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Author: Erik Mortenson
Publisher: SIU Press
ISBN: 0809336553
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
In Turkey the Beat message of dissent is being given renewed life as publishers, editors, critics, readers, and others dissatisfied with the conservative social and political trends in the country have turned to the Beats and other countercultural forebears for alternatives. Through an examination of a broad range of literary translations, media portrayals, interviews, and other related materials, this book seeks to uncover how the Beats and their texts are being circulated, discussed, and used in Turkey to rethink the possibilities they might hold for social critique today. Mortenson examines how in Turkey the Beats have been framed by the label “underground literature”; explores the ways they are repurposed in the counterculture-inspired journal Underground Poetix; looks at the reception of Jack Kerouac’s On the Road and how that reaction provides a better understanding of the construction of “American-ness”; delves into the recent obscenity trial of William S. Burroughs’s novel The Soft Machine and the attention the book’s supporters brought to government repression and Turkish homophobia; and analyzes the various translations of Allen Ginsberg’s Howl to demonstrate the relevance Ginsberg still holds for social rebellion today. Translating the Counterculture takes a revolutionary look at how contemporary readers in other parts of the world respond to the Beats. Challenging and unsettling an American-centric understanding of the Beats, Mortenson pushes the discipline toward a fuller consideration of their cultural legacy in a globalized twenty-first century.
Author: Erik Mortenson
Publisher: SIU Press
ISBN: 0809336553
Category : Literary Criticism
Languages : en
Pages : 280
Get Book Here
Book Description
In Turkey the Beat message of dissent is being given renewed life as publishers, editors, critics, readers, and others dissatisfied with the conservative social and political trends in the country have turned to the Beats and other countercultural forebears for alternatives. Through an examination of a broad range of literary translations, media portrayals, interviews, and other related materials, this book seeks to uncover how the Beats and their texts are being circulated, discussed, and used in Turkey to rethink the possibilities they might hold for social critique today. Mortenson examines how in Turkey the Beats have been framed by the label “underground literature”; explores the ways they are repurposed in the counterculture-inspired journal Underground Poetix; looks at the reception of Jack Kerouac’s On the Road and how that reaction provides a better understanding of the construction of “American-ness”; delves into the recent obscenity trial of William S. Burroughs’s novel The Soft Machine and the attention the book’s supporters brought to government repression and Turkish homophobia; and analyzes the various translations of Allen Ginsberg’s Howl to demonstrate the relevance Ginsberg still holds for social rebellion today. Translating the Counterculture takes a revolutionary look at how contemporary readers in other parts of the world respond to the Beats. Challenging and unsettling an American-centric understanding of the Beats, Mortenson pushes the discipline toward a fuller consideration of their cultural legacy in a globalized twenty-first century.
Author: Christopher Dunn
Publisher: UNC Press Books
ISBN: 9780807849767
Category : Music
Languages : en
Pages : 280
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Book Description
In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropic¡lia. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropic¡lia dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians. Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Z© created this movement together with the musical and poetic vanguards of Sao Paulo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical "garden" and the daily brutality visited upon its citizens.
Author: Maria R. Bloshteyn
Publisher: University of Toronto Press
ISBN: 0802092284
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
At first glance, the works of Fedor Dostoevsky (1821-1881) do not appear to have much in common with those of the controversial American writer Henry Miller (1891-1980). However, the influencer of Dostoevsky on Miller was, in fact, enormous and shaped the latter's view of the world, of literature, and of his own writing. The Making of a Counter-Culture Icon examines the obsession that Miller and his contemporaries, the so-called Villa Seurat circle, had with Dostoevsky, and the impact that this obsession had on their own work. Renowned for his psychological treatment of characters, Dostoevsky became a model for Miller, Lawrence Durrell, and Anais Nin, interested as they were in developing a new kind of writing that would move beyond staid literary conventions. Maria Bloshteyn argues that, as Dostoevsky was concerned with representing the individual's perception of the self and the world, he became an archetype for Miller and the other members of the Villa Seurat circle, writers who were interested in precise psychological characterizations as well as intriguing narratives. Tracing the cross-cultural appropriation and (mis)interpretation of Dostoevsky's methods and philosophies by Miller, Durrell, and Nin, The Making of a Counter-Culture Icon gives invaluable insight into the early careers of the Villa Seurat writers and testifies to Dostoevsky's influence on twentieth-century literature.
Author: Loren Glass
Publisher: Stanford University Press
ISBN: 9780804784160
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Responsible for such landmark publications as Lady Chatterley's Lover, Tropic of Cancer, Naked Lunch, Waiting for Godot,The Wretched of the Earth , and The Autobiography of Malcolm X, Grove Press was the most innovative publisher of the postwar era. Counterculture Colophon tells the story of how the press and its house journal, The Evergreen Review, revolutionized the publishing industry and radicalized the reading habits of the "paperback generation." In the process, it offers a new window onto the 1960s, from 1951, when Barney Rosset purchased the fledgling press for $3,000, to 1970, when the multimedia corporation into which he had built the company was crippled by a strike and feminist takeover. Grove Press was not only responsible for ending censorship of the printed word in the United States but also for bringing avant-garde literature, especially drama, into the cultural mainstream as part of the quality paperback revolution. Much of this happened thanks to Rosset, whose charismatic leadership was crucial to Grove's success. With chapters covering world literature and the Latin American boom, including Grove's close association with UNESCO and the rise of cultural diplomacy; experimental drama such as the theater of the absurd, the Living Theater, and the political epics of Bertolt Brecht; pornography and obscenity, including the landmark publication of the complete work of the Marquis de Sade; revolutionary writing, featuring Rosset's daring pursuit of the Bolivian journals of Che Guevara; and underground film, including the innovative development of the pocket filmscript, Loren Glass covers the full spectrum of Grove's remarkable achievement as a communications center of the counterculture.
Author: William Andrews
Publisher: Oxford University Press
ISBN: 184904919X
Category : Political Science
Languages : en
Pages : 384
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Book Description
Conformist, mute and malleable? Andrews tackles head-on this absurd caricature of Japanese society in his fascinating history of its militant sub-cultures, radical societies and well-established traditions of dissent Following the March 2011 tsunami and Fukushima nuclear crisis, the media remarked with surprise on how thousands of demonstrators had flocked to the streets of Tokyo. But mass protest movements are nothing new in Japan and the post-war period experienced years of unrest and violence on both sides of the political spectrum: from demos to riots, strikes, campus occupations, faction infighting, assassinations and even international terrorism. This is the first comprehensive history in English of political radicalism and counterculture in Japan, as well as the artistic developments during this turbulent time. It chronicles the major events and movements from 1945 to the new flowering of protests and civil dissent in the wake of Fukushima. Introducing readers to often ignored aspects of Japanese society, it explores the fascinating ideologies and personalities on the Right and the Left, including the student movement, militant groups and communes. While some elements parallel developments in Europe and America, much of Japan's radical recent past (and present) is unique and offers valuable lessons for understanding the context to the new waves of anti-government protests the nation is currently witnessing.
Author: Erik Mortenson
Publisher: Liverpool University Press
ISBN: 1638040524
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
The Beats and the Academy marks the first sustained effort to train a scholarly eye on the dynamics of the relationship between Beat writers and the academic institutions in which they taught. Rather than assuming the relationship between Beat writers and institutions of higher education was only a hostile one, The Beats and the Academy begins with the premise that influence between the two flows in both directions. Beat writers' suspicion of established institutions was a significant aspect of their postwar countercultural allure. Their anti-establishment aesthetic and countercultural stance led Beat writers to be critical of postwar academic institutions that tended to dismiss them as a passing social phenomenon. Even today, Beat writing still meets resistance in an academy that questions the relevance of their writing and ideas. But this picture, like any generalization, is far too easy. The Beat relationship to the academy is one of negotiation, rather than negation. Many Beats strove for academic recognition, and quite a few received it. And despite hostility to their work both in the postwar era and today, Beat works have made it into syllabi, conference resentations, journal articles, and monographs. The Beats and the Academy deepens our understanding of this relationship by emphasizing how institutional friction between the Beats and institutions of higher education has shaped our understanding of Beat Generation literature and culture—and what this relationship between Beat writers and the academy might suggest about their legacy for future scholars.
Author: Judith Weisz Woodsworth
Publisher: Routledge
ISBN: 1000449424
Category : Language Arts & Disciplines
Languages : en
Pages : 249
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Book Description
Translation and the Global City showcases fresh perspectives on translation in a global context, drawing on case studies from Montreal and other multilingual cosmopolitan cities to examine the historical, sociological and cultural factors underpinning the travel of languages, ideas and cultures across borders. Building on the "spatial turn" in translation studies, the book adopts a bridge metaphor to explore the complexities of translational spaces and the ways in which translation acts can both unite and divide in the global city. The collection initiates the discussion with a focus on the Canadian context and specifically the city of Montreal, where historical circumstances, public policy and shifting language politics have led to a burgeoning translation industry. It goes on to address issues of translation in other regions and cities of the world, generating new insights and opening avenues for further research into the relations between languages and cultures. This volume will be of particular interest to students and scholars in translation studies, especially those with an interest in translation theory and the sociology of translation.
Author: A. Robert Lee
Publisher: Liverpool University Press
ISBN: 1638040176
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Who was Harold Norse? Despite publishing over a dozen volumes of poetry between the early 1950s and the new millennium, until now, the Brooklyn-born Norse has been relegated to a footnote in accounts of twentieth century literary history. Harold Norse: Poet Maverick, Gay Laureate is the first collection of essays devoted to this enigmatic poet and visual artist. As this volume explores, Norse, who developed his craft while living in Europe during the 1950s and 1960s, is an important figure in the development of mid-twentieth century poetics. During the 1950s and 1960s, Norse was a notable figure in the plethora of little poetry magazines published in the USA and Europe through to skirmishes with respectability and acceptance (Penguin and City Lights). Norse is a key figure in the development of the cut-up process made famous by his friend, William S. Burroughs. His correspondence with his mentor, the poet William Carlos Williams, captures his poetic shifts from formalism to the development of his Brooklyn idiom, while his gripping autobiography, Memoirs of a Bastard Angel, documents his transatlantic networks of writers and artists, among them James Baldwin, Allen Ginsberg, and Charles Bukowski. And after returning to the US in the late 1960s, Norse emerged as leading figure in Gay Liberation poetry. List of contributors: Jan Herman, Erik Mortenson, A. Robert Lee, Fiona Paton, Daniel Kane, Steven Belletto, Estíbaliz Encarnación-Pinedo, Ronna C. Johnson, Kurt Hemmer, Chad Weidner, Benjamin J. Heal, Tate Swindell, Andrew McMillan, Douglas Field, Jay Jeff Jones, Todd Swindell, and James Grauerholz.
Author: Kevin R. McNamara
Publisher:
ISBN: 1108841961
Category : History
Languages : en
Pages : 417
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Book Description
This book examines what literature and film reveal about the urban USA. Subjects include culture, class, race, crime, and disaster.
Author: Matt Theado
Publisher: Liverpool University Press
ISBN: 1949979946
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
The Beats, Black Mountain, and New Modes of American Poetry explores correspondences amongst the Black Mountain and Beat Generation writers, two of most well-known and influential groups of poets in the 1950s. The division of writers as Beat or Black Mountain has hindered our understanding of the ways that these poets developed from mutual influences, benefitted from direct relations, and overlapped their boundaries. This collection of academic essays refines and adds context to Beat Studies and Black Mountain Studies by investigating the groups’ intersections and undercurrents. One goal of the book is to deconstruct the Beat and Black Mountain labels in order to reveal the shifting and fluid relationships among the individual poets who developed a revolutionary poetics in the 1950s and beyond. Taken together, these essays clarify the radical experimentation with poetics undertaken by these poets.
