Author: Gianluca Delfino
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Time, History, and Philosophy in the Works of Wilson Harris
Author: Gianluca Delfino
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Memories of the Classical Underworld in Irish and Caribbean Literature
Author: Madeleine Scherer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110675196
Category : Literary Criticism
Languages : en
Pages : 540
Book Description
Classical Memories is an intervention into the field of adaptation studies, taking the example of classical reception to show that adaptation is a process that can be driven by and produce intertextual memories. I see ‘classical memories’ as a memory-driven type of adaptation that draws on and reproduces schematic and otherwise de-contextualised conceptions of antiquity and its cultural ‘exports’ in, broadly speaking, the twentieth and twenty-first centuries. These memory-driven adaptations differ, often in significant ways, from more traditional adaptations that seek to either continue or deconstruct a long-running tradition that can be traced back to antiquity as well as its canonical points of reception in later ages. When investigating such a popular and widespread set of narratives, characters, and images like those that remain of Graeco-Roman antiquity, terms like ‘adaptation’ and ‘reception’ could and should be nuanced further to allow us to understand the complex interactions between modern works and classical antiquity in more detail, particularly when it pertains to postcolonial or post-digital classical reception. In Classical Memories, I propose that understanding certain types of adaptations as intertextual memories allows us to do just that.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110675196
Category : Literary Criticism
Languages : en
Pages : 540
Book Description
Classical Memories is an intervention into the field of adaptation studies, taking the example of classical reception to show that adaptation is a process that can be driven by and produce intertextual memories. I see ‘classical memories’ as a memory-driven type of adaptation that draws on and reproduces schematic and otherwise de-contextualised conceptions of antiquity and its cultural ‘exports’ in, broadly speaking, the twentieth and twenty-first centuries. These memory-driven adaptations differ, often in significant ways, from more traditional adaptations that seek to either continue or deconstruct a long-running tradition that can be traced back to antiquity as well as its canonical points of reception in later ages. When investigating such a popular and widespread set of narratives, characters, and images like those that remain of Graeco-Roman antiquity, terms like ‘adaptation’ and ‘reception’ could and should be nuanced further to allow us to understand the complex interactions between modern works and classical antiquity in more detail, particularly when it pertains to postcolonial or post-digital classical reception. In Classical Memories, I propose that understanding certain types of adaptations as intertextual memories allows us to do just that.
New Readings in the Literature of British India, c. 1780-1947
Author: Shafquat Towheed
Publisher: Columbia University Press
ISBN: 389821673X
Category : Literary Criticism
Languages : en
Pages : 342
Book Description
The contributions to this book amply demonstrate the richness, vitality, and complexity of the colonial transactions between Britain and India over the last two centuries, and they do so by approaching the topic from a specific perspective: by interpreting the rubric 'new readings' as broadly, creatively, and productively as possible. They cover a wide range of literary responses and genres: eighteenth-century drama, the gothic novel, verse, autobiography, history, religious writing, journalism, women's memoirs, travel writing, popular fiction, and the modernist novel. Brought together in one volume, these essays offer a small, but representative sample of the multifaceted literary and cultural traffic between Britain and India in the colonial period. In the richness and diversity of the various contributors' strategies and interpretations, these new readings urge us to return once again to texts that we think we know, as well as to explore those that we do not, with a freshly renewed sense of their complexity, immediacy, and relevance.
Publisher: Columbia University Press
ISBN: 389821673X
Category : Literary Criticism
Languages : en
Pages : 342
Book Description
The contributions to this book amply demonstrate the richness, vitality, and complexity of the colonial transactions between Britain and India over the last two centuries, and they do so by approaching the topic from a specific perspective: by interpreting the rubric 'new readings' as broadly, creatively, and productively as possible. They cover a wide range of literary responses and genres: eighteenth-century drama, the gothic novel, verse, autobiography, history, religious writing, journalism, women's memoirs, travel writing, popular fiction, and the modernist novel. Brought together in one volume, these essays offer a small, but representative sample of the multifaceted literary and cultural traffic between Britain and India in the colonial period. In the richness and diversity of the various contributors' strategies and interpretations, these new readings urge us to return once again to texts that we think we know, as well as to explore those that we do not, with a freshly renewed sense of their complexity, immediacy, and relevance.
Difficult Reading
Author: Jason R. Marley
Publisher: University of Virginia Press
ISBN: 0813950155
Category : Literary Criticism
Languages : en
Pages : 390
Book Description
Difficult Reading offers a new approach to formal experimentation in Caribbean literature. In this insightful study, Jason Marley demonstrates how the aggressive, antagonistic elements common to the mid-twentieth-century Caribbean novel foster emotional responses that spark new forms of communal resistance against colonial power. Marley illustrates how experimental Caribbean writers repeatedly implicate their readers in colonial domination in ways that are intended to unsettle and discomfort. In works such as Denis Williams’s The Third Temptation, Wilson Harris’s The Secret Ladder, and Vera Bell’s overlooked prose poem Ogog, acts of colonial atrocity—such as the eradication of Indigenous populations in Guyana, the construction of the Panama Canal, or the disenfranchisement of Afro-Jamaican communities—become mired in aesthetic obfuscation, forcing the reader to confront and rethink their own relationship to these events. In this way, new literary forms engender new forms of insight and outrage, fostering a newly inspired relation to resistance.
Publisher: University of Virginia Press
ISBN: 0813950155
Category : Literary Criticism
Languages : en
Pages : 390
Book Description
Difficult Reading offers a new approach to formal experimentation in Caribbean literature. In this insightful study, Jason Marley demonstrates how the aggressive, antagonistic elements common to the mid-twentieth-century Caribbean novel foster emotional responses that spark new forms of communal resistance against colonial power. Marley illustrates how experimental Caribbean writers repeatedly implicate their readers in colonial domination in ways that are intended to unsettle and discomfort. In works such as Denis Williams’s The Third Temptation, Wilson Harris’s The Secret Ladder, and Vera Bell’s overlooked prose poem Ogog, acts of colonial atrocity—such as the eradication of Indigenous populations in Guyana, the construction of the Panama Canal, or the disenfranchisement of Afro-Jamaican communities—become mired in aesthetic obfuscation, forcing the reader to confront and rethink their own relationship to these events. In this way, new literary forms engender new forms of insight and outrage, fostering a newly inspired relation to resistance.
Aspects of the Orange Revolution I
Author: Paul D'Anieri
Publisher: Columbia University Press
ISBN: 3898216985
Category : Political Science
Languages : en
Pages : 236
Book Description
Ukraine's 2004 presidential election was falsified, spurring the Orange Revolution. To many observers, the Orange Revolution was a shock, and the stolen election a recent development. However, both the election fraud and the effort to topple the government of Leonid Kuchma emerged from political dynamics that had appeared in earlier Ukrainian elections.In this path breaking volume, leading scholars place Ukraine's 2004 Orange Revolution in the longer perspective of Ukraine's post-Soviet electoral politics. Covering both presidential and parliamentary elections over the entire post-Soviet period, the chapters clarify the manner in which earlier elections had emerged as part of the battle for power in Ukraine well before 2004. The opposition that came to power in 2004 had also won the 2002 elections and had developed its strategies during opposition protests that had been catalyzed by the Kuchmagate crisis in 2000. The evolution of the dynamics that led to the fraudulent 2004 election reveals that the events of 2004 represented continuity as well as change. By placing the 2004 elections within a longer trajectory, the volume enriches our understanding of the Orange Revolution and helps us to understand the difficulties faced in consolidating Ukraine's democratic breakthrough following the Orange Revolution.The volume contains an introduction to "Aspects of the Orange Revolution I-VI" by Andreas Umland, followed by eight chapters by Robert K. Christensen, Edward R. Rakhimkulov and Charles Wise, Paul D'Anieri, Robert Kravchuk and Victor Chudowsky, Paul Kubicek, Taras Kuzio, Lucan Way, and Anna Makhorkina. These authors bring complex and varied perspectives that situate Ukraine's post-Soviet elections in economic reforms, constitutional law, foreign policy objectives of integrating into Europe, as well as in the broader context of the rough and tumble competition for political control of Ukraine.
Publisher: Columbia University Press
ISBN: 3898216985
Category : Political Science
Languages : en
Pages : 236
Book Description
Ukraine's 2004 presidential election was falsified, spurring the Orange Revolution. To many observers, the Orange Revolution was a shock, and the stolen election a recent development. However, both the election fraud and the effort to topple the government of Leonid Kuchma emerged from political dynamics that had appeared in earlier Ukrainian elections.In this path breaking volume, leading scholars place Ukraine's 2004 Orange Revolution in the longer perspective of Ukraine's post-Soviet electoral politics. Covering both presidential and parliamentary elections over the entire post-Soviet period, the chapters clarify the manner in which earlier elections had emerged as part of the battle for power in Ukraine well before 2004. The opposition that came to power in 2004 had also won the 2002 elections and had developed its strategies during opposition protests that had been catalyzed by the Kuchmagate crisis in 2000. The evolution of the dynamics that led to the fraudulent 2004 election reveals that the events of 2004 represented continuity as well as change. By placing the 2004 elections within a longer trajectory, the volume enriches our understanding of the Orange Revolution and helps us to understand the difficulties faced in consolidating Ukraine's democratic breakthrough following the Orange Revolution.The volume contains an introduction to "Aspects of the Orange Revolution I-VI" by Andreas Umland, followed by eight chapters by Robert K. Christensen, Edward R. Rakhimkulov and Charles Wise, Paul D'Anieri, Robert Kravchuk and Victor Chudowsky, Paul Kubicek, Taras Kuzio, Lucan Way, and Anna Makhorkina. These authors bring complex and varied perspectives that situate Ukraine's post-Soviet elections in economic reforms, constitutional law, foreign policy objectives of integrating into Europe, as well as in the broader context of the rough and tumble competition for political control of Ukraine.
The Biographer and the Subject
Author: Rana Tekcan
Publisher: Columbia University Press
ISBN: 389821995X
Category : Literary Criticism
Languages : en
Pages : 178
Book Description
A good biography is a well-staged illusion. It creates—on paper—a vivid, rounded, and immediate sense of lived life. In contrast to purely fictional forms, biography writing does not allow total freedom to the biographer in the creative act. Ideally, a biography's backbone is formed by accurate historical facts. But its soul lies elsewhere. Since the concern is life, something more is needed: Nothing dry, cold or dead, but a vibrant impression of life that is left in the air after one turns over the last page. But how does a biographer do it? The way a biographer creates a subject is largely dictated by the historical distance between them. There are three types of distance in biographical writing: First, where the biographer and the subject personally know one another; second, where the biographer is a near contemporary of the subject; and third, where biographer and subject are distinctly separated, in some cases by hundreds of years. Tekcan explores how some of the most accomplished biographers manage to "recreate life" across time and space. She closely examines Samuel Johnson's "Life of Mr. Richard Savage", James Boswell's "Life of Samuel Johnson", Lytton Strachey's "Eminent Victorians", Michael Holroyd's "Lytton Strachey", Park Honan's "Jane Austen", and Andrew Motion's "Keats".
Publisher: Columbia University Press
ISBN: 389821995X
Category : Literary Criticism
Languages : en
Pages : 178
Book Description
A good biography is a well-staged illusion. It creates—on paper—a vivid, rounded, and immediate sense of lived life. In contrast to purely fictional forms, biography writing does not allow total freedom to the biographer in the creative act. Ideally, a biography's backbone is formed by accurate historical facts. But its soul lies elsewhere. Since the concern is life, something more is needed: Nothing dry, cold or dead, but a vibrant impression of life that is left in the air after one turns over the last page. But how does a biographer do it? The way a biographer creates a subject is largely dictated by the historical distance between them. There are three types of distance in biographical writing: First, where the biographer and the subject personally know one another; second, where the biographer is a near contemporary of the subject; and third, where biographer and subject are distinctly separated, in some cases by hundreds of years. Tekcan explores how some of the most accomplished biographers manage to "recreate life" across time and space. She closely examines Samuel Johnson's "Life of Mr. Richard Savage", James Boswell's "Life of Samuel Johnson", Lytton Strachey's "Eminent Victorians", Michael Holroyd's "Lytton Strachey", Park Honan's "Jane Austen", and Andrew Motion's "Keats".
History and Race in Caryl Phillips’s The Nature of Blood
Author: Maria Festa
Publisher: BoD – Books on Demand
ISBN: 3838214331
Category : Language Arts & Disciplines
Languages : en
Pages : 197
Book Description
This monograph examines Caryl Phillips’s The Nature of Blood (1997), a novel exploring recurring expressions of exclusion and discrimination throughout history with particular focus on Jewish and African diasporas and the storytelling of its migrant characters. Particular attention is given to the analysis of characters revealing different facets of the Jewish question. Maria Festa also provides a historical excursus on the notion of race and considers another character alluding to Shakespeare’s Othello to expose the paradoxes of the relationship between subjugator and subjugated. The study makes the case that among the novel’s most remarkable achievements is Phillips’s effort to redress the absence of the Other from our history, that by depicting experiences of displacement, and by confronting readers with seemingly disconnected narrative fragments, The Nature of Blood is a reminder of the missing stories, the voices—marginalised and often racialized—that Western history has consistently failed to include in its accounts of the past and arguably its present.
Publisher: BoD – Books on Demand
ISBN: 3838214331
Category : Language Arts & Disciplines
Languages : en
Pages : 197
Book Description
This monograph examines Caryl Phillips’s The Nature of Blood (1997), a novel exploring recurring expressions of exclusion and discrimination throughout history with particular focus on Jewish and African diasporas and the storytelling of its migrant characters. Particular attention is given to the analysis of characters revealing different facets of the Jewish question. Maria Festa also provides a historical excursus on the notion of race and considers another character alluding to Shakespeare’s Othello to expose the paradoxes of the relationship between subjugator and subjugated. The study makes the case that among the novel’s most remarkable achievements is Phillips’s effort to redress the absence of the Other from our history, that by depicting experiences of displacement, and by confronting readers with seemingly disconnected narrative fragments, The Nature of Blood is a reminder of the missing stories, the voices—marginalised and often racialized—that Western history has consistently failed to include in its accounts of the past and arguably its present.
Formal Investigations: Aesthetic Style in Late-Victorian and Edwardian Detective Fiction
Author: Paul Fox
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838265939
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
The essays in this revised and expanded volume explore a variety of structuring taxonomies, the relationships between the aesthetic forms, styles and methodologies of detective and crime fiction in the late-Victorian and Edwardian period. The influences on the artists in the genre are as varied as the interests of the period in scientific method, forensics, archaeology, aesthetics, medicine, and the paranormal. But the formalizing tendencies of investigative process remain, and it is this adherence, in artist and detective alike, to seeing crime and its resolution as a stylistic imposition of structure on disorder that is under examination.
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838265939
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
The essays in this revised and expanded volume explore a variety of structuring taxonomies, the relationships between the aesthetic forms, styles and methodologies of detective and crime fiction in the late-Victorian and Edwardian period. The influences on the artists in the genre are as varied as the interests of the period in scientific method, forensics, archaeology, aesthetics, medicine, and the paranormal. But the formalizing tendencies of investigative process remain, and it is this adherence, in artist and detective alike, to seeing crime and its resolution as a stylistic imposition of structure on disorder that is under examination.
Magical Realism in Postcolonial British Fiction
Author: Taner Can
Publisher: Columbia University Press
ISBN: 3838267540
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
This study aims at delineating the cultural work of magical realism as a dominant narrative mode in postcolonial British fiction through a detailed analysis of four magical realist novels: Salman Rushdie's Midnight's Children (1981), Shashi Tharoor's The Great Indian Novel (1989), Ben Okri's The Famished Road (1991), and Syl Cheney-Coker's The Last Harmattan of Alusine Dunbar (1990). The main focus of attention lies on the ways in which the novelists in question have exploited the potentials of magical realism to represent their hybrid cultural and national identities. To provide the necessary historical context for the discussion, the author first traces the development of magical realism from its origins in European Painting to its appropriation into literature by European and Latin American writers and explores the contested definitions of magical realism and the critical questions surrounding them. He then proceeds to analyze the relationship between the paradigmatic turn that took place in postcolonial literatures in the 1980s and the concomitant rise of magical realism as the literary expression of Third World countries.
Publisher: Columbia University Press
ISBN: 3838267540
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
This study aims at delineating the cultural work of magical realism as a dominant narrative mode in postcolonial British fiction through a detailed analysis of four magical realist novels: Salman Rushdie's Midnight's Children (1981), Shashi Tharoor's The Great Indian Novel (1989), Ben Okri's The Famished Road (1991), and Syl Cheney-Coker's The Last Harmattan of Alusine Dunbar (1990). The main focus of attention lies on the ways in which the novelists in question have exploited the potentials of magical realism to represent their hybrid cultural and national identities. To provide the necessary historical context for the discussion, the author first traces the development of magical realism from its origins in European Painting to its appropriation into literature by European and Latin American writers and explores the contested definitions of magical realism and the critical questions surrounding them. He then proceeds to analyze the relationship between the paradigmatic turn that took place in postcolonial literatures in the 1980s and the concomitant rise of magical realism as the literary expression of Third World countries.
Too Far for Comfort
Author: Rana Tekcan
Publisher: Columbia University Press
ISBN: 3838267354
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
The dynamic between the biographer and the subject is, perhaps, one of the most fascinating aspects of biography as a genre. How does the biographer stage the illusion that is the narrative life, the illusion that the subject assumes a living form through words? In contrast to purely fictional forms, biography writing does not allow total freedom to the biographer in this creative act. Ideally, a biography's backbone is structured by accurate historical facts. But its spirit lies elsewhere. The way a biographer captures the spirit of a subject is intriguingly shaped by the historical distance between the two. We find three types of distance in biographical narrative: First, where the biographer and the subject personally know one another; second, where the biographer is a near contemporary of the subject; and third, where biographer and subject are distinctly separated; in some cases, by hundreds of years.In this revised and expanded edition, Rana Tekcan explores how some of the most accomplished biographers manage to recreate "life" across time and space. She looks at their illusionary art through the narrative strategies in Samuel Johnson's Life of Savage, James Boswell's Life of Johnson, Lytton Strachey's Eminent Victorians, Michael Holroyd's Lytton Strachey, Park Honan's Jane Austen, and Andrew Motion's Keats.
Publisher: Columbia University Press
ISBN: 3838267354
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
The dynamic between the biographer and the subject is, perhaps, one of the most fascinating aspects of biography as a genre. How does the biographer stage the illusion that is the narrative life, the illusion that the subject assumes a living form through words? In contrast to purely fictional forms, biography writing does not allow total freedom to the biographer in this creative act. Ideally, a biography's backbone is structured by accurate historical facts. But its spirit lies elsewhere. The way a biographer captures the spirit of a subject is intriguingly shaped by the historical distance between the two. We find three types of distance in biographical narrative: First, where the biographer and the subject personally know one another; second, where the biographer is a near contemporary of the subject; and third, where biographer and subject are distinctly separated; in some cases, by hundreds of years.In this revised and expanded edition, Rana Tekcan explores how some of the most accomplished biographers manage to recreate "life" across time and space. She looks at their illusionary art through the narrative strategies in Samuel Johnson's Life of Savage, James Boswell's Life of Johnson, Lytton Strachey's Eminent Victorians, Michael Holroyd's Lytton Strachey, Park Honan's Jane Austen, and Andrew Motion's Keats.