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Author: Patrick Braybrooke
Publisher:
ISBN:
Category : Philosophy in literature
Languages : en
Pages : 182
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Author: Patrick Braybrooke
Publisher:
ISBN:
Category : Philosophy in literature
Languages : en
Pages : 182
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Author: Helen Garwood
Publisher:
ISBN:
Category : Philosophy in literature
Languages : en
Pages : 102
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Author: Dale Kramer
Publisher: Cambridge University Press
ISBN: 1139825550
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
Thomas Hardy's fiction has had a remarkably strong appeal for general readers for decades, and his poetry has been acclaimed as among the most influential of the twentieth century. His work still creates passionate advocacy and opposition. The Cambridge Companion to Thomas Hardy is an essential introduction to this most enigmatic of writers. These commissioned essays from an international team of contributors comprises a general overview of all Hardy' s work and specific demonstrations of Hardy's ideas and literary skills. Individual essays explore Hardy's biography, aesthetics, his famous attachment to Wessex, and the impact on his work of developments in science, religion and philosophy in the late nineteenth century. Hardy's writing is also analysed against developments in contemporary critical theory and issues such as sexuality and gender. The volume also contains a detailed chronology of Hardy's life and publications, and a guide to further reading.
Author: Helen Garwood
Publisher: Forgotten Books
ISBN: 9781330448137
Category : Self-Help
Languages : en
Pages : 98
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Excerpt from Thomas Hardy, an Illustration of the Philosophy of Schopenhauer Much has been written of Thomas Hardy, much more will be said. Great men are not disposed of in a few volumes. To couple his name with that of Schopenhauer even is no longer a new matter. The present study pretends to give no final word of criticism and no comprehensive appreciation. It aims to be one-sided and intensive. It is a search into the reason why The Return of the Native or Tess or The Mayor of Casterbridge should come to the lips as an illustration of the philosophy of The World as Will and Idea. How much of a philosopher Hardy, the writer, is, how nearly his philosophy resembles that of Schopenhauer, how it has affected his work, and to what conclusions it has brought him are the questions it will consider. To-day scholars are contributing articles to the Modern Language Association publications to show first, that the Pearl is a real lament of a real father over a lost daughter, second, that the poem is a theological dissertation woven about a straw child. Will the Modern Language Association writers of some distant future expend their strength to prove that Thomas Hardy wrote novels, poems, and one stupendous drama to set forth a scheme of philosophy he had; or, on the contrary, that he wrote because an artist must write, and that the philosophy leaked in as the theology leaked into the Pearl, because the air was supersaturated with it. One is tempted to press the analogy to its limits, to foreshadow the arguments pro and con, and to suggest that the decision may long be a matter of individual preference. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Helen Garwood
Publisher: Forgotten Books
ISBN: 9781528065795
Category : Self-Help
Languages : en
Pages : 98
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Excerpt from Thomas Hardy, an Illustration of the Philosophy of Schopenhauer After all, what could be more natural? Literature must reflect the interests of its time or lose its vitality. There are certainly eternal laws of beauty which cannot be evaded, there are just as certainly eternal laws of life which cannot be neglected, and the ever-insistent problem of art is to keep these two harnessed together, a task as difficult as that of driving the famous chariot Of Plato. Some politics, some economics, some religious unrest, some philosophy must be reflected in the literature of to-day. If the abstruse and difficult philosophical systems of a Kant, a Fichte, and a Hegel could profoundly affect a Coleridge and an Emerson, how much more will the works of a Schopenhauer, a Nietzsche, a Von Hartmann affect the writing, and even the reading public! For the one person who can enjoy Kant's subtleties, there are twenty who can grasp Nietzsche's vagaries. Perhaps we have grown wiser, perhaps the philosophers speak more clearly, perhaps the great spirits are no longer with us. 'at any rate, we have learned to regard Mill and Huxley and Spencer and the three Germans and others of the hour as part of our necessary stock-in-trade for culture and for conversa tion. A few years ago one chatted over a cup of tea about William James' Varieties of Religious Experience, and Will to Believe with the same people with whom one had e'xchanged pleasantries about Hugh Wynne, or Mrs. Humphry Ward's latest intricate piece of womankind. Now we give one breath to The Stooping Lady, another to wireless telegraphy, and turn to meet Pragmatism at the corner; yes, even in popular University Extension lectures. Macaulay's history lay on my fine lady's dressing-table, Pope's Essay on Man was the talk of the fashionable world, William James is charged with writing novels and dubbing them Philosophies. When philos ophy grows as interesting as a novel, how can the novel, which is true to life, help reflecting philosophy? An utterly un philosophical literature to-day would be as much of an anomaly as an untheological Milton. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Indu Prabha Pathak
Publisher: GRIN Verlag
ISBN: 3668799520
Category : Foreign Language Study
Languages : en
Pages : 148
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Book Description
Doctoral Thesis / Dissertation from the year 2013 in the subject Didactics for the subject English - Literature, Works, , course: Ph.D., language: English, abstract: Thomas Hardy the reputed novelist, poet, playwright and story writer has made his presence felt in the literary arena in an emphatic manner. The aim of this study is to draw a new light in his poetic oeuvre to illuminate those aspects of his vision which were hitherto less known. He is primarily known as a novelist par excellence producing a bulk of masterpiece novels in English. At the same time he has written almost 900 lyrics which stand as a testimony to his poetic genius. In the words of Donald Davies, “In British Poetry of the last fifty years the most far reaching influence, for good and ill has been not Yeats, still less Eliot or Pound, not Lawrence, but Hardy.” (Davies 3) Poetry always remained very close to his heart. He primarily conceived himself as a poet. He himself confessed it: In fiction he felt, he was merely “holding his own”; poetry he said was the more individual part of his literary fruitage. He took up novel writing because he could not earn his livelihood as a poet and he returned to poetry as he had earned income from his novels. He agrees with Leslie Stephen who believes that: “The ultimate aim of the poet is to touch our hearts by showing his own.” (Qtd. in Harvey 228) Hardy started writing poetry at the age of 55. At the end of 1898 he published his first volume Wessex Poems which gained mixed critical reception. Friends like Swinburne and Leslie Stephens gave it a warm response. But at the same it produced acrimony in his married life that resulted in his estrangement with wife Emma to that extent that they lived apart with no children in the same house. Three years after the appearance of Wessex Poems Hardy was ready to publish his second volume of verses which he named as Poems of the Past and the Present (1901) containing 99 poems. The first group of poems was titled as War Poems which established him as the first major “War poet” of the 20th century. The poems were written in the context of Boer war and it’s aftereffects. The collection received a better response as compared to the previous one. [...]
Author: Helen Garwood
Publisher:
ISBN:
Category :
Languages : en
Pages : 91
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Author: Mary Elizabeth Irwin
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Author: Robert Eugen Zachrisson
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
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Author: Helen Garwood
Publisher: Nabu Press
ISBN: 9781293607275
Category :
Languages : en
Pages : 100
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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
