard. As author Mark Ferraguto argues, understanding this music depends on appreciating the relationships that it both creates and reflects. Not only did Beethoven depend on patrons, performers, publishers, critics, and audiences to earn a living, but he also tailored his compositions to suit particular sensibilities, proclivities, and technologies.
1001 Classical Recordings You Must Hear Before You Die
Author: Matthew Rye
Publisher: Chartwell Books
ISBN: 0785835822
Category : Music
Languages : en
Pages : 963
Book Description
A thick and informative guide to the world of classical music and its stunning recordings, complete with images from CD cases, concert halls, and of the musicians themselves.
Publisher: Chartwell Books
ISBN: 0785835822
Category : Music
Languages : en
Pages : 963
Book Description
A thick and informative guide to the world of classical music and its stunning recordings, complete with images from CD cases, concert halls, and of the musicians themselves.
The Critical Reception of Beethoven's Compositions by His German Contemporaries
Author: Wayne M. Senner
Publisher: U of Nebraska Press
ISBN: 9780803212503
Category : Music
Languages : en
Pages : 296
Book Description
Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.
Publisher: U of Nebraska Press
ISBN: 9780803212503
Category : Music
Languages : en
Pages : 296
Book Description
Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.