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Author: Jonathan D. Kramer
Publisher: Routledge
ISBN: 1134350864
Category : Music
Languages : en
Pages : 256
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Book Description
The articles in this collection create an interdisciplinary perspective. While attempting no unified vision, it approaches the subject from a variety of perspectives: aesthetics, psychology, sociology, ethnomusicology, compositional practice, and semiotics. While all composers are necessarily concerned with time, and while all theorists deal at least indirectly with music as a temporal phenomenon, the study of musical time has been fragmented. It is appropriate that no clear paradigm, model or direction has yet emerged in the study of muscial time, since time itself is both pervasive and elusive.
Author: Jonathan D. Kramer
Publisher: Routledge
ISBN: 1134350864
Category : Music
Languages : en
Pages : 256
Get Book Here
Book Description
The articles in this collection create an interdisciplinary perspective. While attempting no unified vision, it approaches the subject from a variety of perspectives: aesthetics, psychology, sociology, ethnomusicology, compositional practice, and semiotics. While all composers are necessarily concerned with time, and while all theorists deal at least indirectly with music as a temporal phenomenon, the study of musical time has been fragmented. It is appropriate that no clear paradigm, model or direction has yet emerged in the study of muscial time, since time itself is both pervasive and elusive.
Author: John Paynter
Publisher: Taylor & Francis US
ISBN: 9780415086943
Category : Social Science
Languages : en
Pages : 668
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Book Description
Author: Jonathan D. Kramer
Publisher: Routledge
ISBN: 1134350937
Category : Music
Languages : en
Pages : 316
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Book Description
The articles in this collection create an interdisciplinary perspective. While attempting no unified vision, it approaches the subject from a variety of perspectives: aesthetics, psychology, sociology, ethnomusicology, compositional practice, and semiotics. While all composers are necessarily concerned with time, and while all theorists deal at least indirectly with music as a temporal phenomenon, the study of musical time has been fragmented. It is appropriate that no clear paradigm, model or direction has yet emerged in the study of muscial time, since time itself is both pervasive and elusive.
Author: Alexander Rehding
Publisher: Cambridge University Press
ISBN: 9780521820738
Category : Music
Languages : en
Pages : 252
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Book Description
Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (1849-1919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. This influence, however, belies the contentious idea at the heart of his musical thought, an idea he defended for most of his career - harmonic dualism. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. Riemann's musical thought - from his considerations of acoustical properties to his aesthetic and music-historical views - thus regains the coherence and cultural urgency that it once possessed.
Author: Judy Lochhead
Publisher: Routledge
ISBN: 1135717788
Category : Music
Languages : en
Pages : 389
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Book Description
What is postmodern music and how does it differ from earlier styles, including modernist music? What roles have electronic technologies and sound production played in defining postmodern music? Has postmodern music blurred the lines between high and popular music? Addressing these and other questions, this ground-breaking collection gathers together for the first time essays on postmodernism and music written primarily by musicologists, covering a wide range of musical styles including concert music, jazz, film music, and popular music. Topics include: the importance of technology and marketing in postmodern music; the appropriation and reworking of Western music by non-Western bands; postmodern characteristics in the music of Górecki, Rochberg, Zorn, and Bolcom, as well as Björk and Wu Tang Clan; issues of music and race in such films as The Bridges of Madison County, Batman, Bullworth, and He Got Game; and comparisons of postmodern architecture to postmodern music. Also includes 20 musical examples.
Author: Katherine Norman
Publisher: Routledge
ISBN: 1135304319
Category : Music
Languages : en
Pages : 191
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Book Description
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Nicholas Cook
Publisher: Cambridge University Press
ISBN: 1139827960
Category : Music
Languages : en
Pages : 381
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Book Description
From the cylinder to the download, the practice of music has been radically transformed by the development of recording and playback technologies. This Companion provides a detailed overview of the transformation, encompassing both classical and popular music. Topics covered include the history of recording technology and the businesses built on it; the impact of recording on performance styles; studio practices, viewed from the perspectives of performer, producer and engineer; and approaches to the study of recordings. The main chapters are interspersed by 'short takes' - short contributions by different practitioners, ranging from classical or pop producers and performers to record collectors. Combining basic information with a variety of perspectives on records and recordings, this book will appeal not only to students in a range of subjects from music to the media, but also to general readers interested in a fundamental yet insufficiently understood dimension of musical culture.
Author: Keith Potter
Publisher: Routledge
ISBN: 1317042557
Category : Music
Languages : en
Pages : 458
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Book Description
In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of academics to contextualise the work of composers who have moved in parallel with these developments while remaining resolutely outside its immediate environment, including such diverse figures as Karel Goeyvaerts, Robert Ashley, Arvo Pärt and Brian Eno. Theory has reflected practice in many respects, with the multimedia works of Reich and Glass encouraging interdisciplinary approaches, associations and interconnections. Minimalism’s role in culture and society has also become the subject of recent interest and debate, complementing existing scholarship, which addressed the subject from the perspective of historiography, analysis, aesthetics and philosophy. The Ashgate Research Companion to Minimalist and Postminimalist Music provides an authoritative overview of established research in this area, while also offering new and innovative approaches to the subject.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 894
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Book Description
Author: Michael Tenzer
Publisher: Oxford University Press
ISBN: 0199874700
Category : Music
Languages : en
Pages : 472
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Book Description
This collection presents intriguing explanations of extraordinary musical creations from across the world, concentrating on how the music works as sound in process. It suggests analytical approaches that apply across cultures, proposes a new way of classifying music, and treats provocative questions about the juxtaposition of music from different cultures.
