Theology in the Mode of Monk: An Aesthetics of Barth and Cone on Revelation and Freedom, Volume 3 PDF Download
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Author: Raymond Carr
Publisher: Wipf and Stock Publishers
ISBN: 1666745251
Category : Art
Languages : en
Pages : 231
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Book Description
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian, who constructed his theology “from above” and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology “from below” and confronted white racism—the most intractable issue in America’s history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. In this final volume, Carr appeals to Thelonious Monk’s tune “Misterioso” as the analogical framework for exploring the freedom of God as the melodic foundation for black liberation. Monk’s mode of musical thinking encourages the jazz artist in us all to play in the mystery of God’s freedom as the true ground for living freely within the world of the principalities and powers.
Author: Raymond Carr
Publisher: Wipf and Stock Publishers
ISBN: 1666745251
Category : Art
Languages : en
Pages : 231
Get Book Here
Book Description
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian, who constructed his theology “from above” and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology “from below” and confronted white racism—the most intractable issue in America’s history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. In this final volume, Carr appeals to Thelonious Monk’s tune “Misterioso” as the analogical framework for exploring the freedom of God as the melodic foundation for black liberation. Monk’s mode of musical thinking encourages the jazz artist in us all to play in the mystery of God’s freedom as the true ground for living freely within the world of the principalities and powers.
Author: Raymond Carr
Publisher: Wipf and Stock Publishers
ISBN: 1666745227
Category : Art
Languages : en
Pages : 208
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Book Description
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian, who constructed his theology "from above" and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology "from below" and confronted white racism--the most intractable issue in America's history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. In this second volume, Carr appeals to Monk's tune "'Round Midnight" as the analogical framework for articulating the meaning between Christ, the cantus firmus, and the sociopolitical histories of Karl Barth and James Cone. Monk's encouragement to "improvise on the melody" is heard as the melodic foundation for a new form of christological reflection.
Author: Raymond Carr
Publisher: Wipf and Stock Publishers
ISBN: 1532671555
Category : Art
Languages : en
Pages : 218
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Book Description
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian who constructed his theology “from above” and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology “from below” and confronted white racism—the most intractable issue in America’s history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. This first volume appeals to the Bebop tune “Epistrophy” as the analogical framework for (re)conceptualizing the historical form and hermeneutical backgrounds of Karl Barth and James H. Cone. Monk’s mode of musical thinking establishes the aesthetic theological architecture Carr uses to reiterate and reimagine the revolutionary theological contributions of Barth and Cone.
Author: Raymond Carr
Publisher: Cascade Books
ISBN: 9781666745252
Category :
Languages : en
Pages : 0
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Book Description
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian, who constructed his theology "from above" and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology "from below" and confronted white racism--the most intractable issue in America's history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. In this final volume, Carr appeals to Thelonious Monk's tune "Misterioso" as the framework for Monk's musical thinking as a coherent image to explore the freedom of God as the groundtone for black liberation. He encourages theologians to play in the mystery of God's freedom as the true ground for living freely within the world of the principalities and powers.
Author: Michael Cholbi
Publisher: Cambridge University Press
ISBN: 1107163463
Category : Philosophy
Languages : en
Pages : 247
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Book Description
A systematic guide to Kant's ethical work and the debates surrounding it, accessible to students and specialists alike.
Author: Quentin Vercetty
Publisher: Cedar Grove Publishing
ISBN: 9781941958971
Category : Art
Languages : en
Pages : 0
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Book Description
Cosmic Underground Northside operates as a seminal collection consisting of works from cross-generations and pan-national Black creatives and cultural producers from Canada. This generous book offers a glimpse of different innerstandings, a profound comprehension or conviction within one's spirit or soul. We consider the following: what does Afrofuturism look like from a Canadian perspective? What are the unique elements of artistic expression in Black Canadian art? Considering Canada's history on Indigenous land, how do Black Canadians imagine their future in a colony that promotes erasure, yet claims multiculturalism? So ah wah dis? Qu'est-ce que c'est? Kisa sa ye? Cosmic Underground Northside: An Incantation of Black Canadian Speculative Discourse and Innerstanding is an archival book comprised of diasporic dialogues around liberation and spirituality. Significant contributions of poems, lyrics, prose, short stories and other expressive forms of literature along with vibrant illustrations, photographs, posters, mixed-media digital and analog rendered artworks by over 100 talented, gifted Black Canadian scholars and creatives. This is who we are.
Author: Eckhart Tolle
Publisher: Penguin
ISBN: 9780525950882
Category : Self-Help
Languages : en
Pages : 196
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Book Description
Presents author-selected inspirational passages from "A New Earth" enhanced by commissioned artwork.
Author: Glenn F. Chesnut
Publisher: iUniverse
ISBN: 1491770872
Category : Biography & Autobiography
Languages : en
Pages : 675
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Book Description
The story of Father Ed Dowling, S.J., the Jesuit priest who served for twenty years as sponsor and spiritual guide to Bill Wilson, the co-founder of Alcoholics Anonymous. An icy evening in December 1940 saw the first meeting of two extraordinary spiritual leaders. Father Ed said that the graces he received from meeting Bill Wilson were as great as those he had received from his ordination as a priest, and Bill in turn described encountering the Jesuit as being like a second conversion experience, where he could feel the transcendent presence of God filling the entire room with grace. The good priest taught Wilson about St. Ignatius Loyolas Spiritual Exercises, about the eternal battle between good and evil which the Spanish saint described in that book, and explained the Jesuit understanding of the way we can use our deepest emotions to receive guidance from God while serving on that battlefield. The co-founder of the twelve step movement in turn supplied Father Ed with some of the most valuable tools he possessed for carrying out small group therapy on a wide range of different kinds of troubled people. Together the two men discussed Poulains Graces of Interior Prayer and Bills attempts to make spiritual contact with both spooks and saints, and explored the world of LSD experiences and the teachings of the Catholic, Hindu, and Buddhist mystics in Aldous Huxleys Perennial Philosophy. And we will see how Father Ed, with his deep social conscience, helped Bill W. turn his book on the Twelve Traditions into a Bill of Rights for the twelve step movement, and how he laid out his own spiritual vision of Alcoholics Anonymous at the A.A. International in St. Louis in 1955.
Author: Gerardus Leeuw
Publisher:
ISBN: 9780195223804
Category : Art
Languages : en
Pages : 398
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Book Description
Gerardus van der Leeuw was one of the first to attempt a rapprochement between theology and the arts, and his influence continues to be felt in what is now a burgeoning field. Sacred and Profane is the fullest expression of his pursuit of a theological aesthetics, surveying religion's relationship to all the arts -- dance, drama, literature, painting, sculpture, architecture, and music. This edition makes this seminal work, first published in Dutch in 1932, newly available. A new foreword by Diane Apostolos-Cappadona analyzes the continuing relevance of van der Leeuw's thought. Van der Leeuw's impassioned and brilliant investigation of the relationship between the holy and the beautiful is founded upon the conviction that for too long the religious have failed to seriously contemplate the beautiful, associating it as they do with the kingdom of sensuality and impermanence. Similarly it has been alien to literati and aesthetes to reflect upon the holy, for they choose to consider this physical world to be permanent, and therefore to be glorified through beauty alone. In truth, as van der Leeuw undertakes to show in Sacred and Profane Beauty, the holy has never been absent from the arts, and the arts have never been unresponsive to the holy. Whether one considers the Homeric epics, the dancing Sivas and Vedic poems, the sacred wall paintings of ancient Egypt, the primitive mask, or the range of sacred arts developed out of Latin and Byzantine Christianity, primordial creation in the arts was always directed toward the symbolization and interpretation of the holy. The fact that in our day this original connection is obscured and the artistic impulse is more generally regarded as wholly individualistic and autonomous does not contradict van der Leeuw's thesis; indeed, the breakdown of the unity of the holy and the arts is central to his thesis. Van der Leeuw was the rare thinker who combined profundity of insight, grace of style, and a willingness to take daring intellectual chances. In Sacred and Profane, he describes each of the arts in its original unity with the religious and then analyzes its historical disjunction and alienation. After a penetrating investigation of the structural elements within the arts which illumines a crucial dimension of the religious experience, van der Leeuw points toward the reemergence of an appropriate theological aesthetics on which a reunification of the arts could be founded.
Author: David Nirenberg
Publisher: Brandeis University Press
ISBN: 1611687799
Category : Religion
Languages : en
Pages : 255
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Book Description
Through most of Western European history, Jews have been a numerically tiny or entirely absent minority, but across that history Europeans have nonetheless worried a great deal about Judaism. Why should that be so? This short but powerfully argued book suggests that Christian anxieties about their own transcendent ideals made Judaism an important tool for Christianity, as an apocalyptic religionÑcharacterized by prizing soul over flesh, the spiritual over the literal, the heavenly over the physical worldÑcame to terms with the inescapable importance of body, language, and material things in this world. Nirenberg shows how turning the Jew into a personification of worldly over spiritual concerns, surface over inner meaning, allowed cultures inclined toward transcendence to understand even their most materialistic practices as spiritual. Focusing on art, poetry, and politicsÑthree activities especially condemned as worldly in early Christian cultureÑhe reveals how, over the past two thousand years, these activities nevertheless expanded the potential for their own existence within Christian culture because they were used to represent Judaism. Nirenberg draws on an astonishingly diverse collection of poets, painters, preachers, philosophers, and politicians to reconstruct the roles played by representations of Jewish ÒenemiesÓ in the creation of Western art, culture, and politics, from the ancient world to the present day. This erudite and tightly argued survey of the ways in which Christian cultures have created themselves by thinking about Judaism will appeal to the broadest range of scholars of religion, art, literature, political theory, media theory, and the history of Western civilization more generally.
