Author: Christopher McBride
Publisher: Routledge
ISBN: 1135877394
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
Looking at a diverse series of authors--Herman Melville, Richard Henry Dana, Jr., Mark Twain, Charles Warren Stoddard, and Jack London--"The Colonizer Abroad" claims that as the U.S. emerged as a colonial power in the nineteenth and twentieth centuries, the literature of the sea became a literature of imperialism. This book applies postcolonial theory to the travel writing of some of America's best-known authors, revealing the ways in which America's travel fiction and nonfiction have both reflected and shaped society.
The Colonizer Abroad
Author: Christopher McBride
Publisher: Routledge
ISBN: 1135877394
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
Looking at a diverse series of authors--Herman Melville, Richard Henry Dana, Jr., Mark Twain, Charles Warren Stoddard, and Jack London--"The Colonizer Abroad" claims that as the U.S. emerged as a colonial power in the nineteenth and twentieth centuries, the literature of the sea became a literature of imperialism. This book applies postcolonial theory to the travel writing of some of America's best-known authors, revealing the ways in which America's travel fiction and nonfiction have both reflected and shaped society.
Publisher: Routledge
ISBN: 1135877394
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
Looking at a diverse series of authors--Herman Melville, Richard Henry Dana, Jr., Mark Twain, Charles Warren Stoddard, and Jack London--"The Colonizer Abroad" claims that as the U.S. emerged as a colonial power in the nineteenth and twentieth centuries, the literature of the sea became a literature of imperialism. This book applies postcolonial theory to the travel writing of some of America's best-known authors, revealing the ways in which America's travel fiction and nonfiction have both reflected and shaped society.
The Cambridge Introduction to Herman Melville
Author: Kevin J. Hayes
Publisher: Cambridge University Press
ISBN: 113946230X
Category : Literary Criticism
Languages : en
Pages : 124
Book Description
Despite its indifferent reception when it was first published in 1851, Moby Dick is now a central work in the American literary canon. This introduction offers readings of Melville's masterpiece, but it also sets out the key themes, contexts, and critical reception of his entire oeuvre. The first chapters cover Melville's life and the historical and cultural contexts. Melville's individual works each receive full attention in the third chapter, including Typee, Moby Dick, Billy Budd and the short stories. Elsewhere in the chapter different themes in Melville are explained with reference to several works: Melville's writing process, Melville as letter writer, Melville and the past, Melville and modernity, Melville's late writings. The final chapter analyses Melville scholarship from his day to ours. Kevin J. Hayes provides comprehensive information about Melville's life and works in an accessible and engaging book that will be essential for students beginning to read this important author.
Publisher: Cambridge University Press
ISBN: 113946230X
Category : Literary Criticism
Languages : en
Pages : 124
Book Description
Despite its indifferent reception when it was first published in 1851, Moby Dick is now a central work in the American literary canon. This introduction offers readings of Melville's masterpiece, but it also sets out the key themes, contexts, and critical reception of his entire oeuvre. The first chapters cover Melville's life and the historical and cultural contexts. Melville's individual works each receive full attention in the third chapter, including Typee, Moby Dick, Billy Budd and the short stories. Elsewhere in the chapter different themes in Melville are explained with reference to several works: Melville's writing process, Melville as letter writer, Melville and the past, Melville and modernity, Melville's late writings. The final chapter analyses Melville scholarship from his day to ours. Kevin J. Hayes provides comprehensive information about Melville's life and works in an accessible and engaging book that will be essential for students beginning to read this important author.
Melville and Repose
Author: John Bryant
Publisher: Oxford University Press
ISBN: 0195360206
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
John Bryant's book is a strong and significant argument for the centrality of the comic and repose in Melville's novels. The purpose of Melville and Repose is dual: to ground the uses of romantic humor in Melville in sensitive readings of contemporaneous European and American writings, and to offer a definitive account of the comic as the shaping force of Melville's narrative voice throughout the major phase of his literary career. Bryant argues that Melville fused a "rhetoric of geniality" and "picturesque sensibility" adopted from the British with a "rhetoric of deceit" borrowed from the American tall tale in order to create his own amiably cosmopolitan "rhetoric of aesthetic repose." Thorough research into American culture and recent Melville manuscript findings, an engaging style, and full, scholarly readings combine to make this historicist study a welcome addition to the libraries of Americanists and Melville scholars and enthusiasts.
Publisher: Oxford University Press
ISBN: 0195360206
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
John Bryant's book is a strong and significant argument for the centrality of the comic and repose in Melville's novels. The purpose of Melville and Repose is dual: to ground the uses of romantic humor in Melville in sensitive readings of contemporaneous European and American writings, and to offer a definitive account of the comic as the shaping force of Melville's narrative voice throughout the major phase of his literary career. Bryant argues that Melville fused a "rhetoric of geniality" and "picturesque sensibility" adopted from the British with a "rhetoric of deceit" borrowed from the American tall tale in order to create his own amiably cosmopolitan "rhetoric of aesthetic repose." Thorough research into American culture and recent Melville manuscript findings, an engaging style, and full, scholarly readings combine to make this historicist study a welcome addition to the libraries of Americanists and Melville scholars and enthusiasts.
Writing the Environment in Nineteenth-Century American Literature
Author: Steven Petersheim
Publisher: Lexington Books
ISBN: 1498508383
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
The nineteenth-century roots of environmental writing in American literature are often mentioned in passing and sometimes studied piece by piece. Writing the Environment in Nineteenth-Century American Literature: The Ecological Awareness of Early Scribes of Nature brings together numerous explorations of environmentally-aware writing across the genres of nineteenth-century literature. Like Lawrence Buell, the authors of this collection find Thoreau’s writing a touchstone of nineteenth-century environmental writing, particularly focusing on Thoreau’s claim that humans may function as “scribes of nature.” However, these studies of Thoreau’s antecedents, contemporaries, and successors also reveal a range of other writers in the nineteenth century whose literary treatments of nature are often more environmentally attuned than most readers have noticed. The writers whose works are studied in this collection include canonical and forgotten writers, men and women, early nineteenth-century and late nineteenth-century authors, pioneers and conservationists. They drew attention to the conflicted relationships between humans and the American continent, as experienced by Native Americans and European Americans. Taken together, these essays offer a fresh perspective on the roots of environmental literature in nineteenth-century American nonfiction, fiction, and poetry as well as in multi-genre compositions such as the travel writings of Margaret Fuller. Bringing largely forgotten voices such as John Godman alongside canonical voices such as Nathaniel Hawthorne, Herman Melville, Walt Whitman, and Emily Dickinson, the authors whose writings are studied in this collection produced a diverse tapestry of nascent American environmental writing in the nineteenth-century. From early nineteenth-century writers such as poet Philip Freneau and novelist Charles Brockden Brown to later nineteenth-century conservationists such as John James Audubon and John Muir, Scribes of Nature shows the development of an environmental consciousness and a growing conservationist ethos in American literature. Given their often surprisingly healthy respect for the natural environment, these nineteenth-century writers offer us much to consider in an age of environmental crisis. The complexities of the supposed nature/culture divide still work into our lives today as economic and environmental issues are often seen at loggerheads when they ought to be seen as part of the same conversation of what it means to live healthy lives, and to pass on a healthy world to those who follow us in a world where human activity is becoming increasingly threatening to the health of our planet.
Publisher: Lexington Books
ISBN: 1498508383
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
The nineteenth-century roots of environmental writing in American literature are often mentioned in passing and sometimes studied piece by piece. Writing the Environment in Nineteenth-Century American Literature: The Ecological Awareness of Early Scribes of Nature brings together numerous explorations of environmentally-aware writing across the genres of nineteenth-century literature. Like Lawrence Buell, the authors of this collection find Thoreau’s writing a touchstone of nineteenth-century environmental writing, particularly focusing on Thoreau’s claim that humans may function as “scribes of nature.” However, these studies of Thoreau’s antecedents, contemporaries, and successors also reveal a range of other writers in the nineteenth century whose literary treatments of nature are often more environmentally attuned than most readers have noticed. The writers whose works are studied in this collection include canonical and forgotten writers, men and women, early nineteenth-century and late nineteenth-century authors, pioneers and conservationists. They drew attention to the conflicted relationships between humans and the American continent, as experienced by Native Americans and European Americans. Taken together, these essays offer a fresh perspective on the roots of environmental literature in nineteenth-century American nonfiction, fiction, and poetry as well as in multi-genre compositions such as the travel writings of Margaret Fuller. Bringing largely forgotten voices such as John Godman alongside canonical voices such as Nathaniel Hawthorne, Herman Melville, Walt Whitman, and Emily Dickinson, the authors whose writings are studied in this collection produced a diverse tapestry of nascent American environmental writing in the nineteenth-century. From early nineteenth-century writers such as poet Philip Freneau and novelist Charles Brockden Brown to later nineteenth-century conservationists such as John James Audubon and John Muir, Scribes of Nature shows the development of an environmental consciousness and a growing conservationist ethos in American literature. Given their often surprisingly healthy respect for the natural environment, these nineteenth-century writers offer us much to consider in an age of environmental crisis. The complexities of the supposed nature/culture divide still work into our lives today as economic and environmental issues are often seen at loggerheads when they ought to be seen as part of the same conversation of what it means to live healthy lives, and to pass on a healthy world to those who follow us in a world where human activity is becoming increasingly threatening to the health of our planet.
Literary Culture and U.S Imperialism : From the Revolution to World War II
Author: John Carlos Rowe Professor of English University of California at Irvine
Publisher: Oxford University Press, USA
ISBN: 0195351231
Category : Literary Criticism
Languages : en
Pages : 398
Book Description
John Carlos Rowe, considered one of the most eminent and progressive critics of American literature, has in recent years become instrumental in shaping the path of American studies. His latest book examines literary responses to U.S. imperialism from the late eighteenth century to the 1940s. Interpreting texts by Charles Brockden Brown, Poe, Melville, John Rollin Ridge, Twain, Henry Adams, Stephen Crane, W. E. B Du Bois, John Neihardt, Nick Black Elk, and Zora Neale Hurston, Rowe argues that U.S. literature has a long tradition of responding critically or contributing to our imperialist ventures. Following in the critical footsteps of Richard Slotkin and Edward Said, Literary Culture and U.S. Imperialism is particularly innovative in taking account of the public and cultural response to imperialism. In this sense it could not be more relevant to what is happening in the scholarship, and should be vital reading for scholars and students of American literature and culture.
Publisher: Oxford University Press, USA
ISBN: 0195351231
Category : Literary Criticism
Languages : en
Pages : 398
Book Description
John Carlos Rowe, considered one of the most eminent and progressive critics of American literature, has in recent years become instrumental in shaping the path of American studies. His latest book examines literary responses to U.S. imperialism from the late eighteenth century to the 1940s. Interpreting texts by Charles Brockden Brown, Poe, Melville, John Rollin Ridge, Twain, Henry Adams, Stephen Crane, W. E. B Du Bois, John Neihardt, Nick Black Elk, and Zora Neale Hurston, Rowe argues that U.S. literature has a long tradition of responding critically or contributing to our imperialist ventures. Following in the critical footsteps of Richard Slotkin and Edward Said, Literary Culture and U.S. Imperialism is particularly innovative in taking account of the public and cultural response to imperialism. In this sense it could not be more relevant to what is happening in the scholarship, and should be vital reading for scholars and students of American literature and culture.
Identifying Marks
Author: Jennifer Putzi
Publisher: University of Georgia Press
ISBN: 0820343447
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
What we know of the marked body in nineteenth-century American literature and culture often begins with The Scarlet Letter's Hester Prynne and ends with Moby Dick's Queequeg. This study looks at the presence of marked men and women in a more challenging array of canonical and lesser-known works, including exploration narratives, romances, and frontier novels. Jennifer Putzi shows how tattoos, scars, and brands can function both as stigma and as emblem of healing and survival, thus blurring the borderline between the biological and social, the corporeal and spiritual. Examining such texts as Typee, Uncle Tom's Cabin, Captivity of the Oatman Girls, The Morgesons, Iola Leroy, and Contending Forces, Putzi relates the representation of the marked body to significant events, beliefs, or cultural shifts, including tattooing and captivity, romantic love, the patriarchal family, and abolition and slavery. Her particular focus is on both men and women of color, as well as white women-in other words, bodies that did not signify personhood in the nineteenth century and thus by their very nature were grotesque. Complicating the discourse on agency, power, and identity, these texts reveal a surprisingly complex array of representations of and responses to the marked body--some that are a product of essentialist thinking about race and gender identities and some that complicate, critique, or even rebel against conventional thought.
Publisher: University of Georgia Press
ISBN: 0820343447
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
What we know of the marked body in nineteenth-century American literature and culture often begins with The Scarlet Letter's Hester Prynne and ends with Moby Dick's Queequeg. This study looks at the presence of marked men and women in a more challenging array of canonical and lesser-known works, including exploration narratives, romances, and frontier novels. Jennifer Putzi shows how tattoos, scars, and brands can function both as stigma and as emblem of healing and survival, thus blurring the borderline between the biological and social, the corporeal and spiritual. Examining such texts as Typee, Uncle Tom's Cabin, Captivity of the Oatman Girls, The Morgesons, Iola Leroy, and Contending Forces, Putzi relates the representation of the marked body to significant events, beliefs, or cultural shifts, including tattooing and captivity, romantic love, the patriarchal family, and abolition and slavery. Her particular focus is on both men and women of color, as well as white women-in other words, bodies that did not signify personhood in the nineteenth century and thus by their very nature were grotesque. Complicating the discourse on agency, power, and identity, these texts reveal a surprisingly complex array of representations of and responses to the marked body--some that are a product of essentialist thinking about race and gender identities and some that complicate, critique, or even rebel against conventional thought.
Melville and the Theme of Boredom
Author: Daniel Paliwoda
Publisher: McFarland
ISBN: 0786457023
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Boredom is a prevalent theme in Herman Melville's works. Rather than a passing fancy or a device for drawing attention to the action that also permeates his work, boredom is central to the writings, the author argues. He contends that in Melville's mature work, especially Moby Dick, boredom presents itself as an insidious presence in the lives of Melville's characters, until it matures from being a mere killer of time into a killer of souls.
Publisher: McFarland
ISBN: 0786457023
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Boredom is a prevalent theme in Herman Melville's works. Rather than a passing fancy or a device for drawing attention to the action that also permeates his work, boredom is central to the writings, the author argues. He contends that in Melville's mature work, especially Moby Dick, boredom presents itself as an insidious presence in the lives of Melville's characters, until it matures from being a mere killer of time into a killer of souls.
A Herman Melville Encyclopedia
Author: Robert L. Gale
Publisher: Bloomsbury Publishing USA
ISBN: 1567507662
Category : Literary Criticism
Languages : en
Pages : 558
Book Description
Herman Melville is one of the most challenging authors of American literature. Known primarily as the author of Moby-Dick, he wrote several other novels, short stories, and poems. With the rise of interest in Melville in the 20th century, critical and biographical studies of Melville continue to be published at an ever-increasing rate. This encyclopedia is a comprehensive guide to Melville's rich and complex literary career. The volume includes several hundred alphabetically arranged entries for all of Melville's works and characters, and for his family members, friends, and acquaintances. Entries on the most important topics include bibliographies. The encyclopedia is more factual than critical, but scholarship from 1990 and beyond is emphasized throughout. The book also gives special attention to the 19th-century women who influenced Melville, for these women have often been overlooked. A chronology overviews the principal events in Melville's life, and a selected bibliography lists major studies.
Publisher: Bloomsbury Publishing USA
ISBN: 1567507662
Category : Literary Criticism
Languages : en
Pages : 558
Book Description
Herman Melville is one of the most challenging authors of American literature. Known primarily as the author of Moby-Dick, he wrote several other novels, short stories, and poems. With the rise of interest in Melville in the 20th century, critical and biographical studies of Melville continue to be published at an ever-increasing rate. This encyclopedia is a comprehensive guide to Melville's rich and complex literary career. The volume includes several hundred alphabetically arranged entries for all of Melville's works and characters, and for his family members, friends, and acquaintances. Entries on the most important topics include bibliographies. The encyclopedia is more factual than critical, but scholarship from 1990 and beyond is emphasized throughout. The book also gives special attention to the 19th-century women who influenced Melville, for these women have often been overlooked. A chronology overviews the principal events in Melville's life, and a selected bibliography lists major studies.
Rookwood Asylum
Author: David Longhorn
Publisher: Scare Street
ISBN:
Category : Fiction
Languages : en
Pages : 188
Book Description
Some memories are too painful to forget… American History lecturer Paul Mahan was looking for a little peace and quiet. A place to recover from his personal demons, and pursue his academic career. But when he moves into the newly refurbished Rookwood Apartments, he soon finds himself trapped in a living nightmare. A series of terrifying events forces Paul to question his sanity. Strange messages scrib-ble themselves across the walls. His beautiful neighbor seems to vanish without a trace. And a deadly accident tears away the veil from Rookwood’s dark past. As these violent incidents escalate, residents call in a paranormal expert, hoping to end the strange accidents once and for all. But only Paul understands the chilling truth. The pain and torture of Rookwood’s blood-soaked past can no longer be contained… And a terror beyond anything they have ever experienced is about to be unleashed.
Publisher: Scare Street
ISBN:
Category : Fiction
Languages : en
Pages : 188
Book Description
Some memories are too painful to forget… American History lecturer Paul Mahan was looking for a little peace and quiet. A place to recover from his personal demons, and pursue his academic career. But when he moves into the newly refurbished Rookwood Apartments, he soon finds himself trapped in a living nightmare. A series of terrifying events forces Paul to question his sanity. Strange messages scrib-ble themselves across the walls. His beautiful neighbor seems to vanish without a trace. And a deadly accident tears away the veil from Rookwood’s dark past. As these violent incidents escalate, residents call in a paranormal expert, hoping to end the strange accidents once and for all. But only Paul understands the chilling truth. The pain and torture of Rookwood’s blood-soaked past can no longer be contained… And a terror beyond anything they have ever experienced is about to be unleashed.
A Historical Guide to Herman Melville
Author: Giles Gunn
Publisher: Oxford University Press
ISBN: 0199729042
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
This collection gathers together original essays dealing with Melville's relations with his historical era, with class, with the marketplace, with ethnic otherness, and with religion. These essays are framed by a new, short biography by Robert Milder, an introduction by Giles Gunn, an illustrated chronology, and a bibliographical essay. Taken together, these pieces afford a fresh and searching set of perspectives on Melville's connections both with his own age and also with our own. This book makes the case, as does no other collection of criticism of its size, for Melville's commanding centrality to nineteenth-century American writing.
Publisher: Oxford University Press
ISBN: 0199729042
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
This collection gathers together original essays dealing with Melville's relations with his historical era, with class, with the marketplace, with ethnic otherness, and with religion. These essays are framed by a new, short biography by Robert Milder, an introduction by Giles Gunn, an illustrated chronology, and a bibliographical essay. Taken together, these pieces afford a fresh and searching set of perspectives on Melville's connections both with his own age and also with our own. This book makes the case, as does no other collection of criticism of its size, for Melville's commanding centrality to nineteenth-century American writing.