Triadic Chromatic Approach PDF Download
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Author: George Garzone
Publisher: Garlianus Musical Editions
ISBN: 1952530024
Category : Music
Languages : en
Pages : 51
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Book Description
This book Chromatic Lines Over Standard Tune Chord Progressions is designed to free the improvisor from the normal sounds that he or she usually plays. All the compositions are based off on the Triadic Chromatic Approach concept, so you will get a clear example of the sound itself from the combination of the Triadic Chromatic Approach and the standard progressions. For all Bb, Eb, C and Bass instruments. You will find in this book compositions and exercises with chromatic lines.
Author: George Garzone
Publisher: Garlianus Musical Editions
ISBN: 1952530024
Category : Music
Languages : en
Pages : 51
Get Book Here
Book Description
This book Chromatic Lines Over Standard Tune Chord Progressions is designed to free the improvisor from the normal sounds that he or she usually plays. All the compositions are based off on the Triadic Chromatic Approach concept, so you will get a clear example of the sound itself from the combination of the Triadic Chromatic Approach and the standard progressions. For all Bb, Eb, C and Bass instruments. You will find in this book compositions and exercises with chromatic lines.
Author: George Garzone
Publisher: George Garzone
ISBN: 9781952530067
Category :
Languages : en
Pages :
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Book Description
This book Chromatic Lines Over Standard Tune Chord Progressions is designed to free the improvisor from the normal sounds that he or she usually plays. All the compositions are based off on the Triadic Chromatic Approach concept, so you will get a clear example of the sound itself from the combination of the Triadic Chromatic Approach and the standard progressions.For all Bb, Eb, C and Bass instruments. You will find in this book compositions and exercises with chromatic lines.
Author: Richard Cohn
Publisher: Oxford University Press
ISBN: 0199773211
Category : Music
Languages : en
Pages : 256
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Book Description
Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.
Author: George Garzone
Publisher: George Garzone
ISBN: 9781952530043
Category :
Languages : en
Pages :
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Book Description
This is a jazz improvisational method created by George Garzone. In this volume you'll find the specific rules of the triadic chromatic approach which will allow you to begin to improvise freely. The book contains text, exercises, audios and videos.
Author: Mick Goodrick
Publisher: Berklee Press Publications
ISBN: 9780876391280
Category : Music
Languages : en
Pages : 0
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Book Description
Jazz guitarist Goodrick teams with Miller to explain his system of Generic Modality Compression, a way of studying harmony which allows guitarists to discover fresh and unusual chord voicings. With an introduction and appendix.
Author: Vic Juris
Publisher: Mel Bay Publications
ISBN: 1610651774
Category : Music
Languages : en
Pages : 49
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Book Description
One of the world's great jazz guitarists, Vic Juris shares his insight into the wonderful world of harmony in this book. Not for the fainthearted, Vic teaches polychords and intervallic structures derived from the major, minor, harmonic minor, melodic minor and harmonic major scales in this must have jazz guitar book. Each section has etudes that will help students integrate each concept into their own playing. Includes access to online audio that gives students the opportunity to hear and play along with these cutting edge concepts
Author: Hal Galper
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101394
Category : Music
Languages : en
Pages : 214
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Book Description
The same notes can sound square or swinging, depending on how the music is phrased. This revolutionary book shows how many people misunderstand jazz phrasing and shows how to replace stiff phrasing with fluid lines that have the right jazz feeling. In this book, master pianist Hal Galper also shows how get that feeling of forward motion and also how to use melody guide tones correctly, how to line up the strong beat in a bar with the strongest chord notes, and much more!
Author: Mark Levine
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101459
Category : Music
Languages : en
Pages : 725
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Book Description
The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.
Author: Frank Lehman
Publisher: Oxford University Press
ISBN: 0190606398
Category : Music
Languages : en
Pages : 313
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Book Description
Film music often tells us how to feel, but it also guides us how to hear. Filmgoing is an intensely musical experience, one in which the soundtrack structures our interpretations and steers our emotions. Hollywood Harmony explores the inner workings of film music, bringing together tools from music theory, musicology, and music psychology in this first ever book-length analytical study of this culturally central repertoire. Harmony, and especially chromaticism, is emblematic of the "film music sound," and it is often used to evoke that most cinematic of feelings-wonder. To help parse this familiar but complex musical style, Hollywood Harmony offers a first-of-its kind introduction to neo-Riemannian theory, a recently developed and versatile method of understanding music as a dynamic and transformational process, rather than a series of inert notes on a page. This application of neo-Riemannian theory to film music is perfect way in for curious newcomers, while also constituting significant scholarly contribution to the larger discipline of music theory. Author Frank Lehman draws from his extensive knowledge of cinematic history with case-studies that range from classics of Golden Age Hollywood to massive contemporary franchises to obscure cult-films. Special emphasis is placed on scores for major blockbusters such as Lord of the Rings, Star Wars, and Inception. With over a hundred meticulously transcribed music examples and more than two hundred individual movies discussed, Hollywood Harmony will fascinate any fan of film and music.
Author: Miles Okazaki
Publisher: Mel Bay Publications
ISBN: 1619114860
Category : Music
Languages : en
Pages : 173
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Book Description
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.
