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Author: Henry Caraway Hatfield (1912- ed)
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Category :
Languages : en
Pages : 0
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Author: Henry Caraway Hatfield (1912- ed)
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book
Book Description
Author: Henry Caraway Hatfield
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Henry Caraway Hatfield
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Category :
Languages : de
Pages : 0
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Author: Henry Hatfield
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Category :
Languages : en
Pages : 172
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Author: Henry Caraway Hatfield
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Category : Mann, Thomas, 1875-1955
Languages : en
Pages : 172
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Author: Tex.) International Symposium on the Natural Radiation Environment (1963 : Houston
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Category :
Languages : en
Pages :
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Author: Inta Ezergailis
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 288
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Author: Henry Hatfield
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Category : German fiction
Languages : en
Pages : 200
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Book Description
Mann's complex, often ambiguous works are studies in chronological order by an international group of critics.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438116322
Category : Literary Criticism
Languages : en
Pages : 117
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Book Description
Presents a brief biography of Thomas Mann, thematic and structural analysis of his works, critical views, and an index of themes and ideas.
Author: Caroline Joan (Kay) S. Picart
Publisher: BRILL
ISBN: 9004494944
Category : Literary Criticism
Languages : en
Pages : 181
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Book Description
Traditional interpretations of Thomas Mann's relation to Nietzsche's writings plot out a simple relation of earlier adulation and later rejection. The book argues that Mann's disavowal of Nietzsche's influence was, in the words of T.J. Reed, a necessary political act when the repudiation of Nietzsche's more hysterical doctrines required such a response. Using a genealogical method, the book traces how Mann labors ambivalently under the shadow of Nietzsche's writings on his own political artistry through a detailed analysis of Mann's Death in Venice, Dr. Faustus, the Joseph tetralogy, and Confessions of Felix Krull, Confidence Man. Using the recurring Nietzschean themes of eroticism, death, music, and laughter as a guide, it arrives at a rough picture of how Mann both takes up and discontinues Nietzsche's poetic heritage. The book derives the vision of the interrelationships binding these four leitmotiv elements from Dürer's magic square as depicted in Melancholia I. The link with Dürer is far from arbitrary because Mann directly aligned Nietzschean insight with Dürer's world of passion, sympathy with suffering, the macabre stench of rotting flesh, and Faustian melancholy.