Tonal and Rhythmic Principles PDF Download
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Author: John Mehegan
Publisher:
ISBN:
Category :
Languages : en
Pages : 207
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Book Description
Author: John Mehegan
Publisher:
ISBN:
Category :
Languages : en
Pages : 207
Get Book Here
Book Description
Author: Allen Clayton Cadwallader
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 424
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Book Description
Introduces the fundamental principles of Schenkerian analysis within the context of the music itself.
Author: John Mehegan
Publisher: Music Sales Amer
ISBN: 9780823025596
Category : Music
Languages : en
Pages : 223
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Book Description
The fundamentals of jazz are here explained and systemized in 70 lessons based on 60 jazz standards. It covers the styles of musicians from Buddy Bolden to Dizzy Gillespie.
Author: Peter Phillips
Publisher: Courier Corporation
ISBN: 0486144585
Category : Music
Languages : en
Pages : 210
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Book Description
Textbook familiarizes readers with the signs, symbols and units of rhythmic notation. With drills, exercises, many musical examples, special sections on conducting technique, sight-singing and musical notation.
Author: Fred Lerdahl
Publisher: MIT Press
ISBN: 026262107X
Category : Music
Languages : en
Pages : 385
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Book Description
A search for a grammar of music with the aid of generative linguistics. This work, which has become a classic in music theory since its original publication in 1983, models music understanding from the perspective of cognitive science.The point of departure is a search for the grammar of music with the aid of generative linguistics.The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsciously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notation as well as in the substance of rhythmic and reductional theory.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
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Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: Teresa Davidian
Publisher: Rowman & Littlefield
ISBN: 1442234601
Category : Music
Languages : en
Pages : 260
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Book Description
Students today have grown up in the age of digital technology. As a result, they process information in radically different ways than preceding generations. They like their information fast and consider visual images as important as textual content. In Tonal Counterpoint for the 21st-Century Musician, Teresa Davidian finally provides students a textbook that is quick, direct, and visual—a direct reflection of the age in which they live. This book is easy to understand, comprehensive, and distinctly modern in its approach to the study of counterpoint. Written in a style that is clear, simple, and informal writing style, Davidian artfully mixes the history of counterpoint with an outline of its structure, placing musical examples from J. S. Bach side by side with those from The Beatles to illustrate the universality and currency of counterpoint in music analysis and composition. Designed as a single-semester introduction, Tonal Counterpoint brings the study of counterpoint into the present by: Making ample use of diagrams and flow charts Including helpful step-by-step prompt sheets for analyzing inventions and fugues Placing just as much emphasis on the composition as on the analysis of counterpoint Offering a broad array of musical examples, including the work of women composers, American songwriters, current students, and pop music composers Throughout, Davidian explains how the techniques of 18th-century contrapoint still readily apply to how music is composed today. Tonal Counterpoint for the 21st-Century Musician is ideal for students in the fields of music theory, composition, music history, and performance.
Author: John Mehegan
Publisher: Music Sales Amer
ISBN: 9780823025732
Category : Music
Languages : en
Pages : 175
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Book Description
This book examines the structure of over 50 major performances from the great age of the jazz piano, 1936 to 1950, when ragtime gave way to bop. It includes improvisations by Wilson, Tatum, Powell, Shearing, and Silver.
Author: Jason Yust
Publisher: Oxford University Press
ISBN: 0190696486
Category : Music
Languages : en
Pages : 441
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Book Description
Organized Time is the first attempt to unite theories of harmony, rhythm, and form under a common idea of structured time. This is a major advance in the field of music theory, leading to new theoretical approaches to topics such as closure, hypermeter, and formal function.
Author: Ingrid Monson
Publisher: Oxford University Press
ISBN: 0199880883
Category : Music
Languages : en
Pages : 417
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Book Description
An insightful examination of the impact of the Civil Rights Movement and African Independence on jazz in the 1950s and 60s, Freedom Sounds traces the complex relationships among music, politics, aesthetics, and activism through the lens of the hot button racial and economic issues of the time. Ingrid Monson illustrates how the contentious and soul-searching debates in the Civil Rights, African Independence, and Black Power movements shaped aesthetic debates and exerted a moral pressure on musicians to take action. Throughout, her arguments show how jazz musicians' quest for self-determination as artists and human beings also led to fascinating and far reaching musical explorations and a lasting ethos of social critique and transcendence. Across a broad body of issues of cultural and political relevance, Freedom Sounds considers the discursive, structural, and practical aspects of life in the jazz world in the 1950s and 1960s. In domestic politics, Monson explores the desegregation of the American Federation of Musicians, the politics of playing to segregated performance venues in the 1950s, the participation of jazz musicians in benefit concerts, and strategies of economic empowerment. Issues of transatlantic importance such as the effects of anti-colonialism and African nationalism on the politics and aesthetics of the music are also examined, from Paul Robeson's interest in Africa, to the State Department jazz tours, to the interaction of jazz musicians such Art Blakey and Randy Weston with African and African diasporic aesthetics. Monson deftly explores musicians' aesthetic agency in synthesizing influential forms of musical expression from a multiplicity of stylistic and cultural influences--African American music, popular song, classical music, African diasporic aesthetics, and other world musics--through examples from cool jazz, hard bop, modal jazz, and the avant-garde. By considering the differences between aesthetic and socio-economic mobility, she presents a fresh interpretation of debates over cultural ownership, racism, reverse racism, and authenticity. Freedom Sounds will be avidly read by students and academics in musicology, ethnomusicology, anthropology, popular music, African American Studies, and African diasporic studies, as well as fans of jazz, hip hop, and African American music.
