The Treatises of Benvenuto Cellini on Goldsmithing and Sculpture PDF Download
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Author: Benvenuto Cellini
Publisher: Literary Licensing, LLC
ISBN: 9781497826083
Category :
Languages : en
Pages : 204
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Book Description
This Is A New Release Of The Original 1898 Edition.
Author: Benvenuto Cellini
Publisher: Literary Licensing, LLC
ISBN: 9781497826083
Category :
Languages : en
Pages : 204
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Book Description
This Is A New Release Of The Original 1898 Edition.
Author: Benvenuto Cellini
Publisher: Literary Licensing, LLC
ISBN: 9781497981539
Category :
Languages : en
Pages : 204
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Book Description
This Is A New Release Of The Original 1898 Edition.
Author: Various
Publisher: Library of Alexandria
ISBN: 1465558438
Category :
Languages : en
Pages :
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Book Description
Author: Benvenuto Cellini
Publisher:
ISBN: 9780844618289
Category :
Languages : en
Pages :
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Book Description
Author: Benvenuto Cellini
Publisher: London : J.C. Nimmo
ISBN:
Category : Art, Renaissance
Languages : en
Pages : 432
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Book Description
Author: Benvenuto Cellini
Publisher: Oxford University Press, USA
ISBN: 9780192828491
Category : Art
Languages : en
Pages : 516
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Book Description
"Thus spoke Pope Paul III on learning that Cellini had murdered a fellow artist, so great was Cellini's reputation in Renaissance Italy. A renowned sculptor and goldsmith, whose works include the famous salt-cellar made for the King of France, and the statue of Perseus with the head of the Medusa, Cellini's life was as vivid and enthralling as his creations.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Anna Anguissola
Publisher: Cambridge University Press
ISBN: 1108307922
Category : Art
Languages : en
Pages : 282
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Book Description
Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.
Author: Christina Neilson
Publisher: Cambridge University Press
ISBN: 1107172853
Category : Art
Languages : en
Pages : 367
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Book Description
Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.
Author: Michael W. Cole
Publisher: Cambridge University Press
ISBN: 9780521813211
Category : Art
Languages : en
Pages : 262
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Book Description
Benvenuto Cellini is an incomparable source on the nature of artmaking in sixteenth century Italy. A practicing artist who worked in gold, bronze, marble, as well as on paper, he was also the author of treatises, discourses, poems and letters about his own work and the works of contemporaries. By examining how Cellini and those around him viewed the act of sculpture in the late Renaissance, Michael Cole demonstrates his continuing relevance to the broader study of artistic theory and practice in his time.
