Author: Roman Kozak
Publisher:
ISBN: 9780571129560
Category : Music
Languages : en
Pages : 143
Book Description
Traces the history of the influential New York Nightclub and describes some of the many punk and new wave groups that appeared there
This Ain't No Disco
Author: Roman Kozak
Publisher:
ISBN: 9780571129560
Category : Music
Languages : en
Pages : 143
Book Description
Traces the history of the influential New York Nightclub and describes some of the many punk and new wave groups that appeared there
Publisher:
ISBN: 9780571129560
Category : Music
Languages : en
Pages : 143
Book Description
Traces the history of the influential New York Nightclub and describes some of the many punk and new wave groups that appeared there
This Ain't No Disco: The Story of CBGB
Author: Roman Kozak
Publisher: Trouser Press Books
ISBN:
Category : Music
Languages : en
Pages : 415
Book Description
CBGB was the birthplace of punk and new wave in America in the 1970s. The Ramones, Blondie, Television, Talking Heads and many other groundbreaking bands got their start in the rock club on New York’s Bowery. Years later, CBGB became the cauldron for New York hardcore. Originally issued in 1988 and out of print for decades, This Ain't No Disco is a detailed warts-and-all history, with memories, stories and gossip from dozens of insiders who worked, played or just hung out at CBGB. Written long before the legend overtook the reality — while the club was open and most of the principals alive — this is the real story, told in gritty, outrageous and sometimes hilarious detail.
Publisher: Trouser Press Books
ISBN:
Category : Music
Languages : en
Pages : 415
Book Description
CBGB was the birthplace of punk and new wave in America in the 1970s. The Ramones, Blondie, Television, Talking Heads and many other groundbreaking bands got their start in the rock club on New York’s Bowery. Years later, CBGB became the cauldron for New York hardcore. Originally issued in 1988 and out of print for decades, This Ain't No Disco is a detailed warts-and-all history, with memories, stories and gossip from dozens of insiders who worked, played or just hung out at CBGB. Written long before the legend overtook the reality — while the club was open and most of the principals alive — this is the real story, told in gritty, outrageous and sometimes hilarious detail.
This Ain't No Disco
Author: Jennifer McKnight-Trontz
Publisher: Chronicle Books
ISBN: 9780811845427
Category : Music
Languages : en
Pages : 0
Book Description
Why did Frankie say "Relax"? Did anyone really want to hurt Boy George? And why didn't anybody walk in L.A.? This Ain't No Disco can't answer all these head-scratchers, but it does bring the New Wave era back with page after totally awesome page of 300 of the best album covers. This rad collection includes covers from the late 1970s to the mid-'80s and will have true believers of a certain generation totally spazzing. New Wave was defined as much by style, fashion, and graphic design as the music itselfwitness the ruffled cuffs and heavy makeup of the New Romantics, the skinny ties and peg-pants of the neo-Mods, and the unsettling robotic personae of Devo and Gary Numan. Bursting with wild hairstyles, futuristic typography, pastel shapes, and outlandish clothing, these are the album covers that defined an era and continue to influence music and fashion styles today. A nostalgic trek with a mental soundtrack, This Ain't No Disco will inspire readers to don those rubber bracelets once again and proclaim, "Let's dance this mess around!"
Publisher: Chronicle Books
ISBN: 9780811845427
Category : Music
Languages : en
Pages : 0
Book Description
Why did Frankie say "Relax"? Did anyone really want to hurt Boy George? And why didn't anybody walk in L.A.? This Ain't No Disco can't answer all these head-scratchers, but it does bring the New Wave era back with page after totally awesome page of 300 of the best album covers. This rad collection includes covers from the late 1970s to the mid-'80s and will have true believers of a certain generation totally spazzing. New Wave was defined as much by style, fashion, and graphic design as the music itselfwitness the ruffled cuffs and heavy makeup of the New Romantics, the skinny ties and peg-pants of the neo-Mods, and the unsettling robotic personae of Devo and Gary Numan. Bursting with wild hairstyles, futuristic typography, pastel shapes, and outlandish clothing, these are the album covers that defined an era and continue to influence music and fashion styles today. A nostalgic trek with a mental soundtrack, This Ain't No Disco will inspire readers to don those rubber bracelets once again and proclaim, "Let's dance this mess around!"
Remain in Love
Author: Chris Frantz
Publisher: St. Martin's Press
ISBN: 1250209234
Category : Biography & Autobiography
Languages : en
Pages : 320
Book Description
Two iconic bands. An unforgettable life. One of the most dynamic groups of the ‘70s and ‘80s, Talking Heads, founded by drummer Chris Frantz, his girlfriend Tina Weymouth, and lead singer David Byrne, burst onto the music scene, playing at CBGBs, touring Europe with the Ramones, and creating hits like “Psycho Killer” and “Burning Down the House” that captured the post-baby boom generation’s intense, affectless style. In Remain in Love, Frantz writes about the beginnings of Talking Heads—their days as art students in Providence, moving to the sparse Chrystie Street loft Frantz, Weymouth, and Byrne shared where the music that defined an era was written. With never-before-seen photos and immersive vivid detail, Frantz describes life on tour, down to the meals eaten and the clothes worn—and reveals the mechanics of a long and complicated working relationship with a mercurial frontman. At the heart of Remain in Love is Frantz’s love for Weymouth: their once-in-a-lifetime connection as lovers, musicians, and bandmates, and how their creativity surged with the creation of their own band Tom Tom Club, bringing a fresh Afro-Caribbean beat to hits like “Genius of Love.” Studded with memorable places and names from the era—Grace Jones, Andy Warhol, Stephen Sprouse, Lou Reed, Brian Eno, and Debbie Harry among them—Remain in Love is a frank and open memoir of an emblematic life in music and in love.
Publisher: St. Martin's Press
ISBN: 1250209234
Category : Biography & Autobiography
Languages : en
Pages : 320
Book Description
Two iconic bands. An unforgettable life. One of the most dynamic groups of the ‘70s and ‘80s, Talking Heads, founded by drummer Chris Frantz, his girlfriend Tina Weymouth, and lead singer David Byrne, burst onto the music scene, playing at CBGBs, touring Europe with the Ramones, and creating hits like “Psycho Killer” and “Burning Down the House” that captured the post-baby boom generation’s intense, affectless style. In Remain in Love, Frantz writes about the beginnings of Talking Heads—their days as art students in Providence, moving to the sparse Chrystie Street loft Frantz, Weymouth, and Byrne shared where the music that defined an era was written. With never-before-seen photos and immersive vivid detail, Frantz describes life on tour, down to the meals eaten and the clothes worn—and reveals the mechanics of a long and complicated working relationship with a mercurial frontman. At the heart of Remain in Love is Frantz’s love for Weymouth: their once-in-a-lifetime connection as lovers, musicians, and bandmates, and how their creativity surged with the creation of their own band Tom Tom Club, bringing a fresh Afro-Caribbean beat to hits like “Genius of Love.” Studded with memorable places and names from the era—Grace Jones, Andy Warhol, Stephen Sprouse, Lou Reed, Brian Eno, and Debbie Harry among them—Remain in Love is a frank and open memoir of an emblematic life in music and in love.
This Must Be the Place
Author: David Bowman
Publisher: Harper Collins
ISBN: 0061955981
Category : Music
Languages : en
Pages : 428
Book Description
A fascinating glimpse behind the big suits and deadpan looks to the heart and soul of a band that made it big by playing it cool With their minimalist beats, sophisticated lyrics, and stoic mien, the Talking Heads were indisputably one of the most influential and intriguing bands of their time. Rising from the ashes of punk and the smoldering embers of the disco inferno, they effectively straddled the boundaries between critical and commercial success as few other groups did, with music you could deconstruct and dance to at the same time. Culture critic David Bowman tells the fascinating story of how this brain trust of talented musicians turned pop music on its head. From the band’s inception at the Rhode Island School of Design to their first big gig opening for the Ramones at CBGB, from their prominence in the worlds of art and fashion to the clash of egos and ideals that left them angry, jealous, and ready to call it quits, Bowman closely chronicles the rise and fall of a stunningly original and gloriously dysfunctional rock 'n' roll band that stayed together longer than anyone thought possible, and left a legacy that influences artists to this day.
Publisher: Harper Collins
ISBN: 0061955981
Category : Music
Languages : en
Pages : 428
Book Description
A fascinating glimpse behind the big suits and deadpan looks to the heart and soul of a band that made it big by playing it cool With their minimalist beats, sophisticated lyrics, and stoic mien, the Talking Heads were indisputably one of the most influential and intriguing bands of their time. Rising from the ashes of punk and the smoldering embers of the disco inferno, they effectively straddled the boundaries between critical and commercial success as few other groups did, with music you could deconstruct and dance to at the same time. Culture critic David Bowman tells the fascinating story of how this brain trust of talented musicians turned pop music on its head. From the band’s inception at the Rhode Island School of Design to their first big gig opening for the Ramones at CBGB, from their prominence in the worlds of art and fashion to the clash of egos and ideals that left them angry, jealous, and ready to call it quits, Bowman closely chronicles the rise and fall of a stunningly original and gloriously dysfunctional rock 'n' roll band that stayed together longer than anyone thought possible, and left a legacy that influences artists to this day.
Talking Heads' Fear of Music
Author: Jonathan Lethem
Publisher: Bloomsbury Publishing USA
ISBN: 1441132929
Category : Music
Languages : en
Pages : 159
Book Description
It's the summer of 1979. A 15-year-old boy listens to WNEW on the radio in his bedroom in Brooklyn. A monotone voice (it's the singer's) announces into dead air in between songs "The Talking Heads have a new album, it's called Fear of Music" - and everything spins outward from that one moment. Jonathan Lethem treats Fear of Music (the third album by the Talking Heads, and the first produced by Brian Eno) as a masterpiece - edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky and fun. He scratches obsessively at the album's songs, guitars, rhythms, lyrics, packaging, downtown origins, and legacy, showing how Fear of Music hints at the directions (positive and negative) the band would take in the future. Lethem transports us again to the New York City of another time - tackling one of his great adolescent obsessions and illuminating the ways in which we fall in and out of love with works of art.
Publisher: Bloomsbury Publishing USA
ISBN: 1441132929
Category : Music
Languages : en
Pages : 159
Book Description
It's the summer of 1979. A 15-year-old boy listens to WNEW on the radio in his bedroom in Brooklyn. A monotone voice (it's the singer's) announces into dead air in between songs "The Talking Heads have a new album, it's called Fear of Music" - and everything spins outward from that one moment. Jonathan Lethem treats Fear of Music (the third album by the Talking Heads, and the first produced by Brian Eno) as a masterpiece - edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky and fun. He scratches obsessively at the album's songs, guitars, rhythms, lyrics, packaging, downtown origins, and legacy, showing how Fear of Music hints at the directions (positive and negative) the band would take in the future. Lethem transports us again to the New York City of another time - tackling one of his great adolescent obsessions and illuminating the ways in which we fall in and out of love with works of art.
First Ladies of Disco
Author: James Arena
Publisher: McFarland
ISBN: 0786475811
Category : Music
Languages : en
Pages : 268
Book Description
The female vocalists who pioneered the disco genre in the '70s and early '80s were an extraordinarily talented group who dazzled the world with an exciting blend of elegance, soulful passion and gutsy fire. In this book of original interviews, 32 of these women tell their stories, explaining how they view their music, careers, connection to gay audiences, and their places in dance music history. Interviewed artists include: The Andrea True Connection; Claudja Barry; Pattie Brooks; Miquel Brown; Linda Clifford; Carol Douglas; Yvonne Elliman; Rochelle Fleming (First Choice); Gloria Gaynor; Debbie Jacobs-Rock; Madleen Kane; Evelyn "Champagne" King; Audrey Landers; Suzi Lane; Cynthia Manley (Boys Town Gang); Kelly Marie; Maxine Nightingale; Scherrie Payne; Wardell Piper; The Ritchie Family, 1975-1978: Gwendolyn Wesley, Cassandra Wooten and Cheryl Mason-Dorman; The Ritchie Family, 1978-1982: Theodosia "Dodie" Draher; Barbara Roy (Ecstasy Passion & Pain); Pamala Stanley; Evelyn Thomas; Jeanie Tracy; Anita Ward; Martha Wash; Carol Williams; Jessica Williams and Norma Jean Wright.
Publisher: McFarland
ISBN: 0786475811
Category : Music
Languages : en
Pages : 268
Book Description
The female vocalists who pioneered the disco genre in the '70s and early '80s were an extraordinarily talented group who dazzled the world with an exciting blend of elegance, soulful passion and gutsy fire. In this book of original interviews, 32 of these women tell their stories, explaining how they view their music, careers, connection to gay audiences, and their places in dance music history. Interviewed artists include: The Andrea True Connection; Claudja Barry; Pattie Brooks; Miquel Brown; Linda Clifford; Carol Douglas; Yvonne Elliman; Rochelle Fleming (First Choice); Gloria Gaynor; Debbie Jacobs-Rock; Madleen Kane; Evelyn "Champagne" King; Audrey Landers; Suzi Lane; Cynthia Manley (Boys Town Gang); Kelly Marie; Maxine Nightingale; Scherrie Payne; Wardell Piper; The Ritchie Family, 1975-1978: Gwendolyn Wesley, Cassandra Wooten and Cheryl Mason-Dorman; The Ritchie Family, 1978-1982: Theodosia "Dodie" Draher; Barbara Roy (Ecstasy Passion & Pain); Pamala Stanley; Evelyn Thomas; Jeanie Tracy; Anita Ward; Martha Wash; Carol Williams; Jessica Williams and Norma Jean Wright.
The Mudd Club
Author: Richard Boch
Publisher: Feral House
ISBN: 1627310584
Category : History
Languages : en
Pages : 418
Book Description
"I was a Long Island kid that graduated college in 1976 and moved to Greenwich Village. Two years later, I was working The Mudd Club door. Standing outside, staring at the crowd, it was "out there" versus "in here" and I was on the inside. The Mudd Club was filled with the famous and soon- to- be famous, along with an eclectic core of Mudd regulars who gave the place its identity. Everyone from Jean-Michel Basquiat, Jeff Koons, and Robert Rauschenberg to Johnny Rotten, The Hell's Angels, and John Belushi: passing through, passing out, and some, passing on. Marianne Faithful and Talking Heads, Frank Zappa, William Burroughs, and even Kenneth Anger— just a few of the names that stepped on stage. No Wave and Post- Punk artists, musicians, filmmakers, and writers living in a nighttime world on the cusp of two decades. This book is a cornucopia of memories and images, and how this famed wicked downtown club attained the status of midtown and uptown. There was nothing else like it— I met everyone, and the job quickly defined me. I thought I could handle it, and for a while, I did. "—Richard Boch
Publisher: Feral House
ISBN: 1627310584
Category : History
Languages : en
Pages : 418
Book Description
"I was a Long Island kid that graduated college in 1976 and moved to Greenwich Village. Two years later, I was working The Mudd Club door. Standing outside, staring at the crowd, it was "out there" versus "in here" and I was on the inside. The Mudd Club was filled with the famous and soon- to- be famous, along with an eclectic core of Mudd regulars who gave the place its identity. Everyone from Jean-Michel Basquiat, Jeff Koons, and Robert Rauschenberg to Johnny Rotten, The Hell's Angels, and John Belushi: passing through, passing out, and some, passing on. Marianne Faithful and Talking Heads, Frank Zappa, William Burroughs, and even Kenneth Anger— just a few of the names that stepped on stage. No Wave and Post- Punk artists, musicians, filmmakers, and writers living in a nighttime world on the cusp of two decades. This book is a cornucopia of memories and images, and how this famed wicked downtown club attained the status of midtown and uptown. There was nothing else like it— I met everyone, and the job quickly defined me. I thought I could handle it, and for a while, I did. "—Richard Boch
We Never Learn: The Gunk Punk Undergut, 1988-2001
Author: Eric Davidson
Publisher: Backbeat Books
ISBN: 1617133892
Category : Music
Languages : en
Pages : 339
Book Description
(Book). Nirvana, the White Stripes, Hole, the Hives all sprang from an underground music scene where similarly raw bands, enjoying various degrees of success and hard luck, played for throngs of fans in venues ranging from dive bars to massive festivals, but were mostly ignored by a music industry focused on mega-bands and shiny pop stars. We Never Learn: The Gunk Punk Undergut, 1988-2001 tracks the inspiration and beautiful destruction of this largely undocumented movement. What they took, they fought for, every night. They reveled in '50s rock 'n' roll and '60s garage rock while creating their own wave of gut-busting riffs and rhythm. The majority of bands that populate this book the Dwarves, the Gories, the Supersuckers, the Mummies, Rocket from the Crypt, Jon Spencer Blues Explosion, the Muffs, and the Donnas among them gained little long-term reward from their nonstop touring and brain-slapping records. What they did have was free liquor, good drugs, guilt-free sex, and a crazy good time, all the while building a dedicated fan base that extends across America, Europe, and Japan. Truly, this is the last great wave of down-and-dirty rock 'n' roll.
Publisher: Backbeat Books
ISBN: 1617133892
Category : Music
Languages : en
Pages : 339
Book Description
(Book). Nirvana, the White Stripes, Hole, the Hives all sprang from an underground music scene where similarly raw bands, enjoying various degrees of success and hard luck, played for throngs of fans in venues ranging from dive bars to massive festivals, but were mostly ignored by a music industry focused on mega-bands and shiny pop stars. We Never Learn: The Gunk Punk Undergut, 1988-2001 tracks the inspiration and beautiful destruction of this largely undocumented movement. What they took, they fought for, every night. They reveled in '50s rock 'n' roll and '60s garage rock while creating their own wave of gut-busting riffs and rhythm. The majority of bands that populate this book the Dwarves, the Gories, the Supersuckers, the Mummies, Rocket from the Crypt, Jon Spencer Blues Explosion, the Muffs, and the Donnas among them gained little long-term reward from their nonstop touring and brain-slapping records. What they did have was free liquor, good drugs, guilt-free sex, and a crazy good time, all the while building a dedicated fan base that extends across America, Europe, and Japan. Truly, this is the last great wave of down-and-dirty rock 'n' roll.
Saturday Night Forever
Author: Alan Jones
Publisher: Random House
ISBN: 1907195912
Category : Music
Languages : en
Pages : 238
Book Description
If all disco means to you is records like 'I Will Survive' and 'YMCA', tacky fashions and glitter eyeshadow, this book will be a real revelation. For Alan Jones and Jussi Kantonen, disco was an essential soundtrack to their lives. They loved its total hedonistic excess, its drive, its punch and its sweet, catchy melodies. For every chart hit that pounded into the public's consciousness, countless other better tracks were causing hair-raising highs on dance floors where Alan and Jussi and thousands of aficionados like them were strutting their funky stuff. Disco started in obscure underground clubs as a glamour-filled reaction to the plodding, self-indulgent rock music of the late '60s and really took off in the excitement-parched early '70s. Created by people marginalised by their colour (black), race (Latino), sexuality (gay) or class (working), the music and its attendant lifestyle inevitably became watered down and distorted once it slipped from the control of small independent labels and became a worldwide craze. The massive popularity of films such as Saturday Night Fever and the accompanying Bee Gees soundtrack led people to believe that this was disco. But the authors, by exploring such diverse strands as Eurodisco and roller disco, gay disco, and disco fashions, drugs and clubs, show this to be untrue, and instead uncover the magical, multi-layered genre in all its shining, strobe-lit glory. They believe in mirror balls.
Publisher: Random House
ISBN: 1907195912
Category : Music
Languages : en
Pages : 238
Book Description
If all disco means to you is records like 'I Will Survive' and 'YMCA', tacky fashions and glitter eyeshadow, this book will be a real revelation. For Alan Jones and Jussi Kantonen, disco was an essential soundtrack to their lives. They loved its total hedonistic excess, its drive, its punch and its sweet, catchy melodies. For every chart hit that pounded into the public's consciousness, countless other better tracks were causing hair-raising highs on dance floors where Alan and Jussi and thousands of aficionados like them were strutting their funky stuff. Disco started in obscure underground clubs as a glamour-filled reaction to the plodding, self-indulgent rock music of the late '60s and really took off in the excitement-parched early '70s. Created by people marginalised by their colour (black), race (Latino), sexuality (gay) or class (working), the music and its attendant lifestyle inevitably became watered down and distorted once it slipped from the control of small independent labels and became a worldwide craze. The massive popularity of films such as Saturday Night Fever and the accompanying Bee Gees soundtrack led people to believe that this was disco. But the authors, by exploring such diverse strands as Eurodisco and roller disco, gay disco, and disco fashions, drugs and clubs, show this to be untrue, and instead uncover the magical, multi-layered genre in all its shining, strobe-lit glory. They believe in mirror balls.