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Author: Konstantinos Kalantzis
Publisher: Indiana University Press
ISBN: 0253044898
Category : Social Science
Languages : en
Pages : 302
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Book Description
Sfakians on the island of Crete are known for their distinctive dress and appearance, fierce ruggedness, and devotion to traditional ways. Konstantinos Kalantzis explores how Sfakians live with the burdens and pleasures of maintaining these expectations of exoticism for themselves, for their fellow Greeks, and for tourists. Sfakian performance of masculine tradition has become even more meaningful for Greeks looking to reimagine their nation's global standing in the wake of stringent financial regulation, and for non-Greek tourists yearning for rootedness and escape from the post-industrial north. Through fine-grained ethnography that pays special attention to photography, Tradition in the Frame explores the ambivalence of a society expected to conform to outsiders' perception of the traditional even as it strives to enact its own vision of tradition. From the bodily reenactment of historical photographs to the unpredictable, emotionally-charged uses of postcards and commercial labels, the book unpacks the question of power and asymmetry but also uncovers other political possibilities that are nested in visual culture and experiences of tradition and the past. Kalantzis explores the crossroads of cultural performance and social imagination where the frame is both empowerment and subjection.
Author: Konstantinos Kalantzis
Publisher: Indiana University Press
ISBN: 0253044898
Category : Social Science
Languages : en
Pages : 302
Get Book Here
Book Description
Sfakians on the island of Crete are known for their distinctive dress and appearance, fierce ruggedness, and devotion to traditional ways. Konstantinos Kalantzis explores how Sfakians live with the burdens and pleasures of maintaining these expectations of exoticism for themselves, for their fellow Greeks, and for tourists. Sfakian performance of masculine tradition has become even more meaningful for Greeks looking to reimagine their nation's global standing in the wake of stringent financial regulation, and for non-Greek tourists yearning for rootedness and escape from the post-industrial north. Through fine-grained ethnography that pays special attention to photography, Tradition in the Frame explores the ambivalence of a society expected to conform to outsiders' perception of the traditional even as it strives to enact its own vision of tradition. From the bodily reenactment of historical photographs to the unpredictable, emotionally-charged uses of postcards and commercial labels, the book unpacks the question of power and asymmetry but also uncovers other political possibilities that are nested in visual culture and experiences of tradition and the past. Kalantzis explores the crossroads of cultural performance and social imagination where the frame is both empowerment and subjection.
Author: Verity Platt
Publisher: Cambridge University Press
ISBN: 1316943275
Category : Art
Languages : en
Pages : 737
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Book Description
The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.
Author: Banu Karaca
Publisher: Fordham University Press
ISBN: 0823290220
Category : Art
Languages : en
Pages : 195
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Book Description
Based on long-term ethnographic research in the art worlds of Istanbul and Berlin, The National Frame rethinks the politics of art by focusing on the role of art in state governance. It argues that artistic practices, arts patronage and sponsorship, collecting and curating art, and the modalities of censorship continue to be refracted through the conceptual lens of the nation-state, despite the globalization of the arts. By examining discussions of the civilizing function of art in Turkey and Germany and particularly moments in which art is seen to cede this function, The National Frame reveals the histories of violence on which the production, circulation, and, very understanding of art are predicated. Karaca examines this darker side of art in two cities in which art and its institutions have been intertwined with symbolic and material dispossession. The particularities of German and Turkish contexts, both marked by attempts to claim modern nationhood through the arts; illuminate how art is staked to memory and erasure, resistance and restoration; and why art has been at once vital and unwieldy for national projects. As art continues to be called upon to engage the past and imagine different futures, The National Frame explores how to reclaim art’s emancipatory potential.
Author: J. D. Kim
Publisher: Wipf and Stock Publishers
ISBN: 1666733857
Category : Religion
Languages : en
Pages : 233
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Book Description
How does an almighty and all-loving God respond to his beloved human creatures, who are made in his image and yet implicated in sin and suffering? What is the origin of human suffering? Is it sin or the limitations of human beings? Is God moved by our suffering? If he sympathizes and co-suffers with us, can he deliver us out of our miseries? Thousands and perhaps millions of people have asked these questions and are searching desperately for their answers. Two major views have been advanced in the history of Christian theology to describe God’s response to the suffering of the world: divine impassibility and divine passibility. More recently, a third, mediating position between impassibilism and passibilism has arisen which affirms both the impassibility and the passibility of God. This position can be identified as modified classical theism, an approach that grasps the perfect and relational nature of God. Following this mediating position, this book sets out its own constructive understanding of a mediating position with the help of a new way of understanding the way in which the eternal actions (and corresponding passions) of the divine persons condition one another—the dynamic reciprocity model.
Author: Jim Collins
Publisher: Routledge
ISBN: 1136037101
Category : Art
Languages : en
Pages : 177
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Book Description
Jim Collins argues that postmodernism and popular culture have together undermined the master system of "culture." By looking at a wide range of texts and forms he investigates what happens to the notion of culture once different discourses begin to envision that culture in conflicting ways, constructing often contradictory visions of it simultaneously.
Author: Katharine S. Gittes
Publisher: Praeger
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 192
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Book Description
A clear emphasis on literary antecedents of the Canterbury Tales differentiates this book from most criticism of Chaucer's work. Katharine S. Gittes finds a blending of two frame narrative traditions in the Canterbury Tales, one that originated in India and the Near East and the other in ancient Greece. To illustrate this dual literary tradition, Gittes compares Chaucer's work to a selection of pre-Chaucerian frame narratives that influenced his form directly or indirectly, and other narratives contemporary with Chaucer, that, in their likenesses or differences, illuminate the methodology of the Canterbury Tales. Covering materials written in eight different languages, Framing the Canterbury Tales includes discussion of the Indian-Arabic Panchatantra, Boccaccio's Decameron, Gower's Confessio Amantis, and both Eastern and Western versions of the Book of Sinbad. Gittes addresses the relationship between the framing stories and the tales, the degree of open-endedness in theme and structure, aesthetic principles, didactic elements, the significance of prologues and epilogues, the travel/pilgrimmage motif, the function of the narrator, and the degree of characterization in both Eastern and Western frame narratives. An examination of Eastern and Western elements in Chaucer's Canterbury Tales reveals the existing tension between the two, and the ingenious way Chaucer responds to and makes the most of this tension. Eastern features include the open-endedness, the random ordering of tales, and the mode of narration; Western elements include the dramatic features, the grouping or pairing of tales, the symmetry and the recurring motifs. In examining different cultural outlooks and a variety of different, non-literary disciplines, Gittes expands the field of Chaucer criticism. Her book will interest students and scholars of diverse cultures and literary periods, as well as Chaucer enthusiasts.
Author: Richard M. Dorson
Publisher: Walter de Gruyter
ISBN: 3110803097
Category : Social Science
Languages : en
Pages : 377
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Book Description
Papers presented at the 9th International Congress of Anthropological and Ethnological Sciences, Chicago, 1973.
Author: Craig J. Calhoun
Publisher: Walter de Gruyter
ISBN: 3110804786
Category : Social Science
Languages : en
Pages : 373
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Book Description
Author: Mark Williams
Publisher: Auckland University Press
ISBN: 1775581071
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
The major New Zealand novelists of the 1980s have begun to receive international acclaim. This first critical study of Janet Frame, Keri Hulme, Witi Ihimaera, Maurice Gee, Ian Wedde, and C.K. Stead concentrates on their important works to explore how deeply-rooted anxieties about New Zealand's cultural situation and national identity are articulated in New Zealand fiction.
Author: Regula Hänggli
Publisher: Springer Nature
ISBN: 303026582X
Category : Political Science
Languages : en
Pages : 291
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Book Description
This book develops a new theoretical framework for studying the interaction between political parties, the news media and citizens. The model addresses how political actors develop and push different arguments in a debate, how the news media select and communicate these arguments, and how they ultimately influence citizens’ democratic decisions. The author promotes dialogue as a convincing concept for analyzing the quality of public debate and advances a series of arguments for why and how this concept helps improve our understanding of key processes in democracy. Based on a detailed analysis of rich empirical data collected from referendum campaigns in Switzerland, the book is relevant beyond the specific context and applicable to election campaigns and public debates more broadly.
