Three Philosophical Filmmakers PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Three Philosophical Filmmakers PDF full book. Access full book title Three Philosophical Filmmakers by Irving Singer. Download full books in PDF and EPUB format.
Author: Irving Singer
Publisher: MIT Press (MA)
ISBN: 9780262195010
Category : Performing Arts
Languages : en
Pages : 279
Get Book Here
Book Description
Reassesses the different visions of filmmakers Alfred Hitchcock, Orson Welles, and Jean Renoir, drawing on their writings and movies to reveal how they became sophisticated theorists on film and its place in the human experience.
Author: Irving Singer
Publisher:
ISBN: 9780262693288
Category : Motion pictures
Languages : en
Pages : 0
Get Book Here
Book Description
MIT Philosophy Professor Irving Singer examines the work of Alfred Hitchcock, Orson Welles, and Jean Renoir as it expresses their disparate visions of thehuman condition.
Author: Robert B. Pippin
Publisher: Bloomsbury Publishing
ISBN: 1350195685
Category : Performing Arts
Languages : en
Pages : 168
Get Book Here
Book Description
It would be easy to dismiss the films of Douglas Sirk (1897-1987) as brilliant examples of mid-century melodrama with little to say to the contemporary world. Yet Robert Pippin argues that, far from being marginal pieces of sentimentality, Sirk's films are rich with irony, insight and depth. Indeed Sirk's films, often celebrated as classics of the genre, are attempts to subvert rather than conform to rules of conventional melodrama. The visual style, story and characters of films like All That Heaven Allows, Written on the Wind and Imitation of Life are explored to argue for Sirk as an incredibly nuanced moral thinker. Instead of imposing moralising judgements on his characters, Sirk presents them as people who do 'wrong' things often without understanding why or how, creating a complex and unsettling ethics. Pippin argues that it this moral ambiguity and ironic richness enables Sirk to produce films that grapple with important themes such as race, class and gender with real force and political urgency. Douglas Sirk: Filmmaker and Philosopher argues for a filmmaker who was a 'disruptive not restorative' auteur and one who broke the rules in the most interesting and subtle of ways.
Author: Irving Singer
Publisher:
ISBN: 9780262513234
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman's artistry and thought, Irving Singer discerns distinctive themes in Bergman's filmmaking, from first intimations in the early work to consummate resolutions in the later movies. Singer demonstrates that while Bergman's output was not philosophy on celluloid, it attains an expressive and purely aesthetic truthfulness that can be considered philosophical in a broader sense.
Author: Robert Sinnerbrink
Publisher: Bloomsbury Publishing
ISBN: 1441146199
Category : Philosophy
Languages : en
Pages : 258
Get Book Here
Book Description
This is a critical exploration of analytic and Continental philosophies of film, which puts film-philosophy into practice with detailed discussions of three filmmakers. The book includes philosophical readings of three key contemporary filmmakers: Malick, Lynch and Von Trier. It also features links to online resources, guides to further reading and a filmography.
Author: Salvador Usabel
Publisher:
ISBN:
Category : Motion picture producers and directors
Languages : en
Pages : 522
Get Book Here
Book Description
Author: William Rothman
Publisher: SUNY Press
ISBN: 9781438425023
Category : Performing Arts
Languages : en
Pages : 256
Get Book Here
Book Description
Uses new critical approaches to demonstrate deep affinities in these vastly different filmmakers’ philosophies on film, fantasy, and reality.
Author: Nathan Andersen
Publisher: Routledge
ISBN: 1317805828
Category : Philosophy
Languages : en
Pages : 204
Get Book Here
Book Description
Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of both reality and the nature of human experience. Focused on the question of the relationship between how things seem to us and how they really are, it is at once an introduction to philosophy through film and an introduction to film through philosophy. The book is divided into three parts. The first is an introduction to philosophy and film, designed for the reader with little background in one or the other subject. The second examines the philosophical importance of the distinction between appearance and reality, and shows that reflection upon this distinction is naturally provoked by the experience of watching movies. The final part takes a close and careful look at the style and techniques of Jean-Luc Godard’s groundbreaking film Breathless in order to illustrate how such themes can be explored cinematically. The book addresses topics such as: Film: what it is and how to understand it The methods and concerns of philosophy The nature of cinematic appearances The history of metaphysics The relationship between cinema and life The philosophical relevance of film techniques. With a glossary of key thinkers, terms, and concepts, as well as sections on suggested films and further reading, this textbook will appeal to lecturers and students in undergraduate philosophy and film courses, and in courses focused on Philosophy of Film, Philosophy and Film, or Film-Philosophy.
Author: David LaRocca
Publisher: University Press of Kentucky
ISBN: 0813133920
Category : Performing Arts
Languages : en
Pages : 320
Get Book Here
Book Description
From the Academy Award–winning Eternal Sunshine of the Spotless Mind (2004) and Academy Award–nominated Adaptation (2002) to the cult classic Being John Malkovich (1999), writer Charlie Kaufman is widely admired for his innovative, philosophically resonant films. Although he only recently made his directorial debut with Synecdoche, New York (2008), most fans and critics refer to “Kaufman films” the way they would otherwise discuss works by directors Woody Allen, Martin Scorsese, or the Coen brothers. Not only has Kaufman transformed our sense of what can take place in a film, but he also has made a significant impact on our understanding of the role of the screenwriter. The Philosophy of Charlie Kaufman, edited by David LaRocca, is the first collection of essays devoted to a rigorous philosophical exploration of Kaufman’s work by a team of capable and critical scholars from a wide range of disciplines. From political theorists to philosophers, classicists to theologians, professors of literature to filmmakers, the contributing authors delve into the heart of Kaufman’s innovative screenplays, offering not only original philosophical analyses but also extended reflections on the nature of film and film criticism.
Author: Hunter Vaughan
Publisher: Columbia University Press
ISBN: 0231161336
Category : Performing Arts
Languages : en
Pages : 263
Get Book Here
Book Description
The formal techniques two classic French filmmakers developed to explore cinema's philosophical potential.
Author: Richard Eldridge
Publisher: Bloomsbury Publishing
ISBN: 1350091669
Category : Philosophy
Languages : en
Pages : 240
Get Book Here
Book Description
Werner Herzog has produced some of the most powerful, haunting, and memorable images ever captured on film. Both his fiction films and his documentaries address fundamental issues about nature, selfhood, and history in ways that engage with but also criticize and qualify the best philosophical thinking about these topics. In focusing on figures from Aguirre, Kasper Hauser, and Stroszek to Timothy Treadwell, Graham Dorrington, Dieter Dengler, and Walter Steiner, among many others, Herzog investigates the nature of human life in time and the possibilities of meaning that might be available within it. His films demonstrate the importance of the image in coming to terms with the plights of contemporary industrial and commercial culture. Eldridge unpacks and develops Herzog's achievement by bringing his work into engagement with the thinking of Freud, Merleau-Ponty, Nietzsche, Hegel, Cavell, and Benjamin, but more importantly also by attending closely to the logic and development of the films themselves and to Herzog's own extensive writings about filmmaking.
