Author: Chase Bringardner
Publisher: University of Alabama Press
ISBN: 081737017X
Category : Performing Arts
Languages : en
Pages : 128
Book Description
Illustrates how theatre's engagement with politics changes over time
Theatre Symposium, Vol. 30
Author: Chase Bringardner
Publisher: University of Alabama Press
ISBN: 081737017X
Category : Performing Arts
Languages : en
Pages : 128
Book Description
Illustrates how theatre's engagement with politics changes over time
Publisher: University of Alabama Press
ISBN: 081737017X
Category : Performing Arts
Languages : en
Pages : 128
Book Description
Illustrates how theatre's engagement with politics changes over time
Theatre Symposium, Vol. 23
Author: David S. Thompson
Publisher: University of Alabama Press
ISBN: 0817370102
Category : Performing Arts
Languages : en
Pages : 144
Book Description
The essays in volume 23 of Theatre Symposium offer a rich exploration of depictions of youth in works of theatre as well as the role youth play in the creation and performance of drama.
Publisher: University of Alabama Press
ISBN: 0817370102
Category : Performing Arts
Languages : en
Pages : 144
Book Description
The essays in volume 23 of Theatre Symposium offer a rich exploration of depictions of youth in works of theatre as well as the role youth play in the creation and performance of drama.
Theatre Symposium, Vol. 20
Author: Edward Bert Wallace
Publisher: University of Alabama Press
ISBN: 0817370072
Category : Performing Arts
Languages : en
Pages : 128
Book Description
The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a number of other topics, in Gods and Groundlings, volume 20 of the annual journal Theatre Symposium. The essays in this volume discuss spectatorship in historical context, the role of the audience in the digital age, the early modern English transvestite theatre, Annie Oakley and the disruption of Victorian audiences, and historical attempts to create ideal audiences. Edited by E. Bert Wallace, this latest publication from the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory. Contributors To Volume 20 Susan Bennett / Jane Barnette / Becky Becker / Lisa Bernd / Evan Bridenstine / Michael Jaros / Robert I. Lublin / Paulette Marty
Publisher: University of Alabama Press
ISBN: 0817370072
Category : Performing Arts
Languages : en
Pages : 128
Book Description
The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a number of other topics, in Gods and Groundlings, volume 20 of the annual journal Theatre Symposium. The essays in this volume discuss spectatorship in historical context, the role of the audience in the digital age, the early modern English transvestite theatre, Annie Oakley and the disruption of Victorian audiences, and historical attempts to create ideal audiences. Edited by E. Bert Wallace, this latest publication from the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory. Contributors To Volume 20 Susan Bennett / Jane Barnette / Becky Becker / Lisa Bernd / Evan Bridenstine / Michael Jaros / Robert I. Lublin / Paulette Marty
Theatre Symposium, Vol. 15
Author: M. Scott Phillips
Publisher: University of Alabama Press
ISBN: 0817354573
Category : Performing Arts
Languages : en
Pages : 140
Book Description
The essays gathered together in Volume 15 of the annual journal Theatre Symposium investigate how, historically, the theatre has been perceived both as a source of moral anxiety and as an instrument of moral and social reform. Essays consider, among other subjects, ethnographic depictions of the savage “other” in Buffalo Bill’s engagement at the Columbian Exposition of 1893; the so-called “Moral Reform Melodrama” in the nineteenth century; charity theatricals and the ways they negotiated standards of middle-class respectability; the figure of the courtesan as a barometer of late nineteenth and early twentieth-century moral and sexual discourse; Aphra Behn’s subversion of Restoration patriarchal sexual norms in The Feigned Courtesans; and the controversy surrounding one production of Tony Kushner Angels in America, during which officials at one of the nation’s more prominent liberal arts colleges attempted to censor the production, a chilling reminder that academic and artistic freedom cannot be taken for granted in today’s polarized moral and political atmosphere.
Publisher: University of Alabama Press
ISBN: 0817354573
Category : Performing Arts
Languages : en
Pages : 140
Book Description
The essays gathered together in Volume 15 of the annual journal Theatre Symposium investigate how, historically, the theatre has been perceived both as a source of moral anxiety and as an instrument of moral and social reform. Essays consider, among other subjects, ethnographic depictions of the savage “other” in Buffalo Bill’s engagement at the Columbian Exposition of 1893; the so-called “Moral Reform Melodrama” in the nineteenth century; charity theatricals and the ways they negotiated standards of middle-class respectability; the figure of the courtesan as a barometer of late nineteenth and early twentieth-century moral and sexual discourse; Aphra Behn’s subversion of Restoration patriarchal sexual norms in The Feigned Courtesans; and the controversy surrounding one production of Tony Kushner Angels in America, during which officials at one of the nation’s more prominent liberal arts colleges attempted to censor the production, a chilling reminder that academic and artistic freedom cannot be taken for granted in today’s polarized moral and political atmosphere.
Theatre Symposium, Vol. 17
Author: Jay Malarcher
Publisher: University of Alabama Press
ISBN: 0817355553
Category : Performing Arts
Languages : en
Pages : 137
Book Description
Outdoor drama takes many forms: ancient Greek theatre, open-air performances of Shakespeare at summer festivals, and re-enactments of landmark historical events. The essays gathered in "Outdoor Performance," Volume 17 of the annual journal Theatre Symposium, address outdoor theatre's many manifestations, including the historical and non-traditional. Among other subjects, these essays explore the rise of "airdomes" as performance spaces in the American Midwest in the first half of the 20th century; the civic-religious pageants staged by certain Mormon congregations; Wheels-A-Rolling, and other railroad themed pageants; first-hand accounts of the innovative Hunter Hills theatre program in Tennessee; the role of traditional outdoor historical drama, particularly the long-running performances of Paul Green's The Lost Colony; and the rise of the part dance, part sport, part performance phenomenon "parkour"-- the improvised traversal of obstacles found in both urban and rural landscapes.
Publisher: University of Alabama Press
ISBN: 0817355553
Category : Performing Arts
Languages : en
Pages : 137
Book Description
Outdoor drama takes many forms: ancient Greek theatre, open-air performances of Shakespeare at summer festivals, and re-enactments of landmark historical events. The essays gathered in "Outdoor Performance," Volume 17 of the annual journal Theatre Symposium, address outdoor theatre's many manifestations, including the historical and non-traditional. Among other subjects, these essays explore the rise of "airdomes" as performance spaces in the American Midwest in the first half of the 20th century; the civic-religious pageants staged by certain Mormon congregations; Wheels-A-Rolling, and other railroad themed pageants; first-hand accounts of the innovative Hunter Hills theatre program in Tennessee; the role of traditional outdoor historical drama, particularly the long-running performances of Paul Green's The Lost Colony; and the rise of the part dance, part sport, part performance phenomenon "parkour"-- the improvised traversal of obstacles found in both urban and rural landscapes.
Theatre Symposium, Vol. 9
Author:
Publisher: University of Alabama Press
ISBN: 0817311114
Category : Music
Languages : en
Pages : 131
Book Description
This collection of essays explores how drama can teach political principles and entertain at the same time. Political commentary is possible through "variety" theatre, this volume contends. Compiled from the April 2000 Theatre Symposium held on the campus of the University of Tennessee-Knoxville, this collection of essays presents a compelling mix of theoretical and practical viewpoints from a broad diversity of scholars from around the country. What remains to be learned about the political objectives of Brecht's Lehrstriucke? What political power is resident in the satirical humor of Dario Fo's drama? What can we learn from Mordecai Gorelik's political/artistic philosophy that might inform contemporary practice? What was the impact of political theatre on Broadway between the wars? Is Thornton Wilder's Our Town the play we've always imagined it to be, or does it challenge the politics of its time? What is the role of theatre activism in raising consciousness about gender politics? These are only some of the questions addressed by this lively, informative discussion.
Publisher: University of Alabama Press
ISBN: 0817311114
Category : Music
Languages : en
Pages : 131
Book Description
This collection of essays explores how drama can teach political principles and entertain at the same time. Political commentary is possible through "variety" theatre, this volume contends. Compiled from the April 2000 Theatre Symposium held on the campus of the University of Tennessee-Knoxville, this collection of essays presents a compelling mix of theoretical and practical viewpoints from a broad diversity of scholars from around the country. What remains to be learned about the political objectives of Brecht's Lehrstriucke? What political power is resident in the satirical humor of Dario Fo's drama? What can we learn from Mordecai Gorelik's political/artistic philosophy that might inform contemporary practice? What was the impact of political theatre on Broadway between the wars? Is Thornton Wilder's Our Town the play we've always imagined it to be, or does it challenge the politics of its time? What is the role of theatre activism in raising consciousness about gender politics? These are only some of the questions addressed by this lively, informative discussion.
The Routledge Companion to Death and Literature
Author: W. Michelle Wang
Publisher: Routledge
ISBN: 1000220745
Category : Literary Criticism
Languages : en
Pages : 512
Book Description
The Routledge Companion to Death and Literature seeks to understand the ways in which literature has engaged deeply with the ever-evolving relationship humanity has with its ultimate demise. It is the most comprehensive collection in this growing field of study and includes essays by Brian McHale, Catherine Belling, Ronald Schleifer, Helen Swift, and Ira Nadel, as well as the work of a generation of younger scholars from around the globe, who bring valuable transnational insights. Encompassing a diverse range of mediums and genres – including biography and autobiography, documentary, drama, elegy, film, the novel and graphic novel, opera, picturebooks, poetry, television, and more – the contributors offer a dynamic mix of approaches that range from expansive perspectives on particular periods and genres to extended analyses of select case studies. Essays are included from every major Western period, including Classical, Middle Ages, Renaissance, and so on, right up to the contemporary. This collection provides a telling demonstration of the myriad ways that humanity has learned to live with the inevitability of death, where “live with” itself might mean any number of things: from consoling, to memorializing, to rationalizing, to fending off, to evading, and, perhaps most compellingly of all, to escaping. Engagingly written and drawing on examples from around the world, this volume is indispensable to both students and scholars working in the fields of medical humanities, thanatography (death studies), life writing, Victorian studies, modernist studies, narrative, contemporary fiction, popular culture, and more.
Publisher: Routledge
ISBN: 1000220745
Category : Literary Criticism
Languages : en
Pages : 512
Book Description
The Routledge Companion to Death and Literature seeks to understand the ways in which literature has engaged deeply with the ever-evolving relationship humanity has with its ultimate demise. It is the most comprehensive collection in this growing field of study and includes essays by Brian McHale, Catherine Belling, Ronald Schleifer, Helen Swift, and Ira Nadel, as well as the work of a generation of younger scholars from around the globe, who bring valuable transnational insights. Encompassing a diverse range of mediums and genres – including biography and autobiography, documentary, drama, elegy, film, the novel and graphic novel, opera, picturebooks, poetry, television, and more – the contributors offer a dynamic mix of approaches that range from expansive perspectives on particular periods and genres to extended analyses of select case studies. Essays are included from every major Western period, including Classical, Middle Ages, Renaissance, and so on, right up to the contemporary. This collection provides a telling demonstration of the myriad ways that humanity has learned to live with the inevitability of death, where “live with” itself might mean any number of things: from consoling, to memorializing, to rationalizing, to fending off, to evading, and, perhaps most compellingly of all, to escaping. Engagingly written and drawing on examples from around the world, this volume is indispensable to both students and scholars working in the fields of medical humanities, thanatography (death studies), life writing, Victorian studies, modernist studies, narrative, contemporary fiction, popular culture, and more.
Performing Violence
Author: Davide Giovanzana
Publisher: Taylor & Francis
ISBN: 1040298923
Category : Performing Arts
Languages : en
Pages : 179
Book Description
This book offers an exhaustive approach to all forms of staged violence and an in-depth analysis of their emergence and repercussions (dramaturgically and physically). This study explores instruments to surpass the dichotomic opposition victim-oppressor, to demystify the spell of violence, and to get rid of the morbid voyeurism often connected to staged violence, and eventually, it proposes transformative tools to explore empowering experiences through violence. Considering all the aspects of a theatre performance engaging with staged violence (the story displaying violence, the actors’ embodiment of violence, the spectators’ experiences of being exposed to violence, and the process of performing violence), this book proposes analytical and practical tools to explore the limit and to transform the experience of performing violence. This book will be of great interest to students and scholars in theatre and performance studies.
Publisher: Taylor & Francis
ISBN: 1040298923
Category : Performing Arts
Languages : en
Pages : 179
Book Description
This book offers an exhaustive approach to all forms of staged violence and an in-depth analysis of their emergence and repercussions (dramaturgically and physically). This study explores instruments to surpass the dichotomic opposition victim-oppressor, to demystify the spell of violence, and to get rid of the morbid voyeurism often connected to staged violence, and eventually, it proposes transformative tools to explore empowering experiences through violence. Considering all the aspects of a theatre performance engaging with staged violence (the story displaying violence, the actors’ embodiment of violence, the spectators’ experiences of being exposed to violence, and the process of performing violence), this book proposes analytical and practical tools to explore the limit and to transform the experience of performing violence. This book will be of great interest to students and scholars in theatre and performance studies.
Art in a Democracy
Author: Ben Fink
Publisher: New Village Press
ISBN: 1613321961
Category : Performing Arts
Languages : en
Pages : 161
Book Description
Collaborative plays with diverse ensembles across the country address pressing issues of our times The plays in Volume 2 come from Roadside’s intercultural and issue-specific theater work, including long-term collaborations with the African American Junebug Productions in New Orleans and the Puerto Rican Pregones Theater in the South Bronx, as well as with residents on both sides of the walls of recently-built prisons. Roadside has spent 45 years searching for what art in a democracy might look like. The anthology raises questions such as, What are common principles and common barriers to achieving democracy across disciplines, and how can the disciplines unite in common democratic cause?
Publisher: New Village Press
ISBN: 1613321961
Category : Performing Arts
Languages : en
Pages : 161
Book Description
Collaborative plays with diverse ensembles across the country address pressing issues of our times The plays in Volume 2 come from Roadside’s intercultural and issue-specific theater work, including long-term collaborations with the African American Junebug Productions in New Orleans and the Puerto Rican Pregones Theater in the South Bronx, as well as with residents on both sides of the walls of recently-built prisons. Roadside has spent 45 years searching for what art in a democracy might look like. The anthology raises questions such as, What are common principles and common barriers to achieving democracy across disciplines, and how can the disciplines unite in common democratic cause?
Schooling as a Ritual Performance
Author: Peter McLaren
Publisher: Rowman & Littlefield
ISBN: 9780847691968
Category : Education
Languages : en
Pages : 438
Book Description
In this third edition, Peter McLaren engages with some of the latest anthropological thinking and presents the reader with a powerful manifesto for critical ethnography in the 21st century.
Publisher: Rowman & Littlefield
ISBN: 9780847691968
Category : Education
Languages : en
Pages : 438
Book Description
In this third edition, Peter McLaren engages with some of the latest anthropological thinking and presents the reader with a powerful manifesto for critical ethnography in the 21st century.