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Author: Frank R. Wilson
Publisher: Viking Adult
ISBN:
Category : Fiction
Languages : en
Pages : 232
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Book Description
Publishers Weekly: Convinced that everyone has an inborn ability to make music (a ''biological guarantee of musicianship''), California neurologist Wilson, who came late to piano playing, here presents a picture of the brain and muscular system to help nonmusicians to understand that the human body is a ''natural learner.'' He describes, in admirably untechnical language, the biology of rhythm and tempo, how we hear and see, the intricacies of musical notation; he tells what it's like to perform in public. Drawing comparisons between music-making and athletic skills, Wilson also tries to clarify such mysteries as tone deafness, perfect pitch, sight reading, memorization and ̀̀pumping ivory
Author: Frank R. Wilson
Publisher: Viking Adult
ISBN:
Category : Fiction
Languages : en
Pages : 232
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Book Description
Publishers Weekly: Convinced that everyone has an inborn ability to make music (a ''biological guarantee of musicianship''), California neurologist Wilson, who came late to piano playing, here presents a picture of the brain and muscular system to help nonmusicians to understand that the human body is a ''natural learner.'' He describes, in admirably untechnical language, the biology of rhythm and tempo, how we hear and see, the intricacies of musical notation; he tells what it's like to perform in public. Drawing comparisons between music-making and athletic skills, Wilson also tries to clarify such mysteries as tone deafness, perfect pitch, sight reading, memorization and ̀̀pumping ivory
Author: Frank R. Wilson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 210
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Book Description
Author: Frank R. Wilson
Publisher: Vintage
ISBN: 9780394753546
Category : Music
Languages : en
Pages : 228
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Book Description
This blend of anecdote and scientific analysis is an absorbing study of our innate musical abilities, for both the adult beginner and the serious listener. Anyone who is either a professional or an amateur musician should find instruction and support in this book.
Author: Frank R. Wilson
Publisher: Vintage
ISBN: 0679740473
Category : Social Science
Languages : en
Pages : 418
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Book Description
"A startling argument . . . provocative . . . absorbing." --The Boston Globe "Ambitious . . . arresting . . . celebrates the importance of hands to our lives today as well as to the history of our species." --The New York Times Book Review The human hand is a miracle of biomechanics, one of the most remarkable adaptations in the history of evolution. The hands of a concert pianist can elicit glorious sound and stir emotion; those of a surgeon can perform the most delicate operations; those of a rock climber allow him to scale a vertical mountain wall. Neurologist Frank R. Wilson makes the striking claim that it is because of the unique structure of the hand and its evolution in cooperation with the brain that Homo sapiens became the most intelligent, preeminent animal on the earth. In this fascinating book, Wilson moves from a discussion of the hand's evolution--and how its intimate communication with the brain affects such areas as neurology, psychology, and linguistics--to provocative new ideas about human creativity and how best to nurture it. Like Oliver Sacks and Stephen Jay Gould, Wilson handles a daunting range of scientific knowledge with a surprising deftness and a profound curiosity about human possibility. Provocative, illuminating, and delightful to read, The Hand encourages us to think in new ways about one of our most taken-for-granted assets. "A mark of the book's excellence [is that] it makes the reader aware of the wonder in trivial, everyday acts, and reveals the complexity behind the simplest manipulation." --The Washington Post
Author: Cornelia Watkins
Publisher: Oxford University Press
ISBN: 0197578667
Category : Education
Languages : en
Pages : 337
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Book Description
An expanded, updated, and improved second edition of an essential book for aspiring teacher-musicians. Whether serving on the faculty at a university, maintaining a class of private students, or fulfilling an invitation as guest artist in a master class series, virtually all musicians will teach during their careers. From the Stage to the Studio speaks directly to the performing musician, highlighting the significant advantages of becoming distinguished both as a performer and a pedagogue. Drawing on over sixty years of combined experience, authors Cornelia Watkins and Laurie Scott provide the guidance and information necessary for any musician to translate their individual approach into productive and rewarding teacher-student interactions. Premised on the synergistic relationship between teaching and performing, this book provides a structure for clarifying the essential elements of musical artistry, and connects them to such tangible situations as setting up a studio, teaching a master class, interviewing for a job, judging competitions, and recruiting students. From the Stage to the Studio serves as an essential resource for university studio faculty, music pedagogy teachers, college music majors, and professionals looking to add effective teaching to their artistic repertoire. This second edition provides readers useful tools for understanding current and ever-changing neurological and behavioral studies of music practice. This edition also features best practice recommendations for online teaching in both individual and ensemble settings, as well as new sections featuring financial advice for independent musicians and self-employed studio teachers. Beyond this, the authors have added practical tips on essential writing and language skills for teaching, planning, self-promotion, job applications, and advocacy. They have also revised the book's discussion of additional training and certification requirements for teaching positions, and provided updated information on professional music teaching associations. Bringing it all together is the second edition's larger format, ideal for including readers' written responses, plus a new user-friendly, worksheet-style grid for cross-referencing sequenced instruction with a variety of learning approaches.
Author: University of California, San Francisco
Publisher:
ISBN:
Category : Hospitals
Languages : en
Pages : 866
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Book Description
Author: Frank M. Dattilio
Publisher: Springer Science & Business Media
ISBN: 147579777X
Category : Psychology
Languages : en
Pages : 390
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Book Description
This is the golden age of cognitive therapy. Its popularity among society and the professional community is growing by leaps and bounds. What is it and what are its limits? What is the fundamental nature of cognitive therapy? It is, to my way of thinking, simple but profound. To understand it, it is useful to think back to the history of behavior therapy, to the basic development made by Joseph Wolpe. In the 1950s, Wolpe astounded the therapeutic world and infuriated his colleagues by finding a simple cure for phobias. The psychoanalytic establishment held that phobias-irrational and intense fear of certain objects, such as cats-were just surface manifesta tions of deeper, underlying disorders. The psychoanalysts said their source was the buried fear in male children of castration by the father in retaliation for the son's lust for his mother. For females, this fear is directed toward the opposite sex parent. The biomedical theorists, on the other hand, claimed that some as yet undiscovered disorder in brain chemistry must be the underlying problem. Both groups insisted that to treat only the patient's fear of cats would do no more good than it would to put rouge over measles. Wolpe, however, reasoned that irrational fear of something isn't just a symptom of a phobia; it is the whole phobia.
Author: Lawrence Meredith
Publisher: Green Dragon Books
ISBN: 0893347043
Category : Philosophy
Languages : en
Pages : 383
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Book Description
Lawrence Meredith writes with one question in mind: What constitutes life before death? The Hindus teach that there is life before life. So do the Mormons and the primal-scream therapists. The Muslims teach that there is life after death, and so does just about anybody else who's willing to be called religious. Meredith argues that these views are "felonious." We have the responsibility, he writes, to live life in the here-and-now and seek to experience our own religion of the body. Defining and exploring the different stages of the body is key to understanding Life Before Death: -The body as God -The body as Christ -The body as spirit -The body as dance -The body as play -The body as mortal What readers are saying about this book: It takes no courage to say one is a Christian, but it takes great courage to be a Christian. It takes no courage to say one is a writer, but it takes great courage to be a writer and write so others can comprehend the content. Larry Meredith, in Life Before Death, shows that he has enormous courage. After finishing this book, the reader is more prepared to face death and even more prepared to face life. - Maya Angelou, Author Life Before Death reminds us of the value of our todays, the here and now, and the joys to be savored one day at a time, one victory at a time, one championship at a time. And when Life is the ultimate championship, we don't need 'just a little bit more.' - Cedric Dempsey, President, NCAA Meredith's vision is kaleidoscopic, and his supreme revelation is that 'the Word made flesh' is a vital form of Amazing Grace - Earle Labor, Ph.D., Wilson Professor of American Literature and Director of the Jack London Research Center
Author: Costas I. Karageorghis
Publisher: Human Kinetics
ISBN: 1492585718
Category : Science
Languages : en
Pages : 264
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Book Description
Music has been intertwined with exercise and sport for many decades, and recent advancements in digital technology and personal listening devices have significantly strengthened that bond. Applying Music in Exercise and Sport combines contemporary research, evidence-based practice, and specific recommendations to help exercise and sport professionals, coaches, students, researchers, and enthusiasts use music to enhance enjoyment, motivation, and performance of physical activity. Readers will explore the psychological and physiological effects of music and learn how to apply scientific principles to personal workouts, group exercise classes, and both individual and team sport settings. Globally known authority and author Costas I. Karageorghis draws from contemporary research in an emerging field of academic study, exploring the application of music in the domain of exercise and sport. Respected psychologist and consultant for major organizations such as British Athletics, England Rugby, Nike, Red Bull, Spotify, IMG, Sony, and Universal Music, Karageorghis incorporates his unique experiences as a performer, researcher, and practitioner in music and sport to create a groundbreaking text that provides readers with an understanding of how music can play an important role in enhancing the experience of exercisers and athletes. Though Applying Music in Exercise and Sport is grounded in scientific research, content is presented in a way that is easy to comprehend and apply. Readers benefit from tools such as these: • Recommended playlists for a variety of exercise- and sport-specific settings that provide a guide to selecting and segueing music tracks • Tip boxes that help readers determine which track to play to promote or suppress certain emotions • Case studies that illustrate the process of identifying a goal, selecting an appropriate music program, and evaluating outcomes Applying Music in Exercise and Sport presents an interdisciplinary approach to selecting, integrating, and studying music in physical activity settings. Part I introduces the science of how music can help in exercise and sport and how it can be used to influence specific behaviors and emotions. Legal considerations regarding the use of music in exercise and sport environments are also covered. A range of assessment methods are provided for exercise and sport professionals that will enable them to select music and measure its effectiveness when used in individual, group, or team settings. Part II focuses on using music to enhance the exercise experience in both individual and group settings. Individual exercise types that are examined include flexibility, aerobic, and strength workouts, while group exercise activities include popular fitness classes such as Spinning, yoga, and circuit training. Part III focuses on how music can enhance sport training and performance, providing rich insight for coaches and competitive athletes participating in individual sports such as cycling, golf, gymnastics, martial arts, and tennis and in team sports such as basketball, soccer, baseball, and American football. Applying Music in Exercise and Sport facilitates creation of effective playlists, empowers music-related interventions, and enables assessment of the effects of music in the field. Collectively, these music-related skills promote purposeful selection of tracks, optimize psychological responses, and enhance performance.
Author: Donald A. Hodges
Publisher: Routledge
ISBN: 0429018320
Category : Music
Languages : en
Pages : 665
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Book Description
Music in the Human Experience: An Introduction to Music Psychology, Second Edition, is geared toward music students yet incorporates other disciplines to provide an explanation for why and how we make sense of music and respond to it—cognitively, physically, and emotionally. All human societies in every corner of the globe engage in music. Taken collectively, these musical experiences are widely varied and hugely complex affairs. How did human beings come to be musical creatures? How and why do our bodies respond to music? Why do people have emotional responses to music? Music in the Human Experience seeks to understand and explain these phenomena at the core of what it means to be a human being. New to this edition: Expanded references and examples of non-Western musical styles Updated literature on philosophical and spiritual issues Brief sections on tuning systems and the acoustics of musical instruments A section on creativity and improvisation in the discussion of musical performance New studies in musical genetics Greatly increased usage of explanatory figures
