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Author: Marta Marciniak
Publisher: Lexington Books
ISBN: 1498501583
Category : Social Science
Languages : en
Pages : 268
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Book Description
A Transnational History of Punk Communities in Poland is a multi-regional study of the history and contemporary condition of two Polish punk communities: the one in Warsaw and surrounding areas, and the Upper Silesian region: both rich in varied and sometimes conflicting punk traditions. The author, a self-identified member of the punk subculture formerly living and active in Warsaw, explores the various political, economic and social dimensions of the development of these unique communities and the meaning of the punk ethos for people across different age groups, genders, and life experiences, in relation to other subcultures, especially skinheads, and the broader society. An additional dimension, previously unexplored in scholarship, are the ties between these Polish punk communities and their counterparts in the United States and Canada. The personal connections between early bands and the long lasting transnational aspects of punk practices are shown to be an important factor in the shaping of punk attitudes across time and space. The economics of everyday punk life are discussed referring to contemporary scholarship on the subject, punk lyrics, and ethnographies which throughout the book illustrate selected themes and problems. This study includes insight about obscure yet foundational Silesian bands and their defiant, sardonic humor; about punk and anarchy, punk versus communism and the political opposition in the 1980s, punks’ attitudes toward the transformation of 1989, about being a punk girl on the streets of Warsaw or Wodzisław Śląski. Discover punk as an old subculture that cherishes its own past and remains an important alternative to mainstream cultural practices in a rapidly “Westernizing” and corporatizing country.
Author: Marta Marciniak
Publisher: Lexington Books
ISBN: 1498501583
Category : Social Science
Languages : en
Pages : 268
Get Book Here
Book Description
A Transnational History of Punk Communities in Poland is a multi-regional study of the history and contemporary condition of two Polish punk communities: the one in Warsaw and surrounding areas, and the Upper Silesian region: both rich in varied and sometimes conflicting punk traditions. The author, a self-identified member of the punk subculture formerly living and active in Warsaw, explores the various political, economic and social dimensions of the development of these unique communities and the meaning of the punk ethos for people across different age groups, genders, and life experiences, in relation to other subcultures, especially skinheads, and the broader society. An additional dimension, previously unexplored in scholarship, are the ties between these Polish punk communities and their counterparts in the United States and Canada. The personal connections between early bands and the long lasting transnational aspects of punk practices are shown to be an important factor in the shaping of punk attitudes across time and space. The economics of everyday punk life are discussed referring to contemporary scholarship on the subject, punk lyrics, and ethnographies which throughout the book illustrate selected themes and problems. This study includes insight about obscure yet foundational Silesian bands and their defiant, sardonic humor; about punk and anarchy, punk versus communism and the political opposition in the 1980s, punks’ attitudes toward the transformation of 1989, about being a punk girl on the streets of Warsaw or Wodzisław Śląski. Discover punk as an old subculture that cherishes its own past and remains an important alternative to mainstream cultural practices in a rapidly “Westernizing” and corporatizing country.
Author: Ewa Mazierska
Publisher: Springer
ISBN: 3030170349
Category : Music
Languages : en
Pages : 248
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Book Description
This volume examines the transnational character of popular music since the Cold War era to the present. Bringing together the cross-disciplinary research of native scholars, Eastern European Popular Music in a Transnational Context expands our understanding of the movement of physical music, musicians and genres through the Iron Curtain and within the region of Eastern Europe. With case studies ranging from Goran Bregović, Czesław Niemen, the reception of Leonard Cohen in Poland, the Estonian punk scene to the Intervision Song Contest, the book discusses how the production and reception of popular music in the region has always been heavily influenced by international trends and how varied strategies allowed performers and fans to acquire cosmopolitan identities. Cross-disciplinary in nature, the investigations are informed by political, social and cultural history, reception studies, sociology and marketing and are largely based on archival research and interviews.
Author: Patryk Galuszka
Publisher: Routledge
ISBN: 1351119206
Category : Music
Languages : en
Pages : 446
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Book Description
Made in Poland: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Polish popular music. Each essay, written by a leading scholar of Polish music, covers the major figures, styles, and social contexts of pop music in Poland and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Poland, followed by essays organized into thematic sections: Popular Music in the People’s Republic of Poland; Documenting Change and Continuity in Music Scenes and Institutions; and Music, Identity, and Critique.
Author: Tatiana Klepikova
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110606879
Category : History
Languages : en
Pages : 396
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Book Description
Traditionally, privacy studies have focused on the liberal democratic societies of the global West, whereas non-democratic contexts have played a marginal role in the discussion of the private and public spheres, not in the least because of the political stances of the Cold War era. This volume offers explorations of highly diversified performances and discourses of privacy by various actors which were embedded into the culturally, economically, and politically specific constructions of late socialism in individual states of the Warsaw Pact. While the experience of socialism varied across the Bloc, there were also some reactions to socialism and some reverse responses of socialist regimes to these reactions that one can trace through all states. Contributions to this volume take us across the Eastern Bloc and beyond it—from the Soviet Union, into late socialist Poland, Romania, and East and West Germany. While looking at specific countries, they provide a glimpse into a broader perspective that reaches beyond the borders of individual late socialist states. Together, these articles document a palette of paradigms of the construction and transformation of the private spheres that overcame the national borders of individual states and left an imprint across the Eastern Bloc, thereby contributing to rethinking Cold War rhetoric in regard to these states.
Author: Raymond A. Patton
Publisher: Oxford University Press
ISBN: 0190872381
Category : Music
Languages : en
Pages : 355
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Book Description
In March 1977, John "Johnny Rotten" Lydon of the punk band the Sex Pistols looked over the Berlin wall onto the grey, militarized landscape of East Berlin, which reminded him of home in London. Lydon went up to the wall and extended his middle finger. He didn't know it at the time, but the Sex Pistols' reputation had preceded his gesture, as young people in the "Second World" busily appropriated news reports on degenerate Western culture as punk instruction manuals. Soon after, burgeoning Polish punk impresario Henryk Gajewski brought the London punk band the Raincoats to perform at his art gallery and student club-the epicenter for Warsaw's nascent punk scene. When the Raincoats returned to England, they found London erupting at the Rock Against Racism concert, which brought together 100,000 "First World" UK punks and "Third World" Caribbean immigrants who contributed their cultures of reggae and Rastafarianism. Punk had formed networks reaching across all three of the Cold War's "worlds". The first global narrative of punk, Punk Crisis examines how transnational punk movements challenged the global order of the Cold War, blurring the boundaries between East and West, North and South, communism and capitalism through performances of creative dissent. As author Raymond A. Patton argues, punk eroded the boundaries and political categories that defined the Cold War Era, replacing them with a new framework based on identity as conservative or progressive. Through this paradigm shift, punk unwittingly ushered in a new era of global neoliberalism.
Author: Nancy L. Green
Publisher: University of Chicago Press
ISBN: 022660831X
Category : History
Languages : en
Pages : 228
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Book Description
Transnationalism means many things to many people, from crossing physical borders to crossing intellectual ones. The Limits of Transnationalism reassesses the overly optimistic narratives often associated with this malleable term, revealing both the metaphorical and very real obstacles for transnational mobility. Nancy L. Green begins her wide-ranging examination with the story of Frank Gueydan, an early twentieth-century American convicted of manufacturing fake wine in France who complained bitterly that he was neither able to get a fair trial there nor to enlist the help of US officials. Gueydan’s predicament opens the door for a series of inquiries into the past twenty-five years of transnational scholarship, raising questions about the weaknesses of global networks and the slippery nature of citizenship ties for those who try to live transnational lives. The Limits of Transnationalism serves as a cogent reminder of this topic’s complexity, calling for greater attention to be paid to the many bumps in the road.
Author: Laura Way
Publisher: Springer Nature
ISBN: 3031478231
Category :
Languages : en
Pages : 272
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Book Description
Author: Catherine Hoad
Publisher: Routledge
ISBN: 1000556654
Category : Music
Languages : en
Pages : 234
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Book Description
The political has always been part of popular music, but how does that play out in today’s musical and political landscape? Mixing Pop and Politics: Political Dimensions of Popular Music in the 21st Century provides an innovative exploration of the complex politics of popular music in its contemporary formations. Amid the shifting paradigms of power in the 2020s, the chapters in this book go beyond the idea of popular music as protest to explore how resistance, subversion, containment, and reconciliation all interact in the popular music realm. Covering a wide range of international artists and genres, from South African hip-hop to Polish punk, and addressing topics such as climate change and environmentalism, feminism, diasporic identity, political parties, music-making as labour, the far right, conservatism and nostalgia, and civic engagement, the contributors expand our understanding of how popular music is political. For students and scholars of music, popular culture, and politics, the volume offers a broad, exciting snapshot of the latest scholarship on contemporary popular music and politics.
Author: Henrik G. Bastiansen
Publisher: Springer
ISBN: 3319983822
Category : History
Languages : en
Pages : 356
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Book Description
The Cold War was a media phenomenon. It was a daily cultural political struggle for the hearts and minds of ordinary people—and for government leaders, a struggle to undermine their enemies’ ability to control the domestic public sphere. This collection examines how this struggle played out on screen, radio, and in print from the late 1970s through the early 1990s, a time when breaking news stories such as Ronald Reagan’s “Star Wars” program and Mikhail Gorbachev’s policy of glasnost captured the world’s attention. Ranging from the United States to the Soviet Union and China, these essays cover photojournalism on both sides of the Iron Curtain, Polish punk, Norwegian film, Soviet magazines, and more, concluding with a contribution from Stuart Franklin, one of the creators of the iconic “Tank Man” image during the Tiananmen Square protests. By investigating an array of media actors and networks, as well as narrative and visual frames on a local and transnational level, this volume lays the groundwork for writing media into the history of the late Cold War.
Author: Jeff Hayton
Publisher: Oxford University Press
ISBN: 0192635859
Category : History
Languages : en
Pages : 383
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Book Description
Culture from the Slums explores the history of punk rock in East and West Germany during the 1970s and 1980s. These decades witnessed an explosion of alternative culture across divided Germany, and punk was a critical constituent of this movement. For young Germans at the time, punk appealed to those gravitating towards cultural experimentation rooted in notions of authenticity-endeavors considered to be more 'real' and 'genuine.' Adopting musical subculture from abroad and rearticulating the genre locally, punk gave individuals uncomfortable with their societies the opportunity to create alternative worlds. Examining how youths mobilized music to build alternative communities and identities during the Cold War, Culture from the Slums details how punk became the site of historical change during this era: in the West, concerning national identity, commercialism, and politicization; while in the East, over repression, resistance, and collaboration. But on either side of the Iron Curtain, punks' struggles for individuality and independence forced their societies to come to terms with their political, social, and aesthetic challenges, confrontations which pluralized both states, a surprising similarity connecting democratic, capitalist West Germany with socialist, authoritarian East Germany. In this manner, Culture from the Slums suggests that the ideas, practices, and communities which youths called into being transformed both German societies along more diverse and ultimately democratic lines. Using a wealth of previously untapped archival documentation, this study reorients German and European history during this period by integrating alternative culture and music subculture into broader narratives of postwar inquiry and explains how punk rock shaped divided Germany in the 1970s and 1980s.
