Author: University of California, Berkeley. Music Library
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 420
Book Description
Thematic Catalog of a Manuscript Collection of Eighteenth-Century Italian Instrumental Music
Author: University of California, Berkeley. Music Library
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 420
Book Description
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 420
Book Description
Thematic Catalog of a Manuscript Collection of Eighteenth-Century Italian Instrumental Music
Author: Vincent Duckles
Publisher: Univ of California Press
ISBN: 0520330307
Category : Music
Languages : en
Pages : 414
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.
Publisher: Univ of California Press
ISBN: 0520330307
Category : Music
Languages : en
Pages : 414
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.
Catalog of Pre-1900 Vocal Manuscripts in the Music Library, University of California at Berkeley
Author: John A. Emerson
Publisher: Univ of California Press
ISBN: 0520331400
Category : Music
Languages : en
Pages : 366
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.
Publisher: Univ of California Press
ISBN: 0520331400
Category : Music
Languages : en
Pages : 366
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.
The Italian Solo Concerto, 1700-1760
Author: Simon McVeigh
Publisher: Boydell Press
ISBN: 9781843830924
Category : History
Languages : en
Pages : 390
Book Description
The composition of the solo concerto studied as an evolving debate (rather than a static technique), and for its stylistic features.
Publisher: Boydell Press
ISBN: 9781843830924
Category : History
Languages : en
Pages : 390
Book Description
The composition of the solo concerto studied as an evolving debate (rather than a static technique), and for its stylistic features.
Six Symphonies
Author: Antonio Brioschi
Publisher: A-R Editions, Inc.
ISBN: 0895794039
Category : Music
Languages : en
Pages : 82
Book Description
The introd. includes notes on "the composer, the music of [this] edition" and on "performance". Plates (p. xv-xvi) reproduce the t.p. & one p. of music from handwritten score dated 1734 of the Symphony in E-flat major. Music found on p.1-53. Music followed by a "Critical report" (p.55-59) detailing sources & editorial method, & critical notes and commentary.
Publisher: A-R Editions, Inc.
ISBN: 0895794039
Category : Music
Languages : en
Pages : 82
Book Description
The introd. includes notes on "the composer, the music of [this] edition" and on "performance". Plates (p. xv-xvi) reproduce the t.p. & one p. of music from handwritten score dated 1734 of the Symphony in E-flat major. Music found on p.1-53. Music followed by a "Critical report" (p.55-59) detailing sources & editorial method, & critical notes and commentary.
Dictionary of American Library Biography
Author: Donald G. Davis
Publisher: Bloomsbury Publishing USA
ISBN: 0313053391
Category : Language Arts & Disciplines
Languages : en
Pages : 287
Book Description
This second supplement to DALB, the Dictionary of American Library Biography (1978), adds 77 notable, deceased members of the library and archival communities to the 302 entries in the main volume and the 51 entries in the first supplement (1990). The second supplement includes primarily those figures who died between 1987 and the end of the year 2000, though some 13 entries provide sketches for notable persons whose death dates are somewhat earlier and who were not included in earlier works. Among the entries are a number of African Americans, and nearly one-half of the entries are women. Some 80 contributors from the United States and Canada provided sketches, many based on original source material. This supplement follows the practice and format of the earlier volumes, though it allows presidents of the American Library Association to compete for inclusion with other nominations.
Publisher: Bloomsbury Publishing USA
ISBN: 0313053391
Category : Language Arts & Disciplines
Languages : en
Pages : 287
Book Description
This second supplement to DALB, the Dictionary of American Library Biography (1978), adds 77 notable, deceased members of the library and archival communities to the 302 entries in the main volume and the 51 entries in the first supplement (1990). The second supplement includes primarily those figures who died between 1987 and the end of the year 2000, though some 13 entries provide sketches for notable persons whose death dates are somewhat earlier and who were not included in earlier works. Among the entries are a number of African Americans, and nearly one-half of the entries are women. Some 80 contributors from the United States and Canada provided sketches, many based on original source material. This supplement follows the practice and format of the earlier volumes, though it allows presidents of the American Library Association to compete for inclusion with other nominations.
Current Thought in Musicology
Author: John W. Grubbs
Publisher: University of Texas Press
ISBN: 0292768745
Category : Music
Languages : en
Pages : 409
Book Description
Nine lectures from the 1971 symposium at the University of Texas at Austin, on music history, theory and composition, education, and performance. Ranging from the Middle Ages to the present and touching on all the major disciplines of musicology, the nine papers collected in this volume constitute a broad overview of the direction of music scholarship in the 1970s. In “Tractatus Esthetico-Semioticus: Model of the Systems of Human Communication,” Charles Seeger presents a model of the situations in which the study of humanistic art may best be conducted. Charles Hamm writes in “The Ecstatic and the Didactic: A Pattern in American Music” of the pattern of conflicting points of view in music history and theory. American composer Elliott Carter, in his chapter titled “Music and the Time Screen,” presents a lucid explanation of his compositional process, including his concept of musical time. In “Instruments and Voices in the Fifteenth-Century Chanson,” Howard Mayer Brown suggests the nature of fifteenth-century performance, drawn from iconography and various musical sources. “Nottebohm Revisited,” by Lewis Lockwood, reexamines Beethoven’s sketchbooks, showing the extent to which performing editions of his work must be updated. Daniel Heartz’s article, “The Chanson in the Humanist Era,” is multidisciplinary and will interest a variety of scholars, including French historians and French literary historians. Gilbert Chase applies structuralism to musicological studies in his chapter, “Musicology, History, and Anthropology: Current Thoughts.” The concluding essays, “The Prospects for Research in Medieval Music in the 1970s,” by Gilbert Reaney, and “The Library of the Mind: Observations on the Relationship between Musical Scholarship and Bibliography,” by Vincent Duckles, provide a unique view of the opportunities for further work in these areas. Also included is an introduction by the editor, notes on the contributors, and an index.
Publisher: University of Texas Press
ISBN: 0292768745
Category : Music
Languages : en
Pages : 409
Book Description
Nine lectures from the 1971 symposium at the University of Texas at Austin, on music history, theory and composition, education, and performance. Ranging from the Middle Ages to the present and touching on all the major disciplines of musicology, the nine papers collected in this volume constitute a broad overview of the direction of music scholarship in the 1970s. In “Tractatus Esthetico-Semioticus: Model of the Systems of Human Communication,” Charles Seeger presents a model of the situations in which the study of humanistic art may best be conducted. Charles Hamm writes in “The Ecstatic and the Didactic: A Pattern in American Music” of the pattern of conflicting points of view in music history and theory. American composer Elliott Carter, in his chapter titled “Music and the Time Screen,” presents a lucid explanation of his compositional process, including his concept of musical time. In “Instruments and Voices in the Fifteenth-Century Chanson,” Howard Mayer Brown suggests the nature of fifteenth-century performance, drawn from iconography and various musical sources. “Nottebohm Revisited,” by Lewis Lockwood, reexamines Beethoven’s sketchbooks, showing the extent to which performing editions of his work must be updated. Daniel Heartz’s article, “The Chanson in the Humanist Era,” is multidisciplinary and will interest a variety of scholars, including French historians and French literary historians. Gilbert Chase applies structuralism to musicological studies in his chapter, “Musicology, History, and Anthropology: Current Thoughts.” The concluding essays, “The Prospects for Research in Medieval Music in the 1970s,” by Gilbert Reaney, and “The Library of the Mind: Observations on the Relationship between Musical Scholarship and Bibliography,” by Vincent Duckles, provide a unique view of the opportunities for further work in these areas. Also included is an introduction by the editor, notes on the contributors, and an index.
A History of the Sonata Idea
Author: William S. Newman
Publisher: UNC Press Books
ISBN: 1469643723
Category : Music
Languages : en
Pages : 482
Book Description
This volume provides a full and careful history of what sonata meant and how the word was used from its first appearance as an instrumental title in the sixteenth century to the near end of the thorough-bass practice around 1750. The revised edition includes nearly three hundred new studies, editions, and other pertinent information. Originally published in 1966. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Publisher: UNC Press Books
ISBN: 1469643723
Category : Music
Languages : en
Pages : 482
Book Description
This volume provides a full and careful history of what sonata meant and how the word was used from its first appearance as an instrumental title in the sixteenth century to the near end of the thorough-bass practice around 1750. The revised edition includes nearly three hundred new studies, editions, and other pertinent information. Originally published in 1966. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
From Vivaldi to Viotti
Author: Chappell White
Publisher: Taylor & Francis
ISBN: 9782881244957
Category : Music
Languages : en
Pages : 420
Book Description
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Taylor & Francis
ISBN: 9782881244957
Category : Music
Languages : en
Pages : 420
Book Description
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
General Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1138
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1138
Book Description