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Author: Melinda K. Hartwig
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 292
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Book Description
Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE examines the style, iconography, and symbolism of painting in all extant private Theban tomb chapels decorated during the reigns of Thutmose IV and Amenhotep III. The book studies the ways in which pictorial imagery functioned on behalf of the dead in the afterlife, presented their identity to the living, and revealed underlying religious developments with important societal implications. Various aspects of the pre-Amarna Theban tomb are explored, from the tomb's purpose as a creative and commemorative vehicle for the deceased to the placement and functional properties of its imagery. The book also discusses the different styles of painting in the chapels of state and religious officials and how these styles reveal workshop organization and "patronage" practices in Thebes. The majority of the book is dedicated to the iconography of the functioning image in the tomb chapel, its reception, and its purpose as a bridge between what was represented and what was signified, between the mundane and the sacred, and between the living and the dead. Particular attention is paid to the iconography on the "western" back walls of the transverse hall in T-shaped tomb chapels, walls that held aesthetic, cultic, and symbolic significance to the ancient Egyptians. On these walls as well as the northern or southern long wall in rectangular tomb chapels, iconography and text commemorated the deceased's personal and professional identity, projected this identity into the hereafter, and contained key components for the tomb owner's rebirth. The eternal well-being of the deceased was secured through the iconography of gift giving that also mirrored religious trends that permeated society. Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE addresses Theban tomb painting and its underlying creative and commemorative properties as a medium of regeneration, preservation, and display on behalf of the tomb owner and the world of which he was a part.
Author: Melinda K. Hartwig
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 292
Get Book Here
Book Description
Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE examines the style, iconography, and symbolism of painting in all extant private Theban tomb chapels decorated during the reigns of Thutmose IV and Amenhotep III. The book studies the ways in which pictorial imagery functioned on behalf of the dead in the afterlife, presented their identity to the living, and revealed underlying religious developments with important societal implications. Various aspects of the pre-Amarna Theban tomb are explored, from the tomb's purpose as a creative and commemorative vehicle for the deceased to the placement and functional properties of its imagery. The book also discusses the different styles of painting in the chapels of state and religious officials and how these styles reveal workshop organization and "patronage" practices in Thebes. The majority of the book is dedicated to the iconography of the functioning image in the tomb chapel, its reception, and its purpose as a bridge between what was represented and what was signified, between the mundane and the sacred, and between the living and the dead. Particular attention is paid to the iconography on the "western" back walls of the transverse hall in T-shaped tomb chapels, walls that held aesthetic, cultic, and symbolic significance to the ancient Egyptians. On these walls as well as the northern or southern long wall in rectangular tomb chapels, iconography and text commemorated the deceased's personal and professional identity, projected this identity into the hereafter, and contained key components for the tomb owner's rebirth. The eternal well-being of the deceased was secured through the iconography of gift giving that also mirrored religious trends that permeated society. Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE addresses Theban tomb painting and its underlying creative and commemorative properties as a medium of regeneration, preservation, and display on behalf of the tomb owner and the world of which he was a part.
Author: Melinda K. Hartwig
Publisher: Brepols Publishers
ISBN: 9782503513157
Category : Art
Languages : en
Pages : 292
Get Book Here
Book Description
Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE examines the style, iconography, and symbolism of painting in all extant private Theban tomb chapels decorated during the reigns of Thutmose IV and Amenhotep III. The book studies the ways in which pictorial imagery functioned on behalf of the dead in the afterlife, presented their identity to the living, and revealed underlying religious developments with important societal implications. Various aspects of the pre-Amarna Theban tomb are explored, from the tomb's purpose as a creative and commemorative vehicle for the deceased to the placement and functional properties of its imagery. The book also discusses the different styles of painting in the chapels of state and religious officials and how these styles reveal workshop organization and "patronage" practices in Thebes. The majority of the book is dedicated to the iconography of the functioning image in the tomb chapel, its reception, and its purpose as a bridge between what was represented and what was signified, between the mundane and the sacred, and between the living and the dead. Particular attention is paid to the iconography on the "western" back walls of the transverse hall in T-shaped tomb chapels, walls that held aesthetic, cultic, and symbolic significance to the ancient Egyptians. On these walls as well as the northern or southern long wall in rectangular tomb chapels, iconography and text commemorated the deceased's personal and professional identity, projected this identity into the hereafter, and contained key components for the tomb owner's rebirth. The eternal well-being of the deceased was secured through the iconography of gift giving that also mirrored religious trends that permeated society. Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE addresses Theban tomb painting and its underlying creative and commemorative properties as a medium of regeneration, preservation, and display on behalf of the tomb owner and the world of which he was a part.
Author: Flora Brooke Anthony
Publisher: Bloomsbury Publishing
ISBN: 1474241603
Category : Art
Languages : en
Pages : 193
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Book Description
In ancient Egypt, one of the primary roles of the king was to maintain order and destroy chaos. Since the beginning of Egyptian history, images of foreigners were used as symbols of chaos and thus shown as captives being bound and trampled under the king's feet. The early 18th dynasty (1550-1372 BCE) was the height of international trade, diplomacy and Egyptian imperial expansion. During this time new images of foreigners bearing tribute became popular in the tombs of the necropolis at Thebes, the burial place of the Egyptian elite. This volume analyses the new presentation of foreigners in these tombs. Far from being chaotic, they are shown in an orderly fashion, carrying tribute that underscores the wealth and prestige of the tomb owner. This orderliness reflects the ability of the Egyptian state to impose order on foreign lands, but also crucially symbolises the tomb owner's ability to overcome the chaos of death and achieve a successful afterlife. Illustrated with colour plates and black-and-white images, this new volume is an important and original study of the significance of these images for the tomb owner and the functioning of the funerary cult.
Author: Melinda K. Hartwig
Publisher: John Wiley & Sons
ISBN: 1118325087
Category : Literary Criticism
Languages : en
Pages : 636
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Book Description
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
Author: Flora Brooke Anthony
Publisher:
ISBN: 9781474241618
Category : Aliens in art
Languages : en
Pages :
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Book Description
Introduction -- Background -- The cosmic significance of the tomb -- Foreigner typologies -- Palatial decorations -- Underlying Egyptian concepts in the tribute scenes -- Funerary symbolism in tribute scenes -- Between symbolism and veracity -- Conclusions
Author: Deborah Vischak
Publisher: Cambridge University Press
ISBN: 1107027608
Category : Architecture
Languages : en
Pages : 363
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Book Description
This book examines an elite Old Kingdom cemetery at the southern boundary of ancient Egypt, where the local community developed a unique visual expression of texts, images, and architecture in their tombs. Deborah Vischak argues that localized communities are an important source of identity in ancient Egypt.
Author: Masashi Fukaya
Publisher: Archaeopress Publishing Ltd
ISBN: 1789695961
Category : History
Languages : en
Pages : 306
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Book Description
This volume compares the religious and social functions of the Ancient Egyptian festivals of Opet, the Valley, and the New Year. Until now, detailed study of the New Year Festival has only been carried out with reference to the Greco-Roman period; this study turns its attention to the New Kingdom.
Author: Melinda K. Hartwig
Publisher: John Wiley & Sons
ISBN: 1118325095
Category : Literary Criticism
Languages : en
Pages : 624
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Book Description
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
Author: Marta Arranz Cárcamo
Publisher: Archaeopress Publishing Ltd
ISBN: 1789699088
Category : History
Languages : en
Pages : 248
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Book Description
Presents proceedings from the 20th meeting of the prestigious international student Egyptology conference, held at the University of Alcalá, 2019. 15 papers address a wide range of topics including all periods of ancient Egyptian History and different aspects of its material culture, archaeology, history, society, religion and language.
Author: José Roberto Pellini
Publisher: Cambridge Scholars Publishing
ISBN: 1443883905
Category : Social Science
Languages : en
Pages : 198
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Book Description
Every culture conceives of the senses in different ways, establishing their own models and sensory hierarchies. Despite the importance of the senses in human experience, archaeology has generally neglected the sensory dimension of the material world. In response to this lacuna, the contributions to this volume incorporate all the senses in imaginative scenarios, in order to stimulate new ways of seeing and conceptualising archaeology and bring back the “self” to this science. The international character of the essays brought together here, including researchers and case studies from across the globe, provides a variety of perspectives on this topic from a number of scales of analysis. The book will appeal to a wide range of readers, including academic researchers and the general public concerned with archaeology, history, anthropology, and sociology, and will provide readers with a greater understanding of the dynamics of the senses, the relationship between narratives and societies, and the cultural world.
