Author: Gerda Wolfram
Publisher:
ISBN:
Category : History
Languages : en
Pages : 422
Book Description
Tradition and Innovation in Late- and Postbyzantine Liturgical Chant stellt ein ideales Thema dar, um die kontinuierliche Weiterentwicklung der byzantinischen Kirchenmusik und gleichzeitig die Bewahrung traditioneller Elemente im liturgischen Gesang aufzuzeigen. In 14 verschiedenen Beitragen treten bedeutende Komponisten mit ihren Schopfungen in den Vordergrund, weiters verschiedene musikliturgische Repertoires, regionale Entwicklungen, Veranderungen bzw. Neuinterpretationen in der Notation und in der Modalitat. Schliesslich rundet eine musikalische Analyse der Interpretation eines fruhchristlichen Troparion durch einen Sanger des 20. Jahrhunderts das Thema ab.
Tradition and Innovation in Late- and Postbyzantine Liturgical Chant
Author: Gerda Wolfram
Publisher:
ISBN:
Category : History
Languages : en
Pages : 422
Book Description
Tradition and Innovation in Late- and Postbyzantine Liturgical Chant stellt ein ideales Thema dar, um die kontinuierliche Weiterentwicklung der byzantinischen Kirchenmusik und gleichzeitig die Bewahrung traditioneller Elemente im liturgischen Gesang aufzuzeigen. In 14 verschiedenen Beitragen treten bedeutende Komponisten mit ihren Schopfungen in den Vordergrund, weiters verschiedene musikliturgische Repertoires, regionale Entwicklungen, Veranderungen bzw. Neuinterpretationen in der Notation und in der Modalitat. Schliesslich rundet eine musikalische Analyse der Interpretation eines fruhchristlichen Troparion durch einen Sanger des 20. Jahrhunderts das Thema ab.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 422
Book Description
Tradition and Innovation in Late- and Postbyzantine Liturgical Chant stellt ein ideales Thema dar, um die kontinuierliche Weiterentwicklung der byzantinischen Kirchenmusik und gleichzeitig die Bewahrung traditioneller Elemente im liturgischen Gesang aufzuzeigen. In 14 verschiedenen Beitragen treten bedeutende Komponisten mit ihren Schopfungen in den Vordergrund, weiters verschiedene musikliturgische Repertoires, regionale Entwicklungen, Veranderungen bzw. Neuinterpretationen in der Notation und in der Modalitat. Schliesslich rundet eine musikalische Analyse der Interpretation eines fruhchristlichen Troparion durch einen Sanger des 20. Jahrhunderts das Thema ab.
Tradition and Innovation in Late- and Postbyzantine Liturgical Chant II
Author: Gerda Wolfram
Publisher:
ISBN: 9789042927483
Category : Byzantine chants
Languages : en
Pages : 0
Book Description
What is the relation between the Greek ecclesiastical chant traditions of today and Byzantine chant? That question can only be answered through a meticulous study of the transmission and transformation of both the melodies, the genres, and the whole musical culture of Late Byzantium and the subsequent centuries. This book presents a handful of studies focusing on both the development of new musical styles, such as the ornamented Kalofonia ('Beautiful sound'), and on the education of the cantors, the psaltai. The role of the master cantors, the maistores, their teachings, treatises, traditions, innovations, compositions, and the various modes of interpretation (exegesis) are among the topics covered by this collection of papers, written by specialist scholars of Byzantine chant history.
Publisher:
ISBN: 9789042927483
Category : Byzantine chants
Languages : en
Pages : 0
Book Description
What is the relation between the Greek ecclesiastical chant traditions of today and Byzantine chant? That question can only be answered through a meticulous study of the transmission and transformation of both the melodies, the genres, and the whole musical culture of Late Byzantium and the subsequent centuries. This book presents a handful of studies focusing on both the development of new musical styles, such as the ornamented Kalofonia ('Beautiful sound'), and on the education of the cantors, the psaltai. The role of the master cantors, the maistores, their teachings, treatises, traditions, innovations, compositions, and the various modes of interpretation (exegesis) are among the topics covered by this collection of papers, written by specialist scholars of Byzantine chant history.
The Oxford Handbook of Byzantine Literature
Author: Stratis Papaioannou
Publisher: Oxford University Press
ISBN: 0197567118
Category : History
Languages : en
Pages : 785
Book Description
This volume, the first ever of its kind in English, introduces and surveys Greek literature in Byzantium (330 - 1453 CE). In twenty-five chapters composed by leading specialists, The Oxford Handbook of Byzantine Literature surveys the immense body of Greek literature produced from the fourth to the fifteenth century CE and advances a nuanced understanding of what "literature" was in Byzantium. This volume is structured in four sections. The first, "Materials, Norms, Codes," presents basic structures for understanding the history of Byzantine literature like language, manuscript book culture, theories of literature, and systems of textual memory. The second, "Forms," deals with the how Byzantine literature works: oral discourse and "text"; storytelling; rhetoric; re-writing; verse; and song. The third section ("Agents") focuses on the creators of Byzantine literature, both its producers and its recipients. The final section, entitled "Translation, Transmission, Edition," surveys the three main ways by which we access Byzantine Greek literature today: translations into other Byzantine languages during Late Antiquity and the Middle Ages; Byzantine and post-Byzantine manuscripts; and modern printed editions. The volume concludes with an essay that offers a view of the recent past--as well as the likely future--of Byzantine literary studies.
Publisher: Oxford University Press
ISBN: 0197567118
Category : History
Languages : en
Pages : 785
Book Description
This volume, the first ever of its kind in English, introduces and surveys Greek literature in Byzantium (330 - 1453 CE). In twenty-five chapters composed by leading specialists, The Oxford Handbook of Byzantine Literature surveys the immense body of Greek literature produced from the fourth to the fifteenth century CE and advances a nuanced understanding of what "literature" was in Byzantium. This volume is structured in four sections. The first, "Materials, Norms, Codes," presents basic structures for understanding the history of Byzantine literature like language, manuscript book culture, theories of literature, and systems of textual memory. The second, "Forms," deals with the how Byzantine literature works: oral discourse and "text"; storytelling; rhetoric; re-writing; verse; and song. The third section ("Agents") focuses on the creators of Byzantine literature, both its producers and its recipients. The final section, entitled "Translation, Transmission, Edition," surveys the three main ways by which we access Byzantine Greek literature today: translations into other Byzantine languages during Late Antiquity and the Middle Ages; Byzantine and post-Byzantine manuscripts; and modern printed editions. The volume concludes with an essay that offers a view of the recent past--as well as the likely future--of Byzantine literary studies.
Enlightenment & Illumination
Author: Ivan Moody
Publisher: Vydavatelství PedF UK
ISBN: 8076031516
Category : Education
Languages : en
Pages : 308
Book Description
Publisher: Vydavatelství PedF UK
ISBN: 8076031516
Category : Education
Languages : en
Pages : 308
Book Description
Studies on Eastern Orthodox Church Chant
Author: Svetlana Kujumdzieva
Publisher: Taylor & Francis
ISBN: 1000931927
Category : History
Languages : en
Pages : 257
Book Description
This book focuses on the compilation of the different practices of Eastern Orthodox Chant, looking at the subject through various languages, practices, and liturgical books and letters. The subject of this book is also analysed through newly found, unique material, to provide the entire history of Eastern Orthodox Chant, from the ninth to the nineteenth centuries and approached through a number of different disciplines. The book consists of sixteen topics, grouped in four parts: Studies on Genre, Studies on Liturgical Books, Studies on Distinguished Men of Letters, and Studies on Bulgarian Orthodox Church Chant. The aim of the book is to present the Eastern chant as a phase in the evolution of Mediterranean art, which is the cradle of Graeco-Roman heritage. This complex study brings in a variety of sources to show the purpose of Eastern Orthodox Chant as strengthening the Christian faith during the Middle Ages and the revival of Balkan nationalism in the nineteenth century. This book will appeal to students and scholars alike, interested in liturgical musical books, liturgy, and chant repertory. Likewise, it will be of interest to those engaged in medieval and early modern history, music, and culture.
Publisher: Taylor & Francis
ISBN: 1000931927
Category : History
Languages : en
Pages : 257
Book Description
This book focuses on the compilation of the different practices of Eastern Orthodox Chant, looking at the subject through various languages, practices, and liturgical books and letters. The subject of this book is also analysed through newly found, unique material, to provide the entire history of Eastern Orthodox Chant, from the ninth to the nineteenth centuries and approached through a number of different disciplines. The book consists of sixteen topics, grouped in four parts: Studies on Genre, Studies on Liturgical Books, Studies on Distinguished Men of Letters, and Studies on Bulgarian Orthodox Church Chant. The aim of the book is to present the Eastern chant as a phase in the evolution of Mediterranean art, which is the cradle of Graeco-Roman heritage. This complex study brings in a variety of sources to show the purpose of Eastern Orthodox Chant as strengthening the Christian faith during the Middle Ages and the revival of Balkan nationalism in the nineteenth century. This book will appeal to students and scholars alike, interested in liturgical musical books, liturgy, and chant repertory. Likewise, it will be of interest to those engaged in medieval and early modern history, music, and culture.
Byzantinische Zeitschrift
Author: Karl Krumbacher
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 716
Book Description
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 716
Book Description
Tradition and Innovation in Late- and Postbyzantine Liturgical Chant
Author: Gerda Wolfram
Publisher:
ISBN:
Category : Byzantine chants
Languages : de
Pages :
Book Description
Publisher:
ISBN:
Category : Byzantine chants
Languages : de
Pages :
Book Description
Innovation in the Orthodox Christian Tradition?
Author: Trine Stauning Willert
Publisher: Routledge
ISBN: 1317116380
Category : Religion
Languages : en
Pages : 299
Book Description
The relationship between tradition and innovation in Orthodox Christianity has often been problematic, filled with tensions and contradictions starting from the Byzantine era and running through the 19th and 20th centuries. For a long period of time scholars have typically assumed Greek Orthodoxy to be a static religious tradition with little room for renewal or change. Although this public perception continues, the immutability of the Greek Orthodox tradition has been questioned by several scholars over the past few years. This book continues this line of reasoning, but brings it into the centre of contemporary discussion. Presenting case studies from different periods of history up to the present day, the authors trace different aspects in the development of innovation and renewal in Orthodox Christianity in the Greek-speaking world and among the Diaspora.
Publisher: Routledge
ISBN: 1317116380
Category : Religion
Languages : en
Pages : 299
Book Description
The relationship between tradition and innovation in Orthodox Christianity has often been problematic, filled with tensions and contradictions starting from the Byzantine era and running through the 19th and 20th centuries. For a long period of time scholars have typically assumed Greek Orthodoxy to be a static religious tradition with little room for renewal or change. Although this public perception continues, the immutability of the Greek Orthodox tradition has been questioned by several scholars over the past few years. This book continues this line of reasoning, but brings it into the centre of contemporary discussion. Presenting case studies from different periods of history up to the present day, the authors trace different aspects in the development of innovation and renewal in Orthodox Christianity in the Greek-speaking world and among the Diaspora.
Platonic Drama and its Ancient Reception
Author: Nikos G. Charalabopoulos
Publisher: Cambridge University Press
ISBN: 1107377269
Category : Literary Collections
Languages : en
Pages : 355
Book Description
As prose dramatic texts Plato's dialogues would have been read by their original audience as an alternative type of theatrical composition. The 'paradox' of the dialogue form is explained by his appropriation of the discourse of theatre, the dominant public mode of communication of his time. The oral performance of his works is suggested both by the pragmatics of the publication of literary texts in the classical period and by his original role as a Sokratic dialogue-writer and the creator of a fourth dramatic genre. Support comes from a number of pieces of evidence, from a statue of Sokrates in the Academy (fourth century BC) to a mosaic of Sokrates in Mytilene (fourth century AD), which point to a centuries-old tradition of treating the dialogues in the context of performance literature and testify to the significance of the image of 'Plato the prose dramatist' for his original and subsequent audiences.
Publisher: Cambridge University Press
ISBN: 1107377269
Category : Literary Collections
Languages : en
Pages : 355
Book Description
As prose dramatic texts Plato's dialogues would have been read by their original audience as an alternative type of theatrical composition. The 'paradox' of the dialogue form is explained by his appropriation of the discourse of theatre, the dominant public mode of communication of his time. The oral performance of his works is suggested both by the pragmatics of the publication of literary texts in the classical period and by his original role as a Sokratic dialogue-writer and the creator of a fourth dramatic genre. Support comes from a number of pieces of evidence, from a statue of Sokrates in the Academy (fourth century BC) to a mosaic of Sokrates in Mytilene (fourth century AD), which point to a centuries-old tradition of treating the dialogues in the context of performance literature and testify to the significance of the image of 'Plato the prose dramatist' for his original and subsequent audiences.
International Medieval Bibliography
Author:
Publisher:
ISBN:
Category : Civilization, Medieval
Languages : en
Pages : 640
Book Description
Lists articles, notes, and similar literature on medieval subjects in journals, Festschriften, conference proceedings, and collected essays. Covers all aspects of medieval studies within the date range of 450 to 1500 for the entire continent of Europe, the Middle East and North Africa for the period before the Muslim conquest and parts of those areas subsequently controlled by Christian powers.
Publisher:
ISBN:
Category : Civilization, Medieval
Languages : en
Pages : 640
Book Description
Lists articles, notes, and similar literature on medieval subjects in journals, Festschriften, conference proceedings, and collected essays. Covers all aspects of medieval studies within the date range of 450 to 1500 for the entire continent of Europe, the Middle East and North Africa for the period before the Muslim conquest and parts of those areas subsequently controlled by Christian powers.