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Author: Michel Saint-Denis
Publisher: Taylor & Francis US
ISBN: 9780415450478
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
Michel Saint-Denis was one of twentieth century theatre's most influential directors and theorists. This book combines his seminal Theatre: The Rediscovery of Style with material from Training for the Theatre, newly edited to create a work which moves seamlessly from theory to practice. Theatre: The Rediscovery of Style collects five of Saint Denis' key lectures, given during his time in America, and perfectly encompasses his synergy of classical theatre and modern realism Training for the Theatre is a key practical resource for actors, directors and teachers alike. It covers crucial areas such as understanding a play's context, training schedules, improvisation and dealing with stage space, as well as a section on Saint-Denis' use of masks in actor training Theatre: The Rediscovery of Style and Other Writings benefits from Jane Baldwin's new biographical introduction and annotations, that put Saint-Denis into context for a contemporary audience. It brings a wealth of inspirational material both to the rehearsal space and the classroom.
Author: Michel Saint-Denis
Publisher: Taylor & Francis US
ISBN: 9780415450478
Category : Performing Arts
Languages : en
Pages : 202
Get Book
Book Description
Michel Saint-Denis was one of twentieth century theatre's most influential directors and theorists. This book combines his seminal Theatre: The Rediscovery of Style with material from Training for the Theatre, newly edited to create a work which moves seamlessly from theory to practice. Theatre: The Rediscovery of Style collects five of Saint Denis' key lectures, given during his time in America, and perfectly encompasses his synergy of classical theatre and modern realism Training for the Theatre is a key practical resource for actors, directors and teachers alike. It covers crucial areas such as understanding a play's context, training schedules, improvisation and dealing with stage space, as well as a section on Saint-Denis' use of masks in actor training Theatre: The Rediscovery of Style and Other Writings benefits from Jane Baldwin's new biographical introduction and annotations, that put Saint-Denis into context for a contemporary audience. It brings a wealth of inspirational material both to the rehearsal space and the classroom.
Author: Michel Saint-Denis
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 126
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Book Description
Author: Michel Saint-Denis
Publisher: Routledge
ISBN: 1134058497
Category : Art
Languages : en
Pages : 217
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Book Description
Michel Saint-Denis was one of twentieth century theatre’s most influential directors and theorists. This book combines his seminal Theatre: The Rediscovery of Style with material from Training for the Theatre, newly edited to create a work which moves seamlessly from theory to practice. Theatre: The Rediscovery of Style collects five of Saint Denis’ key lectures, given during his time in America, and perfectly encompasses his synergy of classical theatre and modern realism Training for the Theatre is a key practical resource for actors, directors and teachers alike. It covers crucial areas such as understanding a play’s context, training schedules, improvisation and dealing with stage space, as well as a section on Saint-Denis’ use of masks in actor training Theatre: The Rediscovery of Style and Other Writings benefits from Jane Baldwin’s new biographical introduction and annotations, that put Saint-Denis into context for a contemporary audience. It brings a wealth of inspirational material both to the rehearsal space and the classroom.
Author: Michel Saint-Denis
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Peta Tait
Publisher: Bloomsbury Publishing
ISBN: 147425988X
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
This volume assesses the contributions of André Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski's theatre direction proved foundational to the creation of the director's role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnellan and Katie Mitchell.
Author: Robert Cohen
Publisher: Routledge
ISBN: 1135123160
Category : Performing Arts
Languages : en
Pages : 266
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Book Description
‘Robert Cohen’s book, Acting Power, follows the tradition of his other book, Acting One, and has been the veritable bible for acting teachers for the last quarter century.’ – David Krasner, Emerson College ‘This book, above all else, is an attempt to explore the qualities of acting power.... to suggest to you, the actor, an approach toward not merely good acting but powerful acting. Great actors display the power to frighten – and the power to seduce – and can shift between the one and the other like a violinist can her notes.’ – From the Preface The first edition of Acting Power was a groundbreaking work of acting theory which applied sociological and psychological principles to actor training. The book went on to influence a generation of theatre and performance studies students and academics, and was translated into five languages. This carefully revised 21st Century Edition (re)considers, in the context of today’s field: questions such as ‘should actors act from the inside or the outside?’ and ‘should the actor live the role or present the role?’; contemporary research into communication theory, cybernetics, and cognitive science; brilliantly illuminating and witty exercises for solo study and classroom use, and a through-line of useful references to classic plays; penetrating observations about the actor’s art by more than 75 distinguished professional actors and directors. Cohen’s elegant and rigorous updates emphasise the continuing relevance of his uniquely integrated and life-affirming approach to this field. The new edition draws on his extraordinarily rich career as teacher, scholar, director, translator and dramaturg. It is a recipe for thrilling theatre in any genre.
Author: Sharon Marie Carnicke
Publisher: Routledge
ISBN: 100029949X
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
Stanislavsky in Focus brilliantly examines the history and actual premises of Stanislavsky’s 'System', separating myth from fact with forensic skill. The first edition of this now classic study showed conclusively how the 'System' was gradually transformed into the Method, popularised in the 1950s by Lee Strasberg and the Actor’s Studio. It looked at the gap between the original Russian texts and what most English-speaking practitioners still imagine to be Stanislavsky’s ideas. This thoroughly revised new edition also delves even deeper into: the mythical depiction of Stanislavsky as a tyrannical director and teacher yoga, the mind-body-spirit continuum and its role in the ‘System’ how Stanislavsky used subtexts to hide many of his ideas from Soviet censors. The text has been updated to address all of the relevant scholarship, particularly in Russia, since the first edition was published. It also features an expanded glossary on the System's terminology and its historical exercises, as well as more on the political context of Stanislavsky's work, its links with cognitive science, and the System's relation to contemporary developments in actor-training. It will be a vital part of every practitioner's and historian's library.
Author: Sharon Marie Carnicke
Publisher: Routledge
ISBN: 1135974497
Category : Biography & Autobiography
Languages : en
Pages : 270
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Book Description
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Tom Cornford
Publisher: Routledge
ISBN: 1317288661
Category : Performing Arts
Languages : en
Pages : 311
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Book Description
Theatre Studios explores the history of the studio model in England, first established by Konstantin Stanislavsky, Jacques Copeau and others in the early twentieth century, and later developed in the UK primarily by Michel Saint-Denis, George Devine, Michael Chekhov and Joan Littlewood, whose studios are the focus of this study. Cornford offers in-depth accounts of the radical, collective work of these leading theatre companies of the mid-twentieth century, considering the models of ensemble theatre-making that they developed and their remnants in the newly publicly-funded UK theatre establishment of the 1960s. In the process, this book develops an approach to understanding the politics of artistic practices rooted in the work of John Dewey, Antonio Gramsci and the standpoint feminists. It concludes by considering the legacy of the studio movement for twenty-first-century theatre, partly by tracking its echoes in the work of Secret Theatre at the Lyric, Hammersmith (2013–2015). Students and makers of theatre alike will find in this book a provocative and illuminating analysis of the politics of performance-making and a history of the theatre as a site for developing counterhegemonic, radically democratic, anti-individualist forms of cultural production.
Author: Jonathan Pitches
Publisher: Routledge
ISBN: 1136508864
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
From Komisarjevsky in the 1920s, to Cheek by Jowl’s Russian ‘sister company’ almost a century later, Russian actor training has had a unique influence on modern British theatre. Russians in Britain, edited by Jonathan Pitches, is the first work of its type to identify a relationship between both countries’ theatrical traditions as continuous as it is complex. Unravelling new strands of transmission and translation linking the great Russian émigré practitioners to the second and third generation artists who responded to their ideas, Russians in Britain takes in: Komisarjevsky and the British theatre establishment. Stanislavsky in the British conservatoire. Meyerhold in the academy. Michael Chekhov in the private studio. Littlewood’s Theatre Workshop and the Northern Stage Ensemble. Katie Mitchell, Declan Donnellan and Michael Boyd. Charting a hitherto untold story with historical and contemporary implications, these nine essays present a compelling alternative history of theatrical practice in the UK.
