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Author: Edward David Latham
Publisher: University of North Texas Press
ISBN: 1574412493
Category : Biography & Autobiography
Languages : en
Pages : 238
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Book Description
Drawing on the fields of dramaturgy, music theory, and historical musicology, this book answers a question about twentieth-century music: Why does tonality persist in opera, even after it has been abandoned in other genres?
Author: Edward David Latham
Publisher: University of North Texas Press
ISBN: 1574412493
Category : Biography & Autobiography
Languages : en
Pages : 238
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Book Description
Drawing on the fields of dramaturgy, music theory, and historical musicology, this book answers a question about twentieth-century music: Why does tonality persist in opera, even after it has been abandoned in other genres?
Author: William Kinderman
Publisher: U of Nebraska Press
ISBN: 9780803227248
Category : Music
Languages : en
Pages : 302
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Book Description
In 1861, a half-century before Arnold Schoenberg's break with tonality, a young composer associated with Liszt saw a threshold to musical modernism as lodged in the "suspension of the main key." As the unified tonal perspective of earlier music yielded increasingly to dualistic key structures often laden with chromaticism, the language of music was transformed. In The Second Practice of Nineteenth-Century Tonality, nine prominent theorists and historians explore aspects of this musical evolution, from Schubert to the end of the nineteenth century. Many works discussed are masterpieces of the performance repertory, ranging from Chopin's piano pieces and Wagner's music dramas to the symphonies of Bruckner. The integration of analytical and historical approaches in the essays seeks to avoid narrow specialization as well as the polemic stance of some recent studies. A critical assessment of issues including inter-textuality, narrative, and dramatic symbolism enriches this investigation of what may be described as the "second practice" of nineteenth-century tonality.
Author: Zehui Zhan
Publisher: Springer Nature
ISBN: 238476277X
Category :
Languages : en
Pages : 1898
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Book Description
Author: Tim Crook
Publisher: Psychology Press
ISBN: 9780415216029
Category : Radio plays
Languages : en
Pages : 328
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Book Description
Using extracts from scripts and analysing radio broadcasts from America, Britain, Canada and Australia, the book explores the practicalities of producing drama for radio."--Jacket.
Author: Philip Gossett
Publisher: University of Chicago Press
ISBN: 0226304876
Category : Music
Languages : en
Pages : 796
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Book Description
"Divas and Scholars" is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett's personal experiences of triumphant - and even failed - performances and suffused with his towering passion for music. Gossett, the world's leading authority on the performance of Italian opera, brings to life the problems, and occasionally the scandals, that attend the production of some of our favorite operas.Gossett begins by tracing the social history of nineteenth-century Italian theaters in order to explain the nature of the musical scores from which performers have long worked. He then illuminates the often hidden but crucial negotiations between what is written and how it is interpreted by opera conductors and performers.
Author: Matthew McDonald
Publisher: Indiana University Press
ISBN: 0253012767
Category : Music
Languages : en
Pages : 212
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Book Description
A critical look at the work of and philosophical influences upon the American Modernist composer. Charles Ives (1874–1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives’s compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives’s works to Transcendentalist understandings of eternity. His approach to Ives opens new avenues for inquiry into the composer’s eclectic and complex style. “A trenchant and intellectually expansive reading of Ives’s relationship to time by connecting several compositions?and indeed, the composer’s larger conceptualization of the past, present, and future?to the Emersonian concept of the “everlasting Now.” This book is a wonderfully written, important contribution to scholarship on the music of Charles Ives.” —Gayle Sherwood Magee, author of Charles Ives Reconsidered “McDonald investigates both the temporal and spatial effects of multidirectional motion, as well as its ramifications for understanding some of the larger philosophical issues that are raised in Ives’s music.” —Music & Letters, May 2015 “McDonald brings together analytic and personal factors to sharpen the image of the composer in convincing ways. . . . This book . . . deserves a close reading. The bibliography provides a select list of scores and recordings as well as articles, books, catalogues, and unpublished commentaries. This book is recommended for college and university libraries and for readers with a music theory background.” —Music Reference Services Quarterly
Author: Gregory John Decker
Publisher:
ISBN: 0190620625
Category : Music
Languages : en
Pages : 401
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Book Description
Singing in Signs: New Semiotic Explorations of Opera offers a bold and refreshing assessment of the state of opera study that engages composer-constructed and work-specific music-semiotic systems, broader socio-cultural music codes, and narrative strategies, with implications for performance and staging practices today.
Author: Hedwig Fraunhofer
Publisher: Edinburgh University Press
ISBN: 1474467458
Category : LITERARY CRITICISM
Languages : en
Pages : 328
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Book Description
Arguing that existing modernisation theories have been unnecessarily one-sided, Hedwig Fraunhofer offers a rewriting of modernity that cuts across binary methodologies - nature and culture, mind and matter, epistemology and ontology, critique and affirmative writing, dramatic and postdramatic theatre. She specifically reworks the biopolitical exclusions that mark modern western epistemology, leading up to modernity's totalitarian crisis point.Fraunhofer reveals the performativity of theatre in its double sense - as theatrical production and as the intra-activity of a dynamic system of multiple relations between human and more-than-human actors, energies and affects. In modern theatre, public and private, human and more-than-human, materiality and meaning collapse in a common life.
Author: Jennifer Linhart Wood
Publisher: Springer
ISBN: 3030122247
Category : History
Languages : en
Pages : 385
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Book Description
Winner of the Medieval and Renaissance Drama Society's 2021 Bevington Award for Best New Book Sounds are a vital dimension of transcultural encounters in the early modern period. Using the concept of the soundwave as a vibratory, uncanny, and transformative force, Jennifer Linhart Wood examines how sounds of foreign otherness are experienced and interpreted in cross-cultural interactions around the globe. Many of these same sounds are staged in the sonic laboratory of the English theater: rattles were shaken at Whitehall Palace and in Brazil; bells jingled in an English masque and in the New World; the Dallam organ resounded at Topkapı Palace in Istanbul and at King’s College, Cambridge; and the drum thundered across India and throughout London theaters. This book offers a new way to conceptualize intercultural contact by arguing that sounds of otherness enmesh bodies and objects in assemblages formed by sonic events, calibrating foreign otherness with the familiar self on the same frequency of vibration.
Author: Vincent Perez Benitez
Publisher: Indiana University Press
ISBN: 0253042895
Category : Music
Languages : en
Pages : 328
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Book Description
In this comprehensive study of Olivier Messiaen's magnum opus, Saint François d'Assise, Vincent Perez Benitez examines the opera from both theological and musical-analytical perspectives to ask how Messiaen expresses his Catholic theology through his work. Benitez combines a close reading of the opera score with accounts from Messiaen's associates, studies of Messiaen's birdsong notebooks and other primary documents, and an examination of the religious, musical, poetic, and visual arts literature with which the composer was familiar to explore how the opera's harmonic language and sound-color relationships motivate its musical meaning and expression. Through his analysis of these diverse sources and comparisons of Saint François d'Assise with other works such as Berg's Wozzeck and Wagner's Parsifal, Benitez places Messiaen's compositional practice within larger musical perspectives and historical contexts.
