Theatrical Spectatorship in the United States and Soviet Union, 1921-1936 PDF Download
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Author: Pamela Decker
Publisher:
ISBN:
Category :
Languages : en
Pages : 223
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Book Description
Theatre scholarship often marginalizes the contribution of the spectator; this dissertation privileges the body as the first filter of meaning and offers new insights into how spectators contribute and shape live theatre, as opposed to being passive observers of an already-completed production. Taking account of historical circumstances, I apply theories of empathy, social affect, and group identification to each production, questioning how spectators helped create and gave meaning to these shows, along with the attitudes and identities that might have arisen from them. In my analysis, I expect to uncover moments in each nation's history where comic spectatorship reveals an emergent national identity--either collectively uniting in a moment of cultural or political promise, or splintering under social and economic distress. Furthermore, an interdisciplinary approach to the analysis of theatre production--one grounded in cognitive science, culture, and politics--provides a new perspective on the study of spectatorship in theatre history.
Author: Pamela Decker
Publisher:
ISBN:
Category :
Languages : en
Pages : 223
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Book Description
Theatre scholarship often marginalizes the contribution of the spectator; this dissertation privileges the body as the first filter of meaning and offers new insights into how spectators contribute and shape live theatre, as opposed to being passive observers of an already-completed production. Taking account of historical circumstances, I apply theories of empathy, social affect, and group identification to each production, questioning how spectators helped create and gave meaning to these shows, along with the attitudes and identities that might have arisen from them. In my analysis, I expect to uncover moments in each nation's history where comic spectatorship reveals an emergent national identity--either collectively uniting in a moment of cultural or political promise, or splintering under social and economic distress. Furthermore, an interdisciplinary approach to the analysis of theatre production--one grounded in cognitive science, culture, and politics--provides a new perspective on the study of spectatorship in theatre history.
Author: John N. Washburn
Publisher:
ISBN:
Category : Propaganda, Anti-American
Languages : en
Pages : 80
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Book Description
Author:
Publisher: University of Toronto Press
ISBN: 1487537751
Category : Literary Criticism
Languages : en
Pages : 735
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Book Description
The widespread opinion is that Northrop Frye’s influence reached its zenith in the 1960s and 1970s, after which point he became obsolete, his work buried in obscurity. This almost universal opinion is summed up in Terry Eagleton’s 1983 rhetorical question, "Who now reads Frye?" In The Reception of Northrop Frye, Robert D. Denham catalogues what has been written about Frye – books, articles, translations, dissertations and theses, and reviews – in order to demonstrate that the attention Frye’s work has received from the beginning has progressed at a geomantic rate. Denham also explores what we can discover once we have a fairly complete record of Frye’s reception in front of us – such as Hayden White’s theory of emplotments applied to historical writing and Byron Almén’s theory of musical narrative. The sheer quantity of what has been written about Frye reveals that the only valid response to Eagleton’s rhetorical question is "a very large and growing number," the growth being not incremental but exponential.
Author: Laurence Senelick
Publisher: Rowman & Littlefield
ISBN: 1442249277
Category : Performing Arts
Languages : en
Pages : 693
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Book Description
A latecomer continually hampered by government control and interference, the Russian theatre seems an unlikely source of innovation and creativity. Yet, by the middle of the nineteenth century, it had given rise to a number of outstanding playwrights and actors, and by the start of the twentieth century, it was in the vanguard of progressive thinking in the realms of directing and design. Its influence throughout the world was pervasive: Nikolai Gogol', Anton Chekhov and Maksim Gor'kii remain staples of repertories in every language, the ideas of Konstantin Stanislavskii, Vsevolod Meierkhol'd and Mikhail Chekhov continue to inspire actors and directors, while designers still draw on the graphics of the World of Art group and the Constructivists. What distinguishes Russian theater from almost any other is the way in which these achievements evolved and survived in ongoing conflict or cooperation with the State. This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on individual actors, directors, designers, entrepreneurs, plays, playhouses and institutions, Censorship, Children’s Theater, Émigré Theater, and Shakespeare in Russia. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian Theatre.
Author: Jeffrey Brooks
Publisher: Cambridge University Press
ISBN: 1108484468
Category : History
Languages : en
Pages : 349
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Book Description
A century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it.
Author: Ana Hedberg Olenina
Publisher: Oxford University Press, USA
ISBN: 0190051256
Category : Art
Languages : en
Pages : 417
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Book Description
"In the late 19th century, neurophysiology introduced techniques for detecting somatic signs of psychological experiences. Scientific modes of recording, representing, and interpreting body movement as "expressive" soon found use in multiple cultural domains. Based on archival materials, this study charts the avenues by which physiological psychology reached the arts and evaluates institutional practices and political trends that promoted interdisciplinary engagements in the first quarter of the 20th century. In mapping the emergence of a paradigm it calls "psychomotor aesthetics," this book uncovers little-known sources of Russian Futurism, Formalist poetics, avant-garde film theories of Lev Kuleshov and Sergei Eisenstein, and early Soviet programs for evaluating film-goers' reactions. Drawing attention to the intellectual exchange between Russian authors and their European and American counterparts, the book documents diverse cultural applications of laboratory methods for studying the psyche. Both a history and a critical project, the book attends to the ways in which artists and the orists dealt with the universalist fallacies inherited from biologically-oriented psychology-at times, endorsing the positivist, deterministic outlook, and at times, resisting, reinterpreting, and defamiliarizing these scientific notions. In exposing the vastness of cross-disciplinary exchange at the juncture of neurophysiology and the arts at the turn of the 20th century, Psychomotor Aesthetics calls attention to the tremendous cultural resonance of theories foregrounding the somatic substrate of emotional and cognitive experience-theories, which anticipate the promises and limitations of today's neuroaesthetics and neuromarketing"--
Author: Phyllis Hartnoll
Publisher: Oxford [Oxfordshire] ; New York : Oxford University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 1048
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Book Description
Seeking to provide a survey of the development of the theatre from its beginnings in primitive ritual to the present day in all countries that have a continuing theatrical tradition, this edition offers information on contemporary writers, directors, plays, companies and theatres, both metropolitan and regional. Entries dealing with technical subjects emphasize the historical perspective and are illustrated when necessary. Other illustrations are placed in thematically arranged groups and function independent of the text, showing the changes of vision in theatrical production over the past 2000 years. ISBN 0-19-211546-4 : $49.95.
Author: Nick Worrall
Publisher: Routledge
ISBN: 1134935862
Category : Performing Arts
Languages : en
Pages : 377
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Book Description
Unprecedented in its comprehensiveness, The Moscow Art Theatre fills a large gap in our knowledge of Stanislavsky and his theatre. Worrall focuses in particular detail on four of The Moscow Art Theatre's best-known productions: * Tolstoy's Tsar Fedor Ioannovich * Gorky's The Lower Depths * Chekov's The Cherry Orchard * Turgenev's A Month in the Country
Author: Lynn Mally
Publisher:
ISBN:
Category : Agitprop theater
Languages : en
Pages : 50
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Book Description
This article examines the migration of a Soviet agitational theatrical form from Russia to the United States in the 1920s and 1930s. The Soviet living newspaper, or zhivai͡a gazeta, began during the Russian Civil War as a method to act out a pro-Soviet version of the news for mainly illiterate Red Army soldiers. During the 1920s, it evolved into an experimental form of agitprop theater that attracted the interest of foreigners, who hoped to develop new methods of political theater in their own countries. In the United States, the living newspaper format was first adopted by American communist circles. Eventually, the depression-era arts program, the Federal Theatre Project (FTP), incorporated an expanded and altered version as part of its many offerings. Living newspapers eventually became one of the FTP's most celebrated and criticized performance genres. The political content of American living newspapers was a major factor in the government's elimination of the FTP in 1939.
Author: Catherine Cooke
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 148
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Book Description
