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Author: Cheng Yan
Publisher:
ISBN: 9781903975190
Category : Ink painting
Languages : en
Pages : 0
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Book Description
This fascinating easy-to-follow guide captures all the freshness, beauty and spontaneity of Chinese brush painting. Using step-by-step photographs and his own evocative pictures, the author explains all the techniques, bringing to life animals, birds, fish and insects, creating atmosphere in landscapes and transforming flowers and plants into wonderful works of art--Cover.
Author: Cheng Yan
Publisher:
ISBN: 9781903975190
Category : Ink painting
Languages : en
Pages : 0
Get Book Here
Book Description
This fascinating easy-to-follow guide captures all the freshness, beauty and spontaneity of Chinese brush painting. Using step-by-step photographs and his own evocative pictures, the author explains all the techniques, bringing to life animals, birds, fish and insects, creating atmosphere in landscapes and transforming flowers and plants into wonderful works of art--Cover.
Author: Jane Evans
Publisher: Courier Corporation
ISBN: 0486136833
Category : Art
Languages : en
Pages : 145
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Book Description
"How-to" manual provides all levels of students with detailed methods for painting such simple subjects as bamboo and plum blossoms as well as more ambitious motifs. 150 illustrations, including 82 in full color.
Author: Mei Ruo
Publisher: Tuttle Publishing
ISBN: 1602200459
Category : Art
Languages : en
Pages : 448
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Book Description
Try your hands at these historically and culturally important methods, and create some beautiful paintings of your own. Chinese painting is an ancient art that has evolved and become refined over many centuries. Artists brush ink and color pigments onto silk or paper using a variety of techniques, with two main approaches: gongbi a traditional and realistic style based on line drawing, and xieyi style, a freehand method that uses fewer strokes to suggest objects in a less literal way. Painting themes generally fall into three categories: figure, landscaping, and bird-and-flower. Chinese brush painting is mainly presented in lines, shades and white space to express the feelings about nature, social phenomena, and the very essence of the universe. The framework for this expression is often traditional: certain subjects carry cultural connotations that are well-known and imbue the painting with a layer of meaning beyond face value of objects shown. The traditional subjects such as mandarin ducks, butterflies, and the 'Four Gentlemen' (plum blossoms, orchids, bamboos, and chrysanthemum) are examples that contain this rich cultural meaning. Readers will learn first about the tools and materials, then painting techniques. Early pages explore the very basic painting methods and subjects—perfect for beginning painters—but continue to build skills for painting plants and animals of increasing complexity. Chinese Brush Painting illustrates several Chinese brush painting techniques with the use of different tools, brushwork and color mixing. With the step-by-step projects, you can first follow the introductory lessons to learn the necessary skills of brushwork, usage of paper, and characteristics of water, ink and colors; then follow the advanced lessons to learn the compositions and more complicated color applications.
Author: Jane Dwight
Publisher:
ISBN: 9781407517742
Category : Ink painting, Chinese
Languages : en
Pages : 0
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Book Description
An introduction to Chinese brush painting.
Author: Pauline Cherrett
Publisher: Sterling Publishing Company, Inc.
ISBN: 9780806955094
Category : Art
Languages : en
Pages : 134
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Book Description
“You’ll want to keep this book close to your painting table....Guides you from the beginning with information on the materials you need and the basic steps involved.”—Decorative Artist’s Workbook. “With the right instructions and a little time you can get very good results, and that’s what this book provides—step-by-step, manageable little steps to the goal.”—The Crafter’s Bookshelf.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588395049
Category : Art
Languages : en
Pages : 210
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Book Description
"Featuring 70 works in various media--paintings, calligraphy, photographs, woodblock prints, video, and sculpture--that were created during the past three decades, Ink Art: Past as Present in Contemporary China will demonstrate how China's ancient pattern of seeking cultural renewal through the reinterpretation of past models remains a viable creative path. Although all of the artists have transformed their sources through new modes of expression, visitors will recognize thematic, aesthetic, or technical attributes in their creations that have meaningful links to China's artistic past. The exhibition will be organized thematically into four parts and will include such highlights as Xu Bing's dramatic Book from the Sky (ca. 1988), an installation that will fill an entire gallery; Family Tree (2000), a set of vivid photographs documenting a performance by Zhang Huan in which his facial features--and his identity--are obscured gradually by physiognomic texts that are inscribed directly onto his face; and Map of China (2006) by Ai Weiwei, which is constructed entirely of wood salvaged from demolished Qing dynasty temples." --
Author: Ning Yeh
Publisher:
ISBN: 9780961830588
Category :
Languages : en
Pages :
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Book Description
A second addition, also known as Ning Yeh's "Gold Edition" updates his original guide of step-by-step instructions for Chinese Brush Painting.
Author: Rebecca Yue
Publisher: Walter Foster
ISBN: 1600582680
Category : Art
Languages : en
Pages : 43
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Book Description
Full of gorgeous brushwork, easy-to-follow instruction, and exciting art materials, this complete kit is the perfect introduction to the ancient art of Chinese brush painting. After an introduction to the philosophy behind painting with Chinese brushstrokes and techniqes for holding and guiding the brush, aspiring artists are guided through step-by-step painting projects. Several accomplished artists show their process of painting subjects ranging from traditional bamboo and animals to a landscape and figure. And this kit contains everything needed to complete all the projects in the 32-page lesson book. The hardcover case includes a 40-page paperback book with corresponding Spanish translation, watercolor paints, Chinese paintbrushes, ink stick, ink stone, palette, and watercolor paper.
Author: Jason C. Kuo
Publisher: Distributed Art Publishers (DAP)
ISBN:
Category : Art
Languages : en
Pages : 272
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Book Description
Text by Jason C. Kuo.
Author: Aida Yuen Wong
Publisher: University of Hawaii Press
ISBN: 9780824829520
Category : Art
Languages : en
Pages : 246
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Book Description
In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan’s integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right. The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists’ societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries’ convergent, and often colliding, courses of nationalism.
