Consciousness, Theatre, Literature and the Arts 2009

Consciousness, Theatre, Literature and the Arts 2009 PDF Author: Daniel Meyer-Dinkgräfe
Publisher: Cambridge Scholars Publishing
ISBN: 1443817953
Category : Performing Arts
Languages : en
Pages : 350

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Book Description
The essays collected in this volume were initially presented at the Third International Conference on Consciousness, Theatre, Literature and the Arts, held at the University of Lincoln, May 16-18, 2009. The conference was organised on the basis of the success of its predecessors in 2005 and 2007, and on the basis of the success of the Rodopi book series Consciousness, Literature and the Arts, which has to date seen twenty-one volumes in print, with another twelve in press or in the process of being written. The 2009 conference and the book series highlight the continuing growth of interest within the interdisciplinary field of consciousness studies, and in the distinct disciplines of theatre studies, literary studies, film studies, fine arts and music in the relationship between the object of these disciplines and human consciousness. Fifty-six delegates from twenty-one countries across the world attended the May 2009 conference in Lincoln; their range of disciplines and approaches is reflected well in this book.

NASHERJ.

NASHERJ. PDF Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 276

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Book Description


_DUÑ_DE: CALABAR JOURNAL OF THE HUMANITIES

_DUÑ_DE: CALABAR JOURNAL OF THE HUMANITIES PDF Author: FACULTY OF ARTS, UNIVERSITY OF CALABAR, NIGERIA
Publisher: Lulu.com
ISBN: 1365957950
Category : Art
Languages : en
Pages : 438

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Book Description
ŃDUÑỌDE: CALABAR JOURNAL OF THE HUMANITIES is a peer-reviewed and refereed international journal of the Faculty of Arts, University of Calabar. It is a multidisciplinary Journal published biannually (January and July). It is inviting original research papers focusing on theories, trends, methods and applications that reflect the interdisciplinary perspectives of the human and social sciences. It challenges, provokes, and excites thinking, ideas, debates and discussions on potential topics of contemporary relevance in Archaeology, Anthropology, Communication/Media Studies, Cultural Studies, English Studies, Fine and Applied Arts, History, International Studies, Law, Leisure Studies, Linguistics, Literary Studies, Modern Languages (French, Spanish, German), Philosophy, Pragmatics, Religious Studies, Sociology, Sports, Theatre Arts, Tourism and Translation Studies.

The Ground on which I Stand

The Ground on which I Stand PDF Author: August Wilson
Publisher: Theatre Communications Grou
ISBN: 9781559361873
Category : Biography & Autobiography
Languages : en
Pages : 54

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Book Description
August Wilson's radical and provocative call to arms.

G.K. Hall Interdisciplinary Bibliographic Guide to Black Studies

G.K. Hall Interdisciplinary Bibliographic Guide to Black Studies PDF Author: Schomburg Center for Research in Black Culture
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 728

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Performative Inter-Actions in African Theatre 2

Performative Inter-Actions in African Theatre 2 PDF Author: Kene Igweonu
Publisher: Cambridge Scholars Publishing
ISBN: 1443859214
Category : Performing Arts
Languages : en
Pages : 180

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Book Description
This book is part of a three-volume book-set published under the general title of Performative Inter-Actions in African Theatre. Each of the three books in the set has a unique subtitle that works to better focus its content and differentiates it from the other two volumes. The contributors’ backgrounds and global spread adequately reflect the international focus of the three books that make up the collection. The contributions, in their various ways, demonstrate the many advances and ingenious solutions adopted by African theatre practitioners in tackling some of the challenges arising from the adverse colonial experience, as well as the “one-sided” advance of globalisation. The contributions attest to the thriving nature of African theatre and performance, which in the face of these challenges, has managed to retain its distinctiveness, while at the same time acknowledging, contesting, and appropriating influences from elsewhere into an aesthetic that is identifiably African. Consequently, the three books are presented as a comprehensive exploration of the current state of African theatre and performance, both on the continent and diaspora. Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change contains essays that address performativity as a process, particularly in the context of theatre’s engagement with contemporary realities with the hope of instigating social change. The innovativeness of the examples explored within the book points to the ingenuity and adaptive capacity of African theatre in ways that engage indigenous forms in the service of contemporary realities. Contributions in Innovation, Creativity and Social Change explore forms such as Theatre for Development, community and applied theatre, and indigenous juridical performances, as well as the work of contemporary dramatists and performers who set out to instigate change in society.

A History of Theatre in Africa

A History of Theatre in Africa PDF Author: Martin Banham
Publisher: Cambridge University Press
ISBN: 1139451499
Category : Drama
Languages : en
Pages : 498

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Book Description
This book aims to offer a broad history of theatre in Africa. The roots of African theatre are ancient and complex and lie in areas of community festival, seasonal rhythm and religious ritual, as well as in the work of popular entertainers and storytellers. Since the 1950s, in a movement that has paralleled the political emancipation of so much of the continent, there has also grown a theatre that comments back from the colonized world to the world of the colonists and explores its own cultural, political and linguistic identity. A History of Theatre in Africa offers a comprehensive, yet accessible, account of this long and varied chronicle, written by a team of scholars in the field. Chapters include an examination of the concepts of 'history' and 'theatre'; North Africa; Francophone theatre; Anglophone West Africa; East Africa; Southern Africa; Lusophone African theatre; Mauritius and Reunion; and the African diaspora.

Once Upon Four Robbers

Once Upon Four Robbers PDF Author: Femi Osofisan
Publisher: Heinemann Educational Books
ISBN: 9789781291791
Category : Drama
Languages : en
Pages : 107

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Book Description
The distinguished Nigerian playwright directed the first performance of this play at the Arts Theatre at the University of Ibadan. Osofisan's incisive vision is put at the service of oppressed humanity. His over-riding theme is that the machinery of oppression in human society is created by man, but man is also capable of demolishing it. The production includes Yoruba songs and incantations, and a glossary provides an English translation - as a guide for other directors to substitute appropriate dirges.

African Cultures, Visual Arts, and the Museum

African Cultures, Visual Arts, and the Museum PDF Author: Tobias Döring
Publisher: Rodopi
ISBN: 9789042013100
Category : Art
Languages : en
Pages : 308

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Book Description
From the contents: Christine MATZKE: Comrades in arts and arms: stories of wars and watercolours from Eritrea. - Sabine MARSCHALL: Positioning the other': reception and interpretation of contemporary black South African artists. - Kristine ROOME: The art of liberating voices: contemporary South African art exhibited in New York. - Jonathan ZILBERG: Shona sculpture and documenta 2002: reflections on exclusions.

The Kwagh-hir Theater

The Kwagh-hir Theater PDF Author: Iyorwuese Hagher
Publisher: University Press of America
ISBN: 076186251X
Category : Art
Languages : en
Pages : 287

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Book Description
The Kwagh-hir Theater: A Weapon for Social Action represents a significant milestone in the documentation and theorization of non-Western theater. The book describes how the Tiv people of Nigeria used their indigenous theater to fight against British colonialism and oppression by dominant groups in Nigeria. It celebrates the power of the theater to give voice to the voiceless and to become a catalyst for positive change.