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Author: Max Reger
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 32
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Book Description
Author: Max Reger
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 32
Get Book Here
Book Description
Author: Max Reger
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 19
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Book Description
Author: Max Reger
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Max Reger
Publisher:
ISBN:
Category :
Languages : en
Pages : 19
Get Book Here
Book Description
Author: Max Reger
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Three Suites for Viola solo, op. 131d by Max Reger (1873 - 1916), were written in the last year of his life, our version is based on the first printed edition of the Suites which was published in three volumes by N. Simrock, Berlin and Leipzig, in 1916. Fortunately, one of the copies of the first edition can be found at the National Endowment for the Humanities, located in Washington, DC, United States. The work of the Viola Suites solo, possibly completed a great idea of his work, because by then, in the difficult moments of the First World War, Reger had completed several works for violin and cello. Of which he dedicated the first suite to his friend Dr. Heinrich Walther, the second suite to Professor Richard Sahla, composer, virtuoso violinist and conductor of the Bückeburg court, and lastly, the third suite was dedicated to his friend from Munich, the violinist Josef Hösl, who frequently participated in premiere performances of Reger's music. On October 9, 1917, the violinist and violist Else Mendel-Oberüber originally from East Prussia (today Olsztyn in Poland), premiered at the Bechstein Hall in Berlin, the Three Suites for Viola solo. To preserve the faithful compositional intention, we place the volume dynamics and expressive dynamics, as logically as possible, following the movements of the melodic line; some nuances from the first edition are in places inaccurately, resulting in a deterioration or confusion for the interpretation, therefore, the editor has proposed to place the dynamics using the notehead as a guide. We have carefully removed several of Reger's many unnecessary accidental warnings in favor of a more modern musical spelling, yet we have considered and kept the clef changes suggested by the first edition. Some editor's suggestions have been placed in square brackets.
Author: Max Reger
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Max Reger
Publisher:
ISBN:
Category : Suites (Viola)
Languages : en
Pages : 7
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Book Description
Author: Max Reger
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author:
Publisher: Edition Peters
ISBN:
Category : Music
Languages : en
Pages : 24
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Book Description
These Suites for Viola solo (in G minor, D major and E minor) were published at the very end of his life in 1914/15, and reflect his admiration for the solo instrumental suite tradition starting with Bach.
Author: David M. Bynog
Publisher: Oxford University Press
ISBN: 0190916133
Category : Music
Languages : en
Pages : 433
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Book Description
Notes for Violists: A Guide to the Repertoire offers historical and analytical information about thirty-five of the best-known pieces for the instrument, making it an essential resource for professional, amateur, and student violists alike. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and insightful analyses that help violists gain a more complete understanding of pieces like Béla Bartók's Concerto for Viola and Orchestra, Rebecca Clarke's Sonata for Viola and Piano, Robert Schumann's Märchenbilder for Viola and Piano, op. 113, Carl Stamitz's Concerto for Viola and Orchestra in D Major, Igor Stravinsky's Élégie for Viola or Violin Unaccompanied, and thirty other masterpieces. This comprehensive guide to key pieces from the viola repertoire from the eighteenth through the twentieth century covers concertos, chamber pieces, and works for solo viola by a wide range of composers, including Bach, Telemann, Mozart, Hoffmeister, Walton, and Hindemith. Author David M. Bynog not only offers clear structural analyses of these compositions but also situates them in their historical contexts as he highlights crucial biographical information on composers and explores the circumstances of the development and performance of each work. By connecting performance studies with scholarship, this indispensable handbook for students and professionals allows readers to gain a more complete picture of each work and encourages them to approach other compositions in a similarly analytical manner.
