Tonal and Rhythmic Principles PDF Download
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Author: John Mehegan
Publisher: Music Sales Amer
ISBN: 9780823025596
Category : Music
Languages : en
Pages : 223
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Book Description
The fundamentals of jazz are here explained and systemized in 70 lessons based on 60 jazz standards. It covers the styles of musicians from Buddy Bolden to Dizzy Gillespie.
Author: John Mehegan
Publisher: Music Sales Amer
ISBN: 9780823025596
Category : Music
Languages : en
Pages : 223
Get Book Here
Book Description
The fundamentals of jazz are here explained and systemized in 70 lessons based on 60 jazz standards. It covers the styles of musicians from Buddy Bolden to Dizzy Gillespie.
Author: John F. Mehegan
Publisher:
ISBN:
Category : Improvisation (Music)
Languages : en
Pages :
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Book Description
Author: John Mehegan
Publisher:
ISBN: 9780823025718
Category : Harmony
Languages : en
Pages : 207
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Book Description
Author: John Mehegan
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: John Mehegan
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: John Mehegan
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: John Mehegan
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Johnny Mehegan
Publisher:
ISBN:
Category :
Languages : de
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Fred Lerdahl
Publisher: MIT Press
ISBN: 9780262260916
Category : Music
Languages : en
Pages : 390
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Book Description
A search for a grammar of music with the aid of generative linguistics. This work, which has become a classic in music theory since its original publication in 1983, models music understanding from the perspective of cognitive science.The point of departure is a search for the grammar of music with the aid of generative linguistics.The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsciously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notation as well as in the substance of rhythmic and reductional theory.
