Traité théorique et pratique des contrefaçons en tous genres, ou, De la propriété de littérature, théâtre, musique ... PDF Download
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Author: Adrien Gastambide
Publisher:
ISBN:
Category :
Languages : fr
Pages : 516
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Book Description
Author: Adrien Gastambide
Publisher:
ISBN:
Category :
Languages : fr
Pages : 516
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Book Description
Author: Gastambide-A-J
Publisher:
ISBN: 9782013554466
Category :
Languages : fr
Pages :
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Author: Acadimie de Droit International de La Haye
Publisher: Martinus Nijhoff Publishers
ISBN: 9789028608924
Category : Law
Languages : en
Pages : 672
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Book Description
The Academy is a prestigious international institution for the study and teaching of Public and Private International Law and related subjects. The work of the Hague Academy receives the support and recognition of the UN. Its purpose is to encourage a thorough and impartial examination of the problems arising from international relations in the field of law. The courses deal with the theoretical and practical aspects of the subject, including legislation and case law. All courses at the Academy are, in principle, published in the language in which they were delivered in the "Collected Courses of the Hague Academy of International Law .
Author:
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ISBN:
Category :
Languages : en
Pages : 0
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Author: Adrien-Joseph Gastambide (procureur général.)
Publisher:
ISBN:
Category :
Languages : fr
Pages : 496
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Author: Joseph Adrien Gastambide
Publisher:
ISBN:
Category : Copyright
Languages : fr
Pages : 512
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Author: Adr Gastambide
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Author: Adrien Gastambide
Publisher:
ISBN:
Category :
Languages : fr
Pages : 496
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Book Description
Author: Stina Teilmann-Lock
Publisher: Routledge
ISBN: 1317804597
Category : Law
Languages : en
Pages : 173
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Book Description
Recent years have seen a number of pressing developments in copyright law: there has been an enormous increase in the range and type of work accorded protection; the concept of the ‘original work’ has entered into national copyright acts; and intangible entities are now entitled to protection by copyright. All these are consequences of legislative and technological developments that can be traced back over two centuries and more. the result. This book presents an interdisciplinary study of the growth of copyright law, largely based on archival research and on archival materials only recently made available online. The new history here articulated helps to explain why print is no longer today the sole or even the chief object of copyright protection. Taking its key examples from British, French and Danish copyright law, the book begins by exploring how the earliest copyright laws emerged out of the technological understanding of a printed ‘copy,’ and out of the philosophical notions of originals and copies, tangibles and intangibles. Dr Teilmann-Lockgoes on to examine the concept of the ‘work’ as it develops both conceptually and legally, as the object of protection, and then explains how, in a curious consequence, 'the work' turns the ‘copy’ into the 'mere' material instantiation of the intangible 'original'. The book concludes by addressing the considerable and complicated problems now emerging in copyright law following the inclusion of design within the scope of its protection. In this field Danish law, striving to protect Danish design, has been setting the trend for over a hundred years. In its examination of terminological exchanges between the diverse legal traditions and philosophical discourse, and in its thorough investigation of particular terms central to copyright legislation, this interdisciplinary book will be of great interest to scholars and students of copyright and intellectual property law; it also makes an important contribution to literary studies, legal history and cultural theory.
Author: Lionel Bently
Publisher: Cambridge University Press
ISBN: 0521193435
Category : Law
Languages : en
Pages : 503
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Book Description
An understanding of the changing nature of the law and practice of copyright infringement is a task too big for lawyers alone; it requires additional inputs from economists, historians, technologists, sociologists, cultural theorists and criminologists. Where is the boundary to be drawn between illegal imitation and legal inspiration? Would the answer be different for creators, artists and experts from different disciplines or fields? How have concepts of copyright infringement altered over time and how do such changes relate, if at all, to the cultural norms operating amongst creators in different fields? With such an approach, one might perhaps begin to address the vital and overarching question of whether strong copyright laws, rigorously enforced, impede rather than promote creativity. And what can be done to avoid any such adverse consequences, while maintaining the effectiveness of copyright as an incentive-mechanism for those who need it?
