Tradition and Change in Contemporary West and East African Fiction PDF Download
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Author: Ogaga Okuyade
Publisher: Rodopi
ISBN: 9401211094
Category : Literary Criticism
Languages : en
Pages : 434
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Book Description
The essays in this volume capture the exciting energy of the emergent novel in East and West Africa, drawing on diffe¬rent theoretical insights to offer fresh and engaging perspectives on what has been variously termed the ‘new wave’, ‘emer¬gent generation’, and ‘third generation’. Subjects addressed include the politics of identity, especially when (re)constructed outside the homeland or when African indigenous values are eroded by globaliz¬ation, transnationalism, and the exilic condition or the self undergoes fragmen¬tation. Other essays examine once-taboo concerns, including gendered accounts of same-sex sexualities. Most of the essays deal with shifting perceptions by African women of their social condition in patriarchy in relation to such issues as polygamy, adultery, male domination, and the woman’s quest for fulfilment and respect through access to quality education and full economic and socio-political participation. Themes taken up by other novels examined in¬clude the sexual exploitation of women and criminality generally and the ex¬posure of children to violence. Likewise examined is the contemporary textual¬izing of orality (the trickster figure). Writers discussed include Chima¬manda Ngozi Adichie, Okey Ndibe, Helon Habila, Ike Oguine, Chris Abani, Tanure Ojaide, Maik Nwosu, Unoma Azuah, Jude Dibia, Lola Shoneyin, Mary Karooro Okurut, Violet Barungi, Adaobi Tricia Nwaubani, Abidemi Sanusi, Akachi Ezeigbo, Sefi Atta, Kaine Agary, Kojo Laing, Ahmadou Kourouma, Uwen Akpan, and Alobwed’Epie Ogaga Okuyade teaches popular/folk culture, African literature and culture, African American and African diasporic studies, and the English novel in the Department of English and Literary Studies, Niger Delta University, Wilberforce Island, Nigeria. He has guest-edited special issues of ARIEL and Imbizo, and is the editor of Eco-Critical Literature: Regreening African Landscapes (2013).
Author: Ogaga Okuyade
Publisher: Rodopi
ISBN: 9401211094
Category : Literary Criticism
Languages : en
Pages : 434
Get Book Here
Book Description
The essays in this volume capture the exciting energy of the emergent novel in East and West Africa, drawing on diffe¬rent theoretical insights to offer fresh and engaging perspectives on what has been variously termed the ‘new wave’, ‘emer¬gent generation’, and ‘third generation’. Subjects addressed include the politics of identity, especially when (re)constructed outside the homeland or when African indigenous values are eroded by globaliz¬ation, transnationalism, and the exilic condition or the self undergoes fragmen¬tation. Other essays examine once-taboo concerns, including gendered accounts of same-sex sexualities. Most of the essays deal with shifting perceptions by African women of their social condition in patriarchy in relation to such issues as polygamy, adultery, male domination, and the woman’s quest for fulfilment and respect through access to quality education and full economic and socio-political participation. Themes taken up by other novels examined in¬clude the sexual exploitation of women and criminality generally and the ex¬posure of children to violence. Likewise examined is the contemporary textual¬izing of orality (the trickster figure). Writers discussed include Chima¬manda Ngozi Adichie, Okey Ndibe, Helon Habila, Ike Oguine, Chris Abani, Tanure Ojaide, Maik Nwosu, Unoma Azuah, Jude Dibia, Lola Shoneyin, Mary Karooro Okurut, Violet Barungi, Adaobi Tricia Nwaubani, Abidemi Sanusi, Akachi Ezeigbo, Sefi Atta, Kaine Agary, Kojo Laing, Ahmadou Kourouma, Uwen Akpan, and Alobwed’Epie Ogaga Okuyade teaches popular/folk culture, African literature and culture, African American and African diasporic studies, and the English novel in the Department of English and Literary Studies, Niger Delta University, Wilberforce Island, Nigeria. He has guest-edited special issues of ARIEL and Imbizo, and is the editor of Eco-Critical Literature: Regreening African Landscapes (2013).
Author: Simon Gikandi
Publisher: Columbia University Press
ISBN: 0231125208
Category : Education
Languages : en
Pages : 219
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Book Description
The Columbia Guide to East African Literature in English Since 1945 challenges the conventional belief that the English-language literary traditions of East Africa are restricted to the former British colonies of Kenya, Uganda, and Tanzania. Instead, these traditions stretch far into such neighboring countries as Somalia and Ethiopia. Simon Gikandi and Evan Mwangi assemble a truly inclusive list of major writers and trends. They begin with a chronology of key historical events and an overview of the emergence and transformation of literary culture in the region. Then they provide an alphabetical list of major writers and brief descriptions of their concerns and achievements. Some of the writers discussed include the Kenyan novelists Grace Ogot and Ngugi wa Thiong'o, Ugandan poet and essayist Taban Lo Liyong, Ethiopian playwright and poet Tsegaye Gabre-Medhin, Tanzanian novelist and diplomat Peter Palangyo, Ethiopian novelist Berhane Mariam Sahle-Sellassie, and the novelist M. G. Vassanji, who portrays the Indian diaspora in Africa, Europe, and North America. Separate entries within this list describe thematic concerns, such as colonialism, decolonization, the black aesthetic, and the language question; the growth of genres like autobiography and popular literature; important movements like cultural nationalism and feminism; and the impact of major forces such as AIDS/HIV, Christian missions, and urbanization. Comprehensive and richly detailed, this guide offers a fresh perspective on the role of East Africa in the development of African and world literature in English and a new understanding of the historical, cultural, and geopolitical boundaries of the region.
Author: Alison Gibbons
Publisher: U of Nebraska Press
ISBN: 1496234618
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
Reading the Contemporary Author brings together leading scholars in cultural theory, literary criticism, stylistics, narratology, comparative literature, and autobiography studies to interrogate how we read the contemporary author in public and cultural life, in life writing, and in literature.
Author: Ernest N. Emenyonu
Publisher: Boydell & Brewer
ISBN: 1847012280
Category : History
Languages : en
Pages : 206
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Book Description
Investigates what literary strategies African writers adopt to convey the impact of climate transformation and environmental change. This special issue examines the ways fiction and poetry engage with environmental consciousness, and how African literary criticism addresses the implications of global environmental transformations. Does environmentalist literature offer new possibilities for critical thinking about the future? What constitutes environmentalist fiction and poetry? What kind of texts, themes and topics does climate writing include? Does any text in which the environment features become available to environmentalist criticism? In their engagement with the diverse genres, themes and frameworks through which contemporary African writers address topics including urbanisation, cross-species communication, nature and climate change, contributors to this special issue help to define African environmental writing. They look at the literary strategies adopted by creative writers to convey the impact of environmental transformationin narratives that are historically informed by a century of colonialism, nationalist political activism, urbanisation and postcolonial migration. How does environmental literature intervene in these histories? Can creative writers, with their powerfully post-human and cross-species imaginations, carry out the ethical work demanded by contemporary climate science? From Tanure Ojaide's and Helon Habila's attention to environmental decimation in the Niger Delta through to Nnedi Okorafor's and Kofi Anyidoho's imaginative cross-species encounters, the special issue asks how literature mediates the specificities of climate change in an era of global capitalism and technological transformation, and what the limits of creative writing and literary criticism are as tools for discussing environmental issues. This volume also includes a Literary Supplement. Guest Editors: Cajetan Iheka (Associate Professor of English, Yale University) and Stephanie Newell (Professor of English, Yale University) Series Editor: Ernest N. Emenyonu (Professor of Africana Studies at the University of Michigan-Flint) Reviews Editor: Obi Nwakanma (Fellow, Department of English University of Central Florida)
Author: Donal Cruise O'Brien
Publisher: Cambridge University Press
ISBN: 9780521368933
Category : History
Languages : en
Pages : 244
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Book Description
A provocative contribution to the debate on the nature of the state and political processes in Africa.
Author: Sam Adelman
Publisher: Routledge
ISBN: 1351427482
Category : Law
Languages : en
Pages : 258
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Book Description
The book highlights new imaginaries required to transcend traditional approaches to law and development. The authors focus on injustices and harms to people and the environment, and confront global injustices involving impoverishment, patriarchy, forced migration, global pandemics and intellectual rights in traditional medicine resulting from maldevelopment, bad governance and aftermaths of colonialism. New imaginaries emphasise deconstruction of fashionable myths of law, development, human rights, governance and post-coloniality to focus on communal and feminist relationality, non-western legal systems, personal responsibility for justice and forms of resistance to injustices. The book will be of interest to students and scholars of development, law and development, feminism, international law, environmental law, governance, politics, international relations, social justice and activism.
Author: Toral Jatin Gajarawala
Publisher: Bloomsbury Publishing
ISBN: 1350261777
Category : Literary Criticism
Languages : en
Pages : 529
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Book Description
The texts that make up postcolonial print cultures are often found outside the archival catalogue, and in lesser-examined repositories such as personal collections, the streets, or appendages to established collections. This volume examines the published and unpublished writing, magazines, pamphlets, paratexts, advertisements, cartoons, radio, and street art that serve as the intellectual forces behind opposition to colonial orders, as meditations on the futures of embryonic nation states, and as visions of new forms of equality. The print cultures examined here are necessarily anti-institutional; they serve as a counterpoint to the colonial archive and, relatedly, to more traditional genres and text formats coming out of large-scale publishers. This means that much of the primary material analyzed in this book has not been scrutinized before. Many of these print productions articulate collective liberation projects with origins in the grassroots. They include debates around the shape of the postcolonial nation and the new state formation that necessarily draw on a diverse and contentious public sphere of opinion. Their rhetoric ranges from the reformist to the revolutionary. Reflecting the diversity, indeed the disorderliness, of postcolonial print cultures this book covers local, national, and transnational cultures from Asia, Africa, Europe and the Americas. Its wide-ranging essays offer a nuanced and, taken together, a definitive (though that is not to say comprehensive or systematic) study of a global phenomenon: postcolonial print cultures as a distinct literary field. The chapters recover the efforts of writers, readers and publishers to produce a postcolonialism 'from below', and thereby offer a range of fresh perspectives on the meaning and history of postcolonialism.
Author: Barbara Fister
Publisher: Bloomsbury Publishing USA
ISBN: 0313032777
Category : Literary Criticism
Languages : en
Pages : 402
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Book Description
This reference volume serves as a companion to Third World women's literatures in English and in English translation by presenting entries on works, writers, and themes. Entries are chosen to present a balance of well-known writers and emerging ones, contemporary as well as historical writers, and representative selections of genres, literary styles, and themes. What plays have been written by women in the developing world? What books have been written by Sri Lankan or Brazilian women? Which works address themes of feminism or exile or politics in the Third World? These are the types of questions that can now be answered through Fister's companion to Third World women's literatures in English and English translation. Organized alphabetically, this reference volume presents entries on works, writers, and themes. Entries are chosen to present a balance of well-known writers and emerging ones, contemporary as well as historical writers, and representative selections of genres, literary styles, and themes. By providing information about and leads to works by and about Third World women, an important and largely marginalized literature, Fister has created a unique reference tool that will help teachers, scholars, and librarians, both public and academic, expand their definitions of the literary, making the voices of Third World women available in the same format in which many companions to Western literature do. An important book for all public and college-level libraries.
Author: Grace A Musila
Publisher: Routledge
ISBN: 1000588343
Category : Social Science
Languages : en
Pages : 606
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Book Description
This handbook brings together an international team of scholars from different disciplines to reflect on African popular cultural imaginaries. These imaginaries – in the sense of cultural productions, contexts, consumers, producers, platforms, and the material, affective and discursive resources they circulate – are influential in shaping African realities. Collectively, the chapters assembled in this handbook index the genres, methods, mediums, questions and encounters that preoccupy producers, consumers and scholars of African popular cultural forms across a range of geohistorical and temporal contexts. Drawing on forms such as newspaper columns, televised English Premier League football, speculative arts, romance fiction, comedy, cinema, music and digital genres, the contributors explore the possibilities and ambiguities unleashed by the production, circulation, consumption, remediation and critique of these forms. Among the questions explored across these essays are the freedoms and constraints of popular genres; the forms of self-making, pleasure and harm that these imaginaries enable; the negotiations of multiple moral regimes in everyday life; and, inevitably, the fecund terrain of contradictions definitive of many popular forms, which variously enable and undermine world-making. An authoritative scholarly resource on popular culture in Africa, this handbook is an essential read for students and scholars of African culture, society and media.
Author: Michael L. Ross
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228017777
Category : Literary Criticism
Languages : en
Pages : 133
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Book Description
For centuries, English-language writers have borrowed words and phrases from other languages in their fictional works. Words in Collision explores this tradition of language-mixing and its consequences. Returning to Shakespeare’s Henry V, Michael Ross asks why writers employ “foreign” phrases in their English-language texts, why this practice continues, and what it means. He finds that the insertion of “foreign elements,” rather than random or arbitrary, occurs in literary works that display a self-conscious preoccupation with language in general as a dynamic determinant of social relations. Discussing nineteenth-century works by Sir Walter Scott, Charlotte Brontë, and Henry James, the book demonstrates how multilingualism connects with themes of cosmopolitanism, estrangement, and resistance to social convention. In the second half of the book, the multilingual practices of canonical Anglo-American literature are compared with postcolonial texts by Caribbean, Nigerian, and Indian authors, including Chimamanda Ngozi Adichie and Arundhati Roy, whose choice of language is fraught with complex moral and artistic implications. Ross’s readings reveal both crucial departures and surprising underlying continuities in linguistic traditions often thought to be deeply divided in time, space, and politics. The first extended treatment of language-mixing in English texts, Words in Collision is critical to understanding past practices and future prospects for multilingualism in fiction.
