˜Theœ Theme of the American Dream in Selected Plays by Sam Shepard PDF Download
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Author: Gabriele Klasen
Publisher:
ISBN:
Category :
Languages : en
Pages : 89
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Book Description
Author: Gabriele Klasen
Publisher:
ISBN:
Category :
Languages : en
Pages : 89
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Book Description
Author: Sam Shepard
Publisher: Vintage
ISBN: 0307274977
Category : Drama
Languages : en
Pages : 130
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Book Description
A newly revised edition of an American classic, Sam Shepard’s Pulitzer Prize—winning Buried Child is as fierce and unforgettable as it was when it was first produced in 1978. A scene of madness greets Vince and his girlfriend as they arrive at the squalid farmhouse of Vince’s hard-drinking grandparents, who seem to have no idea who he is. Nor does his father, Tilden, a hulking former All-American footballer, or his uncle, who has lost one of his legs to a chain saw. Only the memory of an unwanted child, buried in an undisclosed location, can hope to deliver this family from its sin.
Author: Ricardo Miguez
Publisher: Cambridge Scholars Publishing
ISBN: 144380701X
Category : Social Science
Languages : en
Pages : 435
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Book Description
The scholars included in this collection sought to indicate more contemporary working definitions for the expression "American Dream", or rather Dreams. The multidisciplinary selections come from many countries and represent scholars from different backgrounds. They reflect the current developments and approaches in the field of US Studies and we hope to help broaden the scope of programs in higher education institutions. The chapters are thematically organized in two sections: “Initial Dialogues” and “Comparative Dialogues.” The first one comprises essays that set the foundations for our discussions and intends to familiarize newcomers with the theme. The second section extends the possibilities of working comparatively with the American Dreams and a number of other interdisciplinary fields of interest for US Studies programs.
Author: Bonnie Marranca
Publisher:
ISBN: 9780394551166
Category :
Languages : en
Pages :
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Author: W. B. Worthen
Publisher: Univ of California Press
ISBN: 0520963040
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.
Author: Sam Shepard
Publisher: PAJ Publications
ISBN: 9780933826236
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Good for acting exercises and auditions. --Village Voice
Author: Sam Shepard
Publisher: Dramatists Play Service Inc
ISBN: 9780822206569
Category : American drama
Languages : en
Pages : 108
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Book Description
Currently a critical and box office sensation, Sam Shepard's newest play is amasterpiece of poetic and theatrical brilliance that looks unerringly at loveand family in the American West. Copyright © Libri GmbH. All rights reserved.
Author: Robert Silvester
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 426
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Book Description
Author: Sam Shepard
Publisher: Vintage
ISBN: 0307593223
Category : Fiction
Languages : en
Pages : 305
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Book Description
From one of our most admired writers: a collection of stories set mainly in the fertile imaginative landscape of the American West, written with the terse lyricism, cinematic detail, and wry humor that have become Sam Shepard’s trademarks. A man traveling down Highway 90 West gets trapped alone overnight inside a Cracker Barrel restaurant, where he is tormented by an endless loop of Shania Twain songs on the overhead sound system. A wandering actor returns to his hometown against his better instincts and runs into an old friend, who recounts their teenage days of stealing cars, scoring Benzedrine, and sleeping with whores in Tijuana. A Minnesota family travels south for a winter vacation but, caught up in the ordinary tyrannies of family life, remains oblivious to the beauty of the Yucatán Peninsula. A solitary horse rancher muses on Sitting Bull and Beckett amid the jumble of stuff in his big country kitchen—from rusted spurs and Lakota dream-catchers to yellowing pictures of hawks and galloping horses to “snapshots of different sons in different shirts doing different things like fishing, riding mules and tractors; leaning up against their different mothers at radical angles.” Made up of short narratives, lyrics, and dialogues, Day out of Days sets conversation against tale, song against memory, in a cubistic counterpoint that finally links each piece together. The result is a stunning work of vision and clarity imbued with the vivid reverberations of myth—Shepard at his flinty-eyed, unwavering best.
Author: Alexandra Mohr
Publisher: GRIN Verlag
ISBN: 363875622X
Category :
Languages : en
Pages : 0
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Book Description
Seminar paper from the year 2000 in the subject American Studies - Literature, grade: 2,0 (B), Humboldt-University of Berlin (American Culture Studies), course: The American Dream, 7 entries in the bibliography, language: English, abstract: Sam Shepard is known as one of the most accomplished playwrights in the United States, he also gained celebrity as an actor in a couple of American movies. He has written more than 45 plays, different screenplays, and has received 11 Obie Awards, besides a Golden Palm Award and an Oscar nomination. For the 1979 published play Buried Child he received the Pulitzer Price in the same year. This play belongs to Shepard′s trilogy of family dramas, and is probably the one which marks the change of direction in his career to a more realistic style. Critics do recognize a lot of differences compared to older plays, which are seen as surrealistic plays, or plays, which critics catogorize as parts of the Theatre of Absurd, like, for example, Fool for Love. But reading Buried Child, the reader quickly realizes that the play may have started as a realistic play, but it turns out to be totally different. Step by step, Shepard creates a sarcastic play, which also could be seen as part of the Theatre of Absurd. The play is about a farmers family living near Illinois, in the middle of nowhere. On the surface the family seems to be normal, maybe just a bit frustrated. But in the background appears to be a secret, which connects the family in a very strange way, also every single member of the family tries to keep this secret. In a brilliant way, Shepard here combines the actual with the fictional. When the audience just starts to feel comfortable with the play, the plot changes immediately and disappoints their great expectations. The following essay is divided into three main parts. The first part will give an idea of Shepard′s use of autobiographical facts, the second focuses on the father-son conflict we often find in his plays. The last part
