Treatise on Counterpoint. Translated and Adapted from the German of [the Work Entitled “Lehrbuch Des Einfachen und Doppelten Contrapunkts”] ... by F. Taylor PDF Download
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Author: Ernst Friedrich Richter
Publisher:
ISBN:
Category :
Languages : en
Pages : 178
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![Treatise on Counterpoint. Translated and Adapted from the German of [the Work Entitled “Lehrbuch Des Einfachen und Doppelten Contrapunkts”] ... by F. Taylor PDF](https://books.google.com/books/content/images/frontcover/Lc6KBp0Om0QC?fife=w80-h100)
Author: Ernst Friedrich Richter
Publisher:
ISBN:
Category :
Languages : en
Pages : 178
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 782
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Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 520
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Author: British Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 782
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Author: Peter Mercer-Taylor
Publisher: Cambridge University Press
ISBN: 9780521533423
Category : Biography & Autobiography
Languages : en
Pages : 336
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This book surveys the life, work, and posthumous reception of nineteenth-century German-Jewish composer Felix Mendelssohn.
Author: Celia Applegate
Publisher: Cornell University Press
ISBN: 0801455812
Category : Music
Languages : en
Pages : 311
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Book Description
Bach's St. Matthew Passion is universally acknowledged to be one of the world's supreme musical masterpieces, yet in the years after Bach's death it was forgotten by all but a small number of his pupils and admirers. The public rediscovered it in 1829, when Felix Mendelssohn conducted the work before a glittering audience of Berlin artists and intellectuals, Prussian royals, and civic notables. The concert soon became the stuff of legend, sparking a revival of interest in and performance of Bach that has continued to this day.Mendelssohn's performance gave rise to the notion that recovering and performing Bach's music was somehow "national work." In 1865 Wagner would claim that Bach embodied "the history of the German spirit's inmost life." That the man most responsible for the revival of a masterwork of German Protestant culture was himself a converted Jew struck contemporaries as less remarkable than it does us today—a statement that embraces both the great achievements and the disasters of 150 years of German history.In this book, Celia Applegate asks why this particular performance crystallized the hitherto inchoate notion that music was central to Germans' collective identity. She begins with a wonderfully readable reconstruction of the performance itself and then moves back in time to pull apart the various cultural strands that would come together that afternoon in the Singakademie. The author investigates the role played by intellectuals, journalists, and amateur musicians (she is one herself) in developing the notion that Germans were "the people of music." Applegate assesses the impact on music's cultural place of the renewal of German Protestantism, historicism, the mania for collecting and restoring, and romanticism. In her conclusion, she looks at the subsequent careers of her protagonists and the lasting reverberations of the 1829 performance itself.
Author: Thomas Street Christensen
Publisher: Leuven University Press
ISBN: 9058678288
Category : Music
Languages : en
Pages : 137
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Book Description
This volume reflects a multidisciplinary approach, with the accent on the interplay between music performance and music theory. Thomas Christensen, in his contribution, shows how the development of tonal harmonic theory went hand in hand with the practice of thoroughbass. Both Robert Gjerdingen and Giorgio Sanguinetti focus on the Neapolitan tradition of partimento. Gjerdingen addresses the relation between the realization of partimenti and contrapuntal thinking, illustrated by examples of contrapuntal imitation and combination in partimenti, leading to the "partimentofugue." Sanguinetti elaborates on the history of this partimentofugue from the early eighteenth until the late nineteenth century. Rudolf Lutz, finally, presents his use of partimenti in educational practice, giving examples of how reviving this old practice can give new insights to composers, conductors, and musicians.
Author: William Weber
Publisher: Cambridge University Press
ISBN: 9780521124232
Category : Music
Languages : en
Pages : 0
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Book Description
Grounded in knowledge of thousands of programs, this book examines how musical life in London, Leipzig, Vienna, Boston, and other cities underwent a fundamental transformation in relationship with movements in European politics. William Weber traces how musical taste evolved in European concert programs from 1750 to 1870, as separate worlds arose around classical music and popular songs. In 1780 a typical program accommodated a variety of tastes through a patterned 'miscellany' of genres, held together by diplomatic musicians. This framework began weakening around 1800 as new kinds of music appeared, from string quartets to quadrilles to ballads, which could not easily coexist on the same programs. Utopian ideas and extravagant experiments influenced programming as ideological battles were fought over who should govern musical taste. More than a hundred illustrations or transcriptions of programs enable readers to follow Weber's analysis in detail.
Author: James H. Johnson
Publisher: Univ of California Press
ISBN: 0520206487
Category : History
Languages : en
Pages : 400
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Book Description
This book grew from a simple question. Why did French audiences become silent? Eighteenth-century travelers' accounts of the Paris Opera and memoirs of concertgoers describe a busy, preoccupied public, at times loud and at others merely sociable, but seldom deeply attentive.
