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Author: B. Reynolds
Publisher: Springer
ISBN: 0230584578
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
This study expands on Reynolds' 'transversal poetics' - the theory, methodology, and aesthetics developed in response to the need for an approach that fosters agency, creativity and conscientious scholarship and pedagogy. It offers new readings of plays by, amongst others, Shakespeare, Marlowe, Middleton, Webster and Greene.
Author: B. Reynolds
Publisher: Springer
ISBN: 0230584578
Category : Literary Criticism
Languages : en
Pages : 282
Get Book Here
Book Description
This study expands on Reynolds' 'transversal poetics' - the theory, methodology, and aesthetics developed in response to the need for an approach that fosters agency, creativity and conscientious scholarship and pedagogy. It offers new readings of plays by, amongst others, Shakespeare, Marlowe, Middleton, Webster and Greene.
Author: Kim Solga
Publisher: Springer
ISBN: 0230274056
Category : Performing Arts
Languages : en
Pages : 223
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Book Description
Examining some of the most iconic texts in English theatre history, including Titus Andronicus and The Changeling, this book, now in paperback with a new Preface, reveals the pernicious erasure of rape and violence against women in the early modern era and the politics and ethics of rehearsing these negotiations on the 20th and 21st century stages.
Author: Nicholas Luke
Publisher: Cambridge University Press
ISBN: 1108390234
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
In this distinctive study, Nicholas Luke explores the abiding power of Shakespeare's tragedies by suggesting an innovative new model of his character creation. Rather than treating characters as presupposed beings, Luke shows how they arrive as something more than functional dramatis personae - how they come to life as 'subjects' - through Shakespeare's orchestration of transformational dramatic events. Moving beyond dominant critical modes, Luke combines compelling close readings of Romeo and Juliet, Othello, Hamlet, Macbeth, and King Lear with an accessible analysis of thinkers such as Badiou, Žižek, Bergson, Whitehead and Latour, and the 'adventist' Christian tradition flowing from Saint Paul through Luther to Kierkegard. Representing a significant intervention into the way we encounter Shakespeare's tragic figures, the book argues for a subjectivity which is not singular or abiding, but perilous and leaping.
Author: E. Aston
Publisher: Springer
ISBN: 0230299989
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
This collection looks at the growing rapprochement between contemporary theory and early modern English literary-cultural studies. With sections on posthumanism and cognitive science, political theology, and rematerialism and performance, the essays incorporate recent theoretical inquiries into new readings of early modern texts.
Author: Gabriel Egan
Publisher: Edinburgh University Press
ISBN: 0748630163
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
This book helps the reader make sense of the most commonly studied writer in the world. It starts with a brief explanation of how Shakespeare's writings have come down to us as a series of scripts for actors in the early modern theatre industry of London. The main chapters of the book approach the texts through a series of questions: 'what's changed since Shakespeare's time?', 'to what uses has Shakespeare been put?', and 'what value is there in Shakespeare?' These questions go to the heart of why we study Shakespeare at all, which question the book encourages the readers to answer for themselves in relation to their own critical writing.
Author: Lynette Hunter
Publisher: Rowman & Littlefield
ISBN: 1498527213
Category : Social Science
Languages : en
Pages : 351
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Book Description
This collection offers writings on the body with a focus on performance, defined as both staged performance and everyday performance. Traditionally, theorizations of the body have either analyzed its impact on its socio-historical environment or treated the body as a self-enclosed semiotic and affective system. This collection makes a conscious effort to merge these two approaches. It is interested in interactions between bodies and other bodies, bodies and environments, and bodies and objects.
Author: Ellen MacKay
Publisher: University of Chicago Press
ISBN: 0226500195
Category : Education
Languages : en
Pages : 257
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Book Description
The theatre of early modern England was a disastrous affair. What we tend to remember of the Shakespearean stage and its history are landmark moments of dissolution. This title is a study of these catastrophes and the theory of performance they convey.
Author: B. Reynolds
Publisher: Springer
ISBN: 0230505031
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
To 'rematerialize' in the sense of Rematerializing Shakespeare: Authority and Representation on the Early Modern English Stage is not to recover a lost material infrastructure, as Marx spoke of, nor is it to restore to some material existence its priority over the imaginary. Indeed, this collection of work by some of the most highly-regarded critics in Shakespeare studies does not offer a single theoretical stance on any of the various forms of critical materialism (Marxism, cultural materialism, new historicism, transversal poetics, gender studies, or performance criticism), but rather demonstrates that the materiality of Shakespeare is multidimensional and consists of the imagination, the intended, and the desired. Nothing returns in this rematerialization, unless it is a return in the sense of the repressed, which, when it comes back, comes back as something else. An all-star line-up of contributors includes Kate McLuskie, Terence Hawkes, Catherine Belsey and Doug Bruster.
Author: Vin Nardizzi
Publisher: University of Toronto Press
ISBN: 1442664185
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Wooden Os is a study of the presence of trees and wood in the drama of Shakespeare and his contemporaries – in plays set within forests, in character dialogue, and in props and theatre constructions. Vin Nardizzi connects these themes to the dependence, and surprising ecological impact, of London’s commercial theatre industry on England’s woodlands, the primary resource required to build all structures in early modern England. Wooden Os situates the theatre within an environmental history that witnessed a perceived scarcity of wood and timber that drove up prices, as well as statute law prohibiting the devastation of English woodlands and urgent calls for the remedying of a resource shortage that was feared would result in eco-political collapse. By considering works including Friar Bacon and Friar Bungay, the revised Spanish Tragedy, and The Tempest, Nardizzi demonstrates how the “trees” within them were used in imaginative ways to mediate England’s resource crisis.
Author: C. Namwali Serpell
Publisher: Harvard University Press
ISBN: 0674419685
Category : Literary Criticism
Languages : en
Pages : 404
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Book Description
Literature is rife with uncertainty. Literature is good for us. These two ideas about reading literature are often taken for granted. But what is the relationship between literature’s capacity to unsettle, perplex, and bewilder us, and literature’s ethical value? To revive this question, C. Namwali Serpell proposes a return to William Empson’s groundbreaking work, Seven Types of Ambiguity (1930), which contends that literary uncertainty is crucial to ethics because it pushes us beyond the limits of our own experience. Taking as case studies experimental novels by Thomas Pynchon, Toni Morrison, Bret Easton Ellis, Ian McEwan, Elliot Perlman, Tom McCarthy, and Jonathan Safran Foer, Serpell suggests that literary uncertainty emerges from the reader’s shifting responses to structures of conflicting information. A number of these novels employ a structure of mutual exclusion, which presents opposed explanations for the same events. Some use a structure of multiplicity, which presents different perspectives regarding events or characters. The structure of repetition in other texts destabilizes the continuity of events and frustrates our ability to follow the story. To explain how these structures produce uncertainty, Serpell borrows from cognitive psychology the concept of affordance, which describes an object’s or environment’s potential uses. Moving through these narrative structures affords various ongoing modes of uncertainty, which in turn afford ethical experiences both positive and negative. At the crossroads of recent critical turns to literary form, reading practices, and ethics, Seven Modes of Uncertainty offers a new phenomenology of how we read uncertainty now.
