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Author: Beth Steel
Publisher: Faber & Faber
ISBN: 0571388949
Category : Drama
Languages : en
Pages : 142
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Book Description
A raucously funny and romantic family drama by Beth Steel ( The House of Shades, Wonderland). It's Sylvia and Marek's wedding. Over the course of a hot summer's day, a family gathers to welcome a newcomer into their midst. But as the vodka flows and the guests hit the dancefloor, passions boil over and the limits of love are tested. Beth Steel's heartbreaking, hilarious portrayal of a larger-than-life family struggling to come to terms with a changing world opened at the National Theatre, London, in January 2024.
Author: Beth Steel
Publisher: Faber & Faber
ISBN: 0571388949
Category : Drama
Languages : en
Pages : 142
Get Book Here
Book Description
A raucously funny and romantic family drama by Beth Steel ( The House of Shades, Wonderland). It's Sylvia and Marek's wedding. Over the course of a hot summer's day, a family gathers to welcome a newcomer into their midst. But as the vodka flows and the guests hit the dancefloor, passions boil over and the limits of love are tested. Beth Steel's heartbreaking, hilarious portrayal of a larger-than-life family struggling to come to terms with a changing world opened at the National Theatre, London, in January 2024.
Author: Osho
Publisher: Osho International
ISBN: 0880500905
Category : Philosophy
Languages : en
Pages : 209
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Book Description
The feeling that it is five minutes to midnight is known to many by now, and is often referred to as the "Doomsday Clock." As the many crises faced by humanity and planet Earth gather and tumble toward an emergency, some have even reduced the time left to two and a half minutes. It is no wonder that we feel increasingly helpless and at a loss what to do. Osho calls Zen not a teaching but an alarm to wake us up, because as individuals we are all deeply asleep, and this sleep has to be shattered. “For centuries, you have been asleep. Sleep has become your nature. You have forgotten what awareness is, what to be awake means.” He wants us to wake up...before it is too late. Zen, more than any other religious or spiritual tradition, is relevant to such times as these, when none of our old approaches to solving problems will do. Immediate, urgent, and direct, Zen is not interested in answers or in questions, not interested in teaching at all, because it is not a philosophy. As Osho begins here, by quoting the great Zen master, Diae: “All the teachings of the sages, of the saints, of the masters, have expounded no more than this: they are commentaries on your sudden cry, ‘Ah, This!’” In this series of talks, Osho unfolds a selection of classic Zen stories and responds to questions. Along the way, we learn how the tools of Zen can be used to embrace uncertainty, to be at ease with not-knowing, to act decisively and with clarity and awareness. To "get woke," in other words, so that we can use each moment between now and midnight for transformation.
Author: Alex Seago
Publisher: Oxford University Press, USA
ISBN: 9780198174059
Category : Art
Languages : en
Pages : 268
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Book Description
Alex Seago's book has been inspired by his desire to understand and discover the origins of postmodern culture in Britain. One of the main points of his study is that it was art and design students who were among the first to be aware of and to articulate social implications of postmodernculture. Arguing that postwar art schools provided a vital crucible for the development of a particuarly English cultural sensibility, he focuses on cultural change at the Royal College of Art, London, during the 1950s and 1960s. The students' attack on the English 'box of beautiful things' - aterm used by a former student to describe the neo-Romantic, neo-Victorian, highly decorated tastes of some RCA tutors - took several forms which eventually resulted in the Pop Art produced by the 1959-62 generation (Boshier, Phillips, Jones, Hockney et al.)Alex Seago traces the emergence of English postmodernism through the pages of ARK: The Journal of the Royal College of Art, interviewing ARK's editors, art editors, and contributors including Len Deighton, novelist and art editor of ARK 10; Clifford Hatts, student at the RCA 1946-8 and later head ofthe Design Group, BBC; Peter Blake (RCA Painting School, 1953-6); Robyn Denny (RCA Painting School, 1954-7). ARK's object of enquiry remained 'the elusive but necessary relationships between the arts and the social context' throughout its twenty-five year history, making it a valuable archive forthe cultural historian: in its most memorable issues, ARK's layouts complemented the contents to produce distillations of the energy and enthusiasm of the period under review.
Author: Frances Spalding
Publisher: Lund Humphries Publishers Limited
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
John Minton (1917-57) was an artist, a Bohemian and, in his own lifetime, a myth. During the 1940s and early 1950s he become a central figure within Soho, an intimate friend of, among many others, Michael Ayrton, Robert Colquhoun, Lucian Freud and the poet W.S. Graham. He enjoyed early success as a painter and was associated in the 1940s with the English Neo-Romantics. By the early 1950s he had become the most admired and influential illustrator of his day.Frances Spalding's sensitive account of Minton's life and work makes use of letters, articles and revue sketches by Minton himself, as well as many interviews with the artist's friends and acquaintances. She brings out the many conflicts within him, and shows how these were reflected in his art through its combination of romantic imagery and taut severities of style. His deep melancholy was for the most part kept hidden behind a euphoric generosity and a wild restlessness. But gradually, like his alcoholism, it became all-pervasive, and tragic and embittered he took his own life, aged thirty-nine.This new edition incorporates a new preface by the author and a new appendix featuring lists of public collections, exhibitions, illustrated books and book jackets, and a select bibliography. It will be widely welcomed by art historians, curators, dealers and all those interested in this fascinating period in British art and culture.
Author: Osho
Publisher: Fivestar
ISBN:
Category : Religion
Languages : en
Pages : 115
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Book Description
ZEN IS JUST ZEN. There is nothing comparable to it. It is unique -- unique in the sense that it is the most ordinary and yet the most extraordinary phenomenon that has happened to human consciousness. It is the most ordinary because it does not believe in knowledge, it does not believe in mind. It is not a philosophy, not a religion either. It is the acceptance of the ordinary existence with a total heart, with one's total being, not desiring some other world, supra-mundane, supra-mental. It has no interest in any esoteric nonsense, no interest in metaphysics at all. It does not hanker for the other shore; this shore is more than enough. Its acceptance of this shore is so tremendous that through that very acceptance it transforms this shore -- and this very shore becomes the other shore.
Author: Barry Miles
Publisher: EDT srl
ISBN: 886040794X
Category : History
Languages : en
Pages : 566
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Book Description
“Eravamo anti-sistema in tutto e per tutto, nella musica e nell’arte. Volevamo distruggere qualsiasi cosa avesse regole prestabilite, tutto quel che c’era di asfissiante, tutte le certezze. Eravamo decisi a infrangere tutte le regole in tutti i modi possibili”. La Londra di Barry Miles è quella della cultura underground che nasce fra le macerie della Seconda guerra mondiale ed esplode nel corso degli anni Sessanta e Settanta, concentrandosi sul West End e su Soho, le zone in cui era confluita un’eterogenea popolazione di personaggi creativi e fuori dalle righe, intolleranti nei confronti delle costrizioni della cultura e del costume ufficiale: scrittori, poeti, registi, musicisti, artisti, pubblicitari, architetti, stilisti, e una miriade di più anonimi personaggi decisi a fare della propria vita un’arte. È la storia di una rivoluzione culturale determinata a ottenere una “totale confusione dei sensi”, che si sviluppa fra le vie di una metropoli artisticamente onnivora, fatta di locali, librerie, club, pub, teatri, piazze, vicoli, scantinati, case occupate o case borghesi. Una storia di sconvolgente energia vitale e al tempo stesso autodistruttiva, raccontata sul filo di quell’ironia che solo un testimone diretto può comunicare. Mettere in fila i nomi che si incontrano fra queste pagine fa tremare l’idea stessa di ‘controcultura’, poiché vi si ritrova molta della creatività che animerà per ibridazione la cultura ufficiale del Novecento: Dylan Thomas, Francis Bacon, i Situazionisti, il cool jazz, il rock ’n’ roll, Mary Quant, Kingsley Amis, J.G. Ballard, i Rolling Stones, i Beatles, William Burroughs, Jimi Hendrix, i Pink Floyd, Allen Ginsberg, Pete Townshend, Yoko Ono, Derek Jarman, David Hockney, i Clash, i Police, Gilbert & George, Vivienne Westwood, i Sex Pistols, Boy George, Charles Saatchi, Lucian Freud, Damien Hirst e moltissimi altri. Un libro-mondo brulicante di storie e di personaggi, il ritratto più preciso e divertente mai scritto sull’avventura gloriosa e infame di un’epoca oggi entrata nella leggenda.
Author: Catherine Jolivette
Publisher: Routledge
ISBN: 1351560980
Category : Art
Languages : en
Pages : 191
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Book Description
During the years following World War II debates about the British landscape fused with questions of national identity as the country reconstructed its sense of self. For better or for worse artists, statesmen, and ordinary citizens saw themselves reflected in the landscape, and in turn helped to shape the way that others envisioned the land. While landscape art is frequently imagined in terms of painting, this book examines the role of landscape in terms of a broader definition of visual culture to include the discussion not only of works of oil on canvas, but also prints, sculpture, photography, advertising, fashion journalism, artists' biographies, and the multi-media stage of the national exhibition. Making extensive use of archival materials (newspaper reviews, radio broadcasts, interviews with artists, letters and exhibition planning documents), Catherine Jolivette explores the intersection of landscape art with a variety of discourses including the role of women in contemporary society, the status of immigrant artists in Britain, developments in science and technology, and the promotion of British art and culture abroad.
Author: William Feaver
Publisher: Knopf
ISBN: 0525657533
Category : Biography & Autobiography
Languages : en
Pages : 721
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Book Description
The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. Lucian Freud (1922-2011) is one of the most influential figurative painters of the 20th century. His paintings are in every major museum and many private collections here and abroad. William Feaver's daily calls from 1973 until Freud died in 2011, as well as interviews with family and friends were crucial sources for this book. Freud had ferocious energy, worked day and night but his circle was broad including not just other well-known artists but writers, bluebloods, royals in England and Europe, drag queens, fashion models gamblers, bookies and gangsters like the Kray twins. Fierce, rebellious, charismatic, extremely guarded about his life, he was witty, mischievous and a womanizer. This brilliantly researched book begins with the Freuds' life in Berlin, the rise of Hitler and the family's escape to London in 1933 when Lucian was 10. Sigmund Freud was his grandfather and Ernst, his father was an architect. In London in his twenties, his first solo show was in 1944 at the Lefevre Gallery. Around this time, Stephen Spender introduced him to Virginia Woolf; at night he was taking Pauline Tennant to the Gargoyle Club, owned by her father and frequented by Dylan Thomas; he was also meeting Sonia Orwell, Cecil Beaton, Auden, Patrick Leigh-Fermor and the Aly Khan, and his muse was a married femme fatale, 13 years older, Lorna Wishart. But it was Francis Bacon who would become his most important influence and the painters Frank Auerbach and David Hockney, close friends. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life—"my work is purely autobiographical"—and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic. This book is a major achievement, a tour de force that reveals the details of the life and innermost thoughts of the greatest portrait painter of our time. Volume I has 41 black and white integrated images, and 2 eight-page color inserts.
Author: Alan Levy
Publisher: Open Road Media
ISBN: 1504023331
Category : Biography & Autobiography
Languages : en
Pages : 230
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Book Description
W. H. Auden takes you to Auden’s home in Austria to ask him questions; the conversation on the lawn that one dreams of. A fine tribute.” —Bestseller
Author: W. H. Auden
Publisher: Vintage
ISBN: 0679761705
Category : Poetry
Languages : en
Pages : 242
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Book Description
W. H. Auden once defined light verse as the kind that is written by poets who are democratically in tune with their audience and whose language is straightforward and close to general speech. Given that definition, the 123 poems in this collection all qualify; they are as accessible as popular songs yet have the wisdom and profundity of the greatest poetry. As I Walked Out One Evening contains some of Auden's most memorable verse: "Now Through the Night's Caressing Grip," "Lullaby: Lay your Sleeping Head, My Love," "Under Which Lyre," and "Funeral Blues." Alongside them are less familiar poems, including seventeen that have never before appeared in book form. Here, among toasts, ballads, limericks, and even a foxtrot, are "Song: The Chimney Sweepers," a jaunty evocation of love, and the hilarious satire "Letter to Lord Byron." By turns lyrical, tender, sardonic, courtly, and risqué, As I Walked Out One Evening is Auden at his most irresistible and affecting.
