Author: Peter Manuel
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120806733
Category : Music
Languages : en
Pages : 266
Book Description
As thumri moved from the courtesan salon to the Public concert hall, its style and image changed drametically in accordance with the evolving aesthetic of its new bourgeois patrons. Thumri in Historical and stylistic perspectives constitutes a welcome and significant contribution to the study of Hindustani music and south Asian culture in general.
Ṭhumrī in Historical and Stylistic Perspectives
Author: Peter Manuel
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120806733
Category : Music
Languages : en
Pages : 266
Book Description
As thumri moved from the courtesan salon to the Public concert hall, its style and image changed drametically in accordance with the evolving aesthetic of its new bourgeois patrons. Thumri in Historical and stylistic perspectives constitutes a welcome and significant contribution to the study of Hindustani music and south Asian culture in general.
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120806733
Category : Music
Languages : en
Pages : 266
Book Description
As thumri moved from the courtesan salon to the Public concert hall, its style and image changed drametically in accordance with the evolving aesthetic of its new bourgeois patrons. Thumri in Historical and stylistic perspectives constitutes a welcome and significant contribution to the study of Hindustani music and south Asian culture in general.
Bandish as Text
Author: Barnashree Khasnobis
Publisher: Taylor & Francis
ISBN: 1040227317
Category : Music
Languages : en
Pages : 134
Book Description
This book provides a socio-cultural analysis of khayal bandishes composed by Ne’mat Khan ‘Sadarang’ and Feroze Khan ‘Adarang’. It argues that deciphering khayal bandishes as cultural symbols provides an understanding of the constitution of medieval Indian society and shows how society gets represented via such symbols. The author examines the cultural forces that nurtured the context of compositions by Sadarang and Adarang. She touches upon the cultural exchanges between Hindu and Muslim communities through scholarly and philosophical discourses to create a rationale for khayal as a syncretic form of art. A unique contribution to the study of Indian culture and music, the book will be an indispensable resource for students, teachers, and researcher scholars of South Asian studies, Hindustani music, cultural studies, history, and medieval Indian society.
Publisher: Taylor & Francis
ISBN: 1040227317
Category : Music
Languages : en
Pages : 134
Book Description
This book provides a socio-cultural analysis of khayal bandishes composed by Ne’mat Khan ‘Sadarang’ and Feroze Khan ‘Adarang’. It argues that deciphering khayal bandishes as cultural symbols provides an understanding of the constitution of medieval Indian society and shows how society gets represented via such symbols. The author examines the cultural forces that nurtured the context of compositions by Sadarang and Adarang. She touches upon the cultural exchanges between Hindu and Muslim communities through scholarly and philosophical discourses to create a rationale for khayal as a syncretic form of art. A unique contribution to the study of Indian culture and music, the book will be an indispensable resource for students, teachers, and researcher scholars of South Asian studies, Hindustani music, cultural studies, history, and medieval Indian society.
Words, Music and Gender
Author: Michelle Gadpaille
Publisher: Cambridge Scholars Publishing
ISBN: 1527558436
Category : Music
Languages : en
Pages : 296
Book Description
Musicians, teachers and those who love music will find in this volume some answers to the question of how gender affects its practice, performance and reception. What was performing like for female rock singers in the 20th century? How did Bowie change our concept of performer identity? Just how sexist are the lyrics in glam metal songs? Is rap as homophobic as has been thought? Can female metal singers growl as well as men? Are LGBTQ+ issues reflected in 21st century music? Did Canadian New Wave groups tackle major social issues? How do Shakespeare and Joyce use musical puns and allusions? From Indian thumri, through French opera, Irish folk songs, and pop, all the way to metal and rap, the 17 contributions gathered here will challenge and inform, while confirming that our music shapes our habits, language, ideas and gendered selves.
Publisher: Cambridge Scholars Publishing
ISBN: 1527558436
Category : Music
Languages : en
Pages : 296
Book Description
Musicians, teachers and those who love music will find in this volume some answers to the question of how gender affects its practice, performance and reception. What was performing like for female rock singers in the 20th century? How did Bowie change our concept of performer identity? Just how sexist are the lyrics in glam metal songs? Is rap as homophobic as has been thought? Can female metal singers growl as well as men? Are LGBTQ+ issues reflected in 21st century music? Did Canadian New Wave groups tackle major social issues? How do Shakespeare and Joyce use musical puns and allusions? From Indian thumri, through French opera, Irish folk songs, and pop, all the way to metal and rap, the 17 contributions gathered here will challenge and inform, while confirming that our music shapes our habits, language, ideas and gendered selves.
Living Ethnomusicology
Author: Margaret Sarkissian
Publisher: University of Illinois Press
ISBN: 0252051181
Category : Music
Languages : en
Pages : 529
Book Description
Ethnomusicologists have journeyed from Bali to Morocco to the depths of Amazonia to chronicle humanity's relationship with music. Margaret Sarkissian and Ted Solís guide us into the field's last great undiscovered country: ethnomusicology itself. Drawing on fieldwork based on person-to-person interaction, the authors provide a first-ever ethnography of the discipline. The unique collaborations produce an ambitious exploration of ethnomusicology's formation, evolution, practice, and unique identity. In particular, the subjects discuss their early lives and influences and trace their varied career trajectories. They also draw on their own experiences to offer reflections on all aspects of the field. Pursuing practitioners not only from diverse backgrounds and specialties but from different eras, Sarkissian and Solís illuminate the many trails ethnomusicologists have blazed in the pursuit of knowledge. A bountiful resource on history and practice, Living Ethnomusicology is an enlightening intellectual exploration of an exotic academic culture.
Publisher: University of Illinois Press
ISBN: 0252051181
Category : Music
Languages : en
Pages : 529
Book Description
Ethnomusicologists have journeyed from Bali to Morocco to the depths of Amazonia to chronicle humanity's relationship with music. Margaret Sarkissian and Ted Solís guide us into the field's last great undiscovered country: ethnomusicology itself. Drawing on fieldwork based on person-to-person interaction, the authors provide a first-ever ethnography of the discipline. The unique collaborations produce an ambitious exploration of ethnomusicology's formation, evolution, practice, and unique identity. In particular, the subjects discuss their early lives and influences and trace their varied career trajectories. They also draw on their own experiences to offer reflections on all aspects of the field. Pursuing practitioners not only from diverse backgrounds and specialties but from different eras, Sarkissian and Solís illuminate the many trails ethnomusicologists have blazed in the pursuit of knowledge. A bountiful resource on history and practice, Living Ethnomusicology is an enlightening intellectual exploration of an exotic academic culture.
Hindustani Music Today
Author: Deepak S. Raja
Publisher: DK Printworld (P) Ltd
ISBN: 8124611262
Category : Music
Languages : en
Pages : 143
Book Description
About the Author Deepak Raja (b. 1948-) is amongst the most respected writers on Hindustani music today. He works as repertoire analyst for India Archive Music Ltd. (IAM), New York, the most influential producer of Hindustani music outside India. He has been associated with the academic and publishing activities of the Śruti magazine (Chennai), ITC-Sangeet Research Academy (Calcutta), Sangeet Natak Akademi (Delhi), and the Indian Musicological Society (Baroda/Mumbai). About tha Book Stating that Hindustani music should be rightly termed “Art music” and not “classical music”, the book begins by discussing the features of Art music and presents an approach to appreciating Hindustani music. It provides a detailed understanding of the components of the raga experience in Hindustani music, including their time theory and the role of Gharanas of the musical tradition. It deals with genres of raga-based vocal music which have been performed over the last five centuries: dhrupad, which has its moorings in devotional music; khyal vocalism shaped by Sufi influences; the thumri, which originated as an accompaniment to the Kathak dance; and the tappa, adapted from the songs of camel drivers in the north-west frontier. It takes up the use of instruments in Hindustani music, especially the rudra-vina, sitar, surbahar, sarod, santur, the shehnai, pakhawaj, the Hawaiian Guitar and many others, giving an account of their origin, performing styles and lineages relating to them. Throughout, the emphasis is on contemporary trends in Hindustani music and its prospects in the future. It mentions the significant practitioners of Hindustani music, both vocal and instrumental. The volume will interest lovers of Indian music and also scholars who want to have a greater understanding of its traditions, its contemporary appeal and trends in practice.
Publisher: DK Printworld (P) Ltd
ISBN: 8124611262
Category : Music
Languages : en
Pages : 143
Book Description
About the Author Deepak Raja (b. 1948-) is amongst the most respected writers on Hindustani music today. He works as repertoire analyst for India Archive Music Ltd. (IAM), New York, the most influential producer of Hindustani music outside India. He has been associated with the academic and publishing activities of the Śruti magazine (Chennai), ITC-Sangeet Research Academy (Calcutta), Sangeet Natak Akademi (Delhi), and the Indian Musicological Society (Baroda/Mumbai). About tha Book Stating that Hindustani music should be rightly termed “Art music” and not “classical music”, the book begins by discussing the features of Art music and presents an approach to appreciating Hindustani music. It provides a detailed understanding of the components of the raga experience in Hindustani music, including their time theory and the role of Gharanas of the musical tradition. It deals with genres of raga-based vocal music which have been performed over the last five centuries: dhrupad, which has its moorings in devotional music; khyal vocalism shaped by Sufi influences; the thumri, which originated as an accompaniment to the Kathak dance; and the tappa, adapted from the songs of camel drivers in the north-west frontier. It takes up the use of instruments in Hindustani music, especially the rudra-vina, sitar, surbahar, sarod, santur, the shehnai, pakhawaj, the Hawaiian Guitar and many others, giving an account of their origin, performing styles and lineages relating to them. Throughout, the emphasis is on contemporary trends in Hindustani music and its prospects in the future. It mentions the significant practitioners of Hindustani music, both vocal and instrumental. The volume will interest lovers of Indian music and also scholars who want to have a greater understanding of its traditions, its contemporary appeal and trends in practice.
Dancing with the Nation
Author: Ruth Vanita
Publisher: Bloomsbury Publishing USA
ISBN: 1501334425
Category : Performing Arts
Languages : en
Pages : 233
Book Description
Indian cinema is the only body of world cinema that depicts courtesans as important characters. In early films courtesan characters transmitted Indian classical dance, music and aesthetics to large audiences. They represent the nation's past, tracing their heritage to the fourth-century Kamasutra and to nineteenth-century courtly cultures, but they are also the first group of modern women in Hindi films. They are working professionals living on their own or in matrilineal families. Like male protagonists, they travel widely and develop networks of friends and chosen kin. They have relations with men outside marriage and become single mothers. Courtesan films are heroine-oriented and almost every major female actor has played this role. Challenging received wisdom, Vanita demonstrates that a larger number of courtesans in Bombay cinema are Hindu and indeterminate than are Muslim, and that films depict their culture as hybrid Hindu-Muslim, not Islamicate. Courtesans speak in the ambiguous voice of the modern nation, inviting spectators to seize pleasure here and now but also to search for the meaning of life. Vanita's groundbreaking study of courtesans and courtesan imagery in 235 films brings fresh evidence to show that the courtesan figure shapes the modern Indian erotic, political and religious imagination.
Publisher: Bloomsbury Publishing USA
ISBN: 1501334425
Category : Performing Arts
Languages : en
Pages : 233
Book Description
Indian cinema is the only body of world cinema that depicts courtesans as important characters. In early films courtesan characters transmitted Indian classical dance, music and aesthetics to large audiences. They represent the nation's past, tracing their heritage to the fourth-century Kamasutra and to nineteenth-century courtly cultures, but they are also the first group of modern women in Hindi films. They are working professionals living on their own or in matrilineal families. Like male protagonists, they travel widely and develop networks of friends and chosen kin. They have relations with men outside marriage and become single mothers. Courtesan films are heroine-oriented and almost every major female actor has played this role. Challenging received wisdom, Vanita demonstrates that a larger number of courtesans in Bombay cinema are Hindu and indeterminate than are Muslim, and that films depict their culture as hybrid Hindu-Muslim, not Islamicate. Courtesans speak in the ambiguous voice of the modern nation, inviting spectators to seize pleasure here and now but also to search for the meaning of life. Vanita's groundbreaking study of courtesans and courtesan imagery in 235 films brings fresh evidence to show that the courtesan figure shapes the modern Indian erotic, political and religious imagination.
The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent
Author: Bruno Nettl
Publisher: Taylor & Francis
ISBN: 9780824049461
Category : History
Languages : en
Pages : 1126
Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Taylor & Francis
ISBN: 9780824049461
Category : History
Languages : en
Pages : 1126
Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
The Making of the Awadh Culture
Author: Madhu Trivedi
Publisher: Primus Books
ISBN: 819089188X
Category : History
Languages : en
Pages : 359
Book Description
This book makes an extensive study of the art and culture of Awadh during the Nawabi period (c. 1722-1856), with a focus on the city of Lucknow. The work takes up evidence available in a variety of primary and secondary sources, especially in the Persian and Urdu languages, in its study of visuals and artefacts, as well as performance traditions and craft techniques which are derived from this period. Highlighting the literary milieu of the period, and the developments in the realm of music, painting, architecture and industrial arts, this volume also explores how some of the arts and crafts assumed considerable European colour, and demonstrates how the ethos of the syncretic Indo-Persian culture, the renowned ganga-jamuni tahzib, remained intact.
Publisher: Primus Books
ISBN: 819089188X
Category : History
Languages : en
Pages : 359
Book Description
This book makes an extensive study of the art and culture of Awadh during the Nawabi period (c. 1722-1856), with a focus on the city of Lucknow. The work takes up evidence available in a variety of primary and secondary sources, especially in the Persian and Urdu languages, in its study of visuals and artefacts, as well as performance traditions and craft techniques which are derived from this period. Highlighting the literary milieu of the period, and the developments in the realm of music, painting, architecture and industrial arts, this volume also explores how some of the arts and crafts assumed considerable European colour, and demonstrates how the ethos of the syncretic Indo-Persian culture, the renowned ganga-jamuni tahzib, remained intact.
The Place of Music
Author: Andrew Leyshon
Publisher: Guilford Press
ISBN: 9781572303140
Category : Social Science
Languages : en
Pages : 340
Book Description
Music is omnipresent in human society, but its language can no longer be regarded as transcendent or universal. Like other art forms, music is produced and consumed within complex economic, cultural, and political frameworks in different places and at different historical moments. Taking an explicitly spatial approach, this unique interdisciplinary text explores the role played by music in the formation and articulation of geographical imaginations--local, regional, national, and global. Contributors show how music's facility to be recorded, stored, and broadcast; to be performed and received in private and public; and to rouse intense emotional responses for individuals and groups make it a key force in the definition of a place. Covering rich and varied terrain--from Victorian England, to 1960s Los Angeles, to the offices of Sony and Time-Warner and the landscapes of the American Depression--the volume addresses such topics as the evolution of musical genres, the globalization of music production and marketing, alternative and hybridized music scenes as sites of localized resistance, the nature of soundscapes, and issues of migration and national identity.
Publisher: Guilford Press
ISBN: 9781572303140
Category : Social Science
Languages : en
Pages : 340
Book Description
Music is omnipresent in human society, but its language can no longer be regarded as transcendent or universal. Like other art forms, music is produced and consumed within complex economic, cultural, and political frameworks in different places and at different historical moments. Taking an explicitly spatial approach, this unique interdisciplinary text explores the role played by music in the formation and articulation of geographical imaginations--local, regional, national, and global. Contributors show how music's facility to be recorded, stored, and broadcast; to be performed and received in private and public; and to rouse intense emotional responses for individuals and groups make it a key force in the definition of a place. Covering rich and varied terrain--from Victorian England, to 1960s Los Angeles, to the offices of Sony and Time-Warner and the landscapes of the American Depression--the volume addresses such topics as the evolution of musical genres, the globalization of music production and marketing, alternative and hybridized music scenes as sites of localized resistance, the nature of soundscapes, and issues of migration and national identity.
Cassette Culture
Author: Peter Manuel
Publisher: University of Chicago Press
ISBN: 0226504018
Category : Music
Languages : en
Pages : 322
Book Description
In Cassette Culture, Peter Manuel tells how a new mass medium—the portable cassette player—caused a major upheaval in popular culture in the world's second-largest country. The advent of cassette technology in the 1980s transformed India's popular music industry from the virtual monopoly of a single multinational LP manufacturer to a free-for-all among hundreds of local cassette producers. The result was a revolution in the quantity, quality, and variety of Indian popular music and its patterns of dissemination and consumption. Manuel shows that the cassette revolution, however, has brought new contradictions and problems to Indian culture. While inexpensive cassettes revitalized local subcultures and community values throughout the subcontinent, they were also a vehicle for regional and political factionalism, new forms of commercial vulgarity, and, disturbingly, the most provocative sorts of hate-mongering and religious chauvinism. Cassette Culture is the first scholarly account of Indian popular music and the first case study of a technological revolution now occurring throughout the world. It will be an essential resource for anyone interested in modern India, communications theory, world popular music, or contemporary global culture.
Publisher: University of Chicago Press
ISBN: 0226504018
Category : Music
Languages : en
Pages : 322
Book Description
In Cassette Culture, Peter Manuel tells how a new mass medium—the portable cassette player—caused a major upheaval in popular culture in the world's second-largest country. The advent of cassette technology in the 1980s transformed India's popular music industry from the virtual monopoly of a single multinational LP manufacturer to a free-for-all among hundreds of local cassette producers. The result was a revolution in the quantity, quality, and variety of Indian popular music and its patterns of dissemination and consumption. Manuel shows that the cassette revolution, however, has brought new contradictions and problems to Indian culture. While inexpensive cassettes revitalized local subcultures and community values throughout the subcontinent, they were also a vehicle for regional and political factionalism, new forms of commercial vulgarity, and, disturbingly, the most provocative sorts of hate-mongering and religious chauvinism. Cassette Culture is the first scholarly account of Indian popular music and the first case study of a technological revolution now occurring throughout the world. It will be an essential resource for anyone interested in modern India, communications theory, world popular music, or contemporary global culture.