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Author: Farley P. Richmond
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120809819
Category : Folklore
Languages : en
Pages : 518
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Book Description
Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the theatre form under consideration and interprets its dramatic literature, probes its ritual or religious significance, and, where relevant, explores its social and political implications. Moreover, each chapter, except for those on the origins of Indian theatre, concludes with performance notes describing the actual experience of seeing a live performance in its original context. Based on extensive fieldwork, Indian Theatre is the first comprehensive account of the subject to be written by Western specialists and addressed to the needs of readers in the West. It will be a valuable resource for all students of Indian culture and a standard work in the history of theatre and performance for years to come.
Author: Farley P. Richmond
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120809819
Category : Folklore
Languages : en
Pages : 518
Get Book Here
Book Description
Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the theatre form under consideration and interprets its dramatic literature, probes its ritual or religious significance, and, where relevant, explores its social and political implications. Moreover, each chapter, except for those on the origins of Indian theatre, concludes with performance notes describing the actual experience of seeing a live performance in its original context. Based on extensive fieldwork, Indian Theatre is the first comprehensive account of the subject to be written by Western specialists and addressed to the needs of readers in the West. It will be a valuable resource for all students of Indian culture and a standard work in the history of theatre and performance for years to come.
Author: Sureśa Avasthī
Publisher:
ISBN:
Category : Arts, Indic
Languages : en
Pages : 164
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Book Description
This book gives a comprehensive account of various art forms as practiced I different corners of india almost as a way of life.Written in a lucid style, different aspects of the rich performance tradition of the country with its own typical myths, customs, traditions and folk life get unraveled before us in these pages.
Author:
Publisher:
ISBN: 9788182904835
Category :
Languages : en
Pages : 195
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Book Description
Author: Kapila Vatsyayan
Publisher:
ISBN: 9788123744612
Category : Indic drama
Languages : en
Pages : 245
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Book Description
Written by one of most renowned culture historians of our times, the present fresh edition with an afterword by the author , describes and presents an analysis of forms such as Yaksagna,Bhagvatamala,Chau,Nautanki,Ramlila,Etc.
Author: Manohar Laxman Varadpande
Publisher: Abhinav Publications
ISBN: 9788170172215
Category : Performing Arts
Languages : en
Pages : 380
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Book Description
This Is The First Volume Of The Six-Volume History Of Indian Theatre. Written By An Eminent Scholar M.L, Varadpande This Veritable Encyclopedia Speaks About An Early Phase Of India S Theatre History, Which Also Is The History Of India S Fine Arts. For The First Time The Origin And Evolution Of Theatrical Arts In India Is Traced In An Elaborate Manner Providing An Insight Into One Of The Oldest Theatrical Traditions Of The World. The Book Draws From The Sources Including Mesolithic Cave Paintings, Ancient Archaeological Finds And Mass Of Literature Belonging To The Vedic And Buddhist Era To Give You The Complete Picture Of India S Theatre History.In A Lucid Style It Tells About Ritualistic Dances And Hunt Dramas Of Aboriginals; Statuettes Of Dancers, Jesters And String Manipulated Puppet Toys Belonging To Earliest Known Urban Civilization Of India The Indus Civilization; Dramatic Rituals Full Of Dancing, Singing And Music; The Dancing Gods And Compositions In Dialogue Form Of Early Aryans; The Troupes Of Actors Moving In The Country Enacting Humorous Plays And Erotic Dances; Efforts Of The State Administration To Impose Entertainment Tax And Strict Code Of Censors And The Flourishing Theatre Of The People. The Book Also Tells About The Advent Of Greeks In India And Their Theatrical Activities, Staging Of A Play Agen In The Military Camp Of Alexander The Great And The Play Written In Greek And Indian Languages Found In Egypt. It Discusses The Problem Of Greek Influence On Indian Theatre In Detail And Speaks About Indian View Of Theatre.This Well-Documented And Profusely Illustrated Work Presents An Enchanting Panorama Of India S Early Theatre History In A Manner At Once Scholarly And Interesting. Known For His Erudition And Profound Scholarship, M.L. Varadpande (B; 1936) Is An Eminent Theatre Historian Of India. His Major Works Published By Abhinav Publications Are Traditions Of Indian Theatre, Ancient Indian And Indo-Greek Theatre, Religion And Theatre And Krishna Theatre In India. His Other Well-Known Works On Indian Theatre Are Invitation To An Indian Theatre And The Critique Of Indian Theatre (Ed.). The Sahita Akademi, India S National Academy Of Letters, Has Published His Book Shripad Krishna Kolhatkar In Marathi (Out Of Print), Hindi (Second Edition) And Punjabi. It Is Now Being Translated Into English. His Forthcoming Works Are The Mahabharata In Performance And Ankia Nat: Vaishnava Opera Of Assam. As A Research Fellow Of The Indian Council Of Historical Research He Is Working On The Research Project Temple Theatre In India.
Author: Nemicandra Jaina
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 128
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Book Description
Author: M.L. Varalpande
Publisher:
ISBN: 9788170170860
Category :
Languages : en
Pages : 104
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Book Description
Indian theatre is at least as old as the Indus valley civilization which, in the light of its extended reach disclosed by archaeological explorations in recent years, is emerging as a Ganga valley civilization as well. The coming together of many peoples, the interaction of many cultural traditions, and the evolution of regional specificities in cultural expression, have given India a rich and varied legacy comparable, not to that of any one country of Europe, but to the heritage of that continent in its entirety. Presentation of a total picture will be an encyclopaedic task of the future. Here an effort has been made to focus attention particularly on the unexplored areas of Indian theatrical traditions. The author has succeeded in shedding new light on many crucial aspects about which there have till now been uncertainties or serious misconceptions. The ten essays in the book, scanning a mass of literary, epigraphical and archaeological material, constitute a scholarly exploration. They tell of very early forms of theatrical arts, the way in which they were performed, the role of the temple in their development, the early theatre halls, the ancient amphitheatre unearthed by the archaeologist’s spade, the unique tradition of female theatre, the relationship between the performing artistes and the state and the various art traditions that influenced the evolution of the theatre. Of special interest is the material on Indian folk theatre which has an ancient tradition
Author: Julia Hollander
Publisher: Routledge
ISBN: 1134407793
Category : Art
Languages : en
Pages : 235
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Book Description
Based on twelve years of research, this book provides detailed descriptions of the culture of folk theatre and outlines its importance for practitioners, audiences and the worldwide theatre industry, presenting a unique angle on selected performances.
Author: Manohar Laxman Varadpande
Publisher: New Delhi : Abhinav Publications
ISBN:
Category : Dance
Languages : en
Pages : 156
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Book Description
Author: Sharmistha Saha
Publisher: Springer
ISBN: 9811311773
Category : Performing Arts
Languages : en
Pages : 183
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Book Description
This book critically engages with the study of theatre and performance in colonial India, and relates it with colonial (and postcolonial) discussions on experience, freedom, institution-building, modernity, nation/subject not only as concepts but also as philosophical queries. It opens up with the discourse around ‘Indian theatre’ that was started by the orientalists in the late 18th century, and which continued till much later. The study specifically focuses on the two major urban centres of colonial India: Bombay and Calcutta of the 19th and early 20th centuries. It discusses different cultural practices in colonial India, including the initiation of ‘Indian theatre’ practices, which resulted in many forms of colonial-native ‘theatre’ by the 19th century; the challenges to this dominant discourse from the ‘swadeshi jatra’ (national jatra/theatre) in Bengal, which drew upon earlier folk and religious traditions and was used as a tool by the nationalist movement; and the Indian People’s Theatre Association (IPTA) that functioned from Bombay around the 1940s, which focused on the creation of one national subject – that of the ‘Indian’. The author contextualizes the relevance of the concept of ‘Indian theatre’ in today’s political atmosphere. She also critically analyses the post-Independence Drama Seminar organized by the Sangeet Natak Akademi in 1956 and its relevance to the subsequent organization of ‘Indian theatre’. Many theatre personalities who emerged as faces of smaller theatre committees were part of the seminar which envisioned a national cultural body. This book is an important contribution to the field and is of interest to researchers and students of cultural studies, especially Theatre and Performance Studies, and South Asian Studies.
