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Author: Giovanni Duprè
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 490
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Book Description
DigiCat Publishing presents to you this special edition of "Thoughts on Art and Autobiographical Memoirs of Giovanni Duprè" by Giovanni Duprè. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Giovanni Duprè
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 490
Get Book Here
Book Description
DigiCat Publishing presents to you this special edition of "Thoughts on Art and Autobiographical Memoirs of Giovanni Duprè" by Giovanni Duprè. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Dupre Giovanni
Publisher: Hardpress Publishing
ISBN: 9781318043859
Category :
Languages : en
Pages : 478
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: Giovanni Duprè
Publisher:
ISBN:
Category :
Languages : en
Pages : 456
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Book Description
Author: Giovanni Duprè
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 456
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Book Description
Author: Giovanni Dupre
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544730592
Category :
Languages : en
Pages : 358
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Book Description
It was toward the close of his life, as has already been said, that he wrote his 'Biographical Reminiscences and Thoughts upon Art, ' of which the present book is a translation. It was at once received by the Italian public with great favour, and is by no means the least remarkable of his works. It would be difficult for any autobiography to be more simple, honest, frank, and fearless. The whole character of the man is in it. It is an unaffected and unpretending record of his life and thoughts. He has no concealment to make, no glosses to put upon the real facts. He speaks to the public as if he were talking to a friend, never posing for effect, never boasting of his successes, never exaggerating his powers, never assailing his enemies and detractors, never depreciating his fellow-artists, but ever striving to be generous and just to all
Author: Giovanni Dupré
Publisher: BoD – Books on Demand
ISBN: 375233388X
Category : Fiction
Languages : en
Pages : 318
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Book Description
Reproduction of the original: Thoughts On Art and Autobiographical Memoirs by Giovanni Dupré
Author: Giovanni Dupre
Publisher: Forgotten Books
ISBN: 9780331847345
Category : Biography & Autobiography
Languages : en
Pages : 492
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Book Description
Excerpt from Thoughts on Art and Autobiographical Memoirs of Giovanni Dupre In respect of style, this autobiography resembles more the spoken than the written literary language of Italy. It is free, natural, unstudied, and often careless. But its very carelessness has a charm. Dupre was not a scholar nor a literary man. He was not bound by the rigid forms of what is called in Italy 10 stile, which but too often is the enemy of natural utterance. Undoubtedly this book needs compression; but no exactness of style and form could compensate for the absence of that unstudied natural ease and familiarity which are among its greatest charms. The writer, fortunately for the reader, is as unconscious of elaborated style as Monsieur jourdain was that he was talking prose. The character of Dupre's writing has been admir ably caught and reproduced by Madame Peruzzi, in the translation to which these few words may serve as preface. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Giovanni Duprè
Publisher: Emereo Publishing
ISBN: 9781486444557
Category : Fiction
Languages : en
Pages : 172
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Book Description
Finally available, a high quality book of the original classic edition of Thoughts on Art and Autobiographical Memoirs of Giovanni Duprè. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by Giovanni Duprè, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have Thoughts on Art and Autobiographical Memoirs of Giovanni Duprè in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Thoughts on Art and Autobiographical Memoirs of Giovanni Duprè: Look inside the book: My motive for writing these Memoirs—My father's family—Removal of the family to Florence—My childhood—My father takes me to Pistoia, but I run away from his house to return to my mother—From Pistoia I go with my father to Prato—My first study in drawing—Strong impression made upon me by an old print—My father's opposition to my studies—My sorrow at being so far from my mother—I run the risk of being burnt—Having grown tall, fears are entertained for my health—I return to my mother at Florence and work with Ammanati—I go to Siena and study ornate design in the Academy—Carlo Pini gives me lessons in drawing the human figure—Signor Angelo Barbetti's prophecy—I run away from Siena, and on foot go to my mother at Florence—Signor Paolo Sani—Death of my sister Clementina—My mother's infirmity of eyesight—My brother Lorenzo goes to the poorhouse—My aversion to learn reading and writing—My first library, and inexperience of books, ...MY MOTIVE FOR WRITING THESE MEMOIRS—MY FATHER'S FAMILY—REMOVAL OF THE FAMILY TO FLORENCE—MY CHILDHOOD—MY FATHER TAKES ME TO PISTOIA, BUT I RUN AWAY FROM HIS HOUSE TO RETURN TO MY MOTHER—FROM PISTOIA I GO WITH MY FATHER TO PRATO—MY FIRST STUDY IN DRAWING—STRONG IMPRESSION MADE UPON ME BY AN OLD PRINT—MY FATHER'S OPPOSITION TO MY STUDIES—MY SORROW AT BEING SO FAR FROM MY MOTHER—I RUN THE RISK OF BEING BURNT—HAVING GROWN TALL, FEARS ARE ENTERTAINED FOR MY HEALTH—I RETURN TO MY MOTHER AT FLORENCE AND WORK WITH AMMANATI—I GO TO SIENA AND STUDY ORNATE DESIGN IN THE ACADEMY—CARLO PINI GIVES ME LESSONS IN DRAWING THE HUMAN FIGURE—SIGNOR ANGELO BARBETTI'S PROPHECY—I RUN AWAY FROM SIENA, AND ON FOOT GO TO MY MOTHER AT FLORENCE—SIGNOR PAOLO SANI—DEATH OF MY SISTER CLEMENTINA—MY MOTHER'S INFIRMITY OF EYESIGHT—MY BROTHER LORENZO GOES TO THE POORHOUSE—MY AVERSION TO LEARN READING AND WRITING—MY FIRST LIBRARY, AND INEXPERIENCE OF BOOKS.
Author: Giovanni Duprè
Publisher: Forgotten Books
ISBN: 9781330136515
Category : Biography & Autobiography
Languages : en
Pages : 492
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Book Description
Excerpt from Thoughts on Art and Autobiographical Memoirs of Giovanni Duprè This book contains the record of the life and thoughts upon Art of Giovanni Dupre, one of the most eminent sculptors of the present century in Italy. It was written by him from time to time, during the latter years of his life, in the intervals of work in his studio, and given to the public about three years before his death. Those three years, of which it contains no account, were assiduously devoted to his art. Every day had its work, and it was done faithfully and joyously even to the last. "Nulla dies sine linea." Within these years, among other works of less importance, he successively executed a basso-relievo of the Baptism of our Lord, a portrait statue of Pius IX. for the Cathedral of Piacenza, one of Victor Emmanuel for the public square at Trapani, one of Raimondo Lullo for a chapel in the island of Majorca, and one of St Francis of Assisi which now adorns the front of the Cathedral at Assisi. This was the last statue which he ever made. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Rebecca Wade
Publisher: Bloomsbury Publishing USA
ISBN: 150133221X
Category : Art
Languages : en
Pages : 215
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Book Description
Born near the Tuscan province of Lucca in 1815, Domenico Brucciani became the most important and prolific maker of plaster casts in nineteenth-century Britain. This first substantive study shows how he and his business used public exhibitions, emerging museum culture and the nationalisation of art education to monopolise the market for reproductions of classical and contemporary sculpture. Based in Covent Garden in London, Brucciani built a network of fellow Italian émigré formatori and collaborated with other makers of facsimiles-including Elkington the electrotype manufacturers, Copeland the makers of Parian ware and Benjamin Cheverton with his sculpture reducing machine-to bring sculpture into the spaces of learning and leisure for as broad a public as possible. Brucciani's plaster casts survive in collections from North America to New Zealand, but the extraordinary breadth of his practice-making death masks of the famous and infamous, producing pioneering casts of anatomical, botanical and fossil specimens and decorating dance halls and theatres across Britain-is revealed here for the first time. By making unprecedented use of the nineteenth-century periodical press and dispersed archival sources, Domenico Brucciani and the Formatori of Nineteenth-Century Britain establishes the significance of Brucciani's sculptural practice to the visual and material cultures of Victorian Britain and beyond.
