Author: Harvard University. Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Theodore Roosevelt Collection; Dictionary Catalogue and Shelflist
Author: Harvard University. Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Catalogue of Title Entries of Books and Other Articles Entered in the Office of the Register of Copyrights, Library of Congress, at Washington, D.C.
Author:
Publisher:
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Category : American literature
Languages : en
Pages : 1100
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1100
Book Description
Real Estate Record and Builders' Guide
Author:
Publisher:
ISBN:
Category : Construction industry
Languages : en
Pages : 1486
Book Description
Publisher:
ISBN:
Category : Construction industry
Languages : en
Pages : 1486
Book Description
The Annual American Catalog, 1900-1909
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 754
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 754
Book Description
The Annual American Catalog
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 758
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 758
Book Description
The Labor Gazette
Author:
Publisher:
ISBN:
Category : Industrial relations
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category : Industrial relations
Languages : en
Pages : 212
Book Description
Our Frontier Is the World
Author: Mischa Honeck
Publisher: Cornell University Press
ISBN: 1501716190
Category : History
Languages : en
Pages : 244
Book Description
Mischa Honeck’s Our Frontier Is the World is a provocative account of how the Boy Scouts echoed and enabled American global expansion in the twentieth century. The Boy Scouts of America (BSA) has long been a standard bearer for national identity. The core values of the organization have, since its founding in 1910, shaped what it means to be an American boy and man. As Honeck shows, those masculine values had implications that extended far beyond the borders of the United States. Writing the global back into the history of one of the country’s largest youth organizations, Our Frontier Is the World details how the BSA operated as a vehicle of empire from the Progressive Era up to the countercultural moment of the 1960s. American boys and men wearing the Scout uniform never simply hiked local trails to citizenship; they forged ties with their international peers, camped in foreign lands, and started troops on overseas military bases. Scouts traveled to Africa and even sailed to icy Antarctica, hoisting the American flag and standing as models of loyalty, obedience, and bravery. Through scouting America’s complex engagements with the world were presented as honorable and playful masculine adventures abroad. Innocent fun and earnest commitment to doing a good turn, of course, were not the whole story. Honeck argues that the good-natured Boy Scout was a ready means for soft power abroad and gentle influence where American values, and democratic capitalism, were at stake. In other instances the BSA provided a pleasant cover for imperial interventions that required coercion and violence. At Scouting’s global frontiers the stern expression of empire often lurked behind the smile of a boy.
Publisher: Cornell University Press
ISBN: 1501716190
Category : History
Languages : en
Pages : 244
Book Description
Mischa Honeck’s Our Frontier Is the World is a provocative account of how the Boy Scouts echoed and enabled American global expansion in the twentieth century. The Boy Scouts of America (BSA) has long been a standard bearer for national identity. The core values of the organization have, since its founding in 1910, shaped what it means to be an American boy and man. As Honeck shows, those masculine values had implications that extended far beyond the borders of the United States. Writing the global back into the history of one of the country’s largest youth organizations, Our Frontier Is the World details how the BSA operated as a vehicle of empire from the Progressive Era up to the countercultural moment of the 1960s. American boys and men wearing the Scout uniform never simply hiked local trails to citizenship; they forged ties with their international peers, camped in foreign lands, and started troops on overseas military bases. Scouts traveled to Africa and even sailed to icy Antarctica, hoisting the American flag and standing as models of loyalty, obedience, and bravery. Through scouting America’s complex engagements with the world were presented as honorable and playful masculine adventures abroad. Innocent fun and earnest commitment to doing a good turn, of course, were not the whole story. Honeck argues that the good-natured Boy Scout was a ready means for soft power abroad and gentle influence where American values, and democratic capitalism, were at stake. In other instances the BSA provided a pleasant cover for imperial interventions that required coercion and violence. At Scouting’s global frontiers the stern expression of empire often lurked behind the smile of a boy.
The United States Army and Navy Journal and Gazette of the Regular and Volunteer Forces
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 972
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 972
Book Description
Beauty in the City
Author: Robert A. Slayton
Publisher: State University of New York Press
ISBN: 1438466439
Category : Art
Languages : en
Pages : 218
Book Description
Gold Medalist, 2018 Independent Publisher Book Awards in the US Northeast -Best Regional Non-Fiction Category Finalist for the 2017 Foreword INDIES Book of the Year Award in the Regional category Silver Winner, 2017 Foreword INDIES Book of the Year Awards in the History category At the beginning of the twentieth century the Ashcan School of Art blazed onto the art scene, introducing a revolutionary vision of New York City. In contrast to the elite artists who painted the upper class bedecked in finery, in front of magnificent structures, or the progressive reformers who photographed the city as a slum, hopeless and full of despair, the Ashcan School held the unique belief that the industrial working-class city was a fit subject for great art. In Beauty in the City, Robert A. Slayton illustrates how these artists portrayed the working classes with respect and gloried in the drama of the subways and excavation sites, the office towers, and immigrant housing. Their art captured the emerging metropolis in all its facets, with its potent machinery and its class, ethnic, and gender issues. By exposing the realities of this new, modern America through their art—expressed in what they chose to draw, not in how they drew it—they created one of the great American art forms.
Publisher: State University of New York Press
ISBN: 1438466439
Category : Art
Languages : en
Pages : 218
Book Description
Gold Medalist, 2018 Independent Publisher Book Awards in the US Northeast -Best Regional Non-Fiction Category Finalist for the 2017 Foreword INDIES Book of the Year Award in the Regional category Silver Winner, 2017 Foreword INDIES Book of the Year Awards in the History category At the beginning of the twentieth century the Ashcan School of Art blazed onto the art scene, introducing a revolutionary vision of New York City. In contrast to the elite artists who painted the upper class bedecked in finery, in front of magnificent structures, or the progressive reformers who photographed the city as a slum, hopeless and full of despair, the Ashcan School held the unique belief that the industrial working-class city was a fit subject for great art. In Beauty in the City, Robert A. Slayton illustrates how these artists portrayed the working classes with respect and gloried in the drama of the subways and excavation sites, the office towers, and immigrant housing. Their art captured the emerging metropolis in all its facets, with its potent machinery and its class, ethnic, and gender issues. By exposing the realities of this new, modern America through their art—expressed in what they chose to draw, not in how they drew it—they created one of the great American art forms.
Who's who in Commerce and Industry
Author:
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 1580
Book Description
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 1580
Book Description