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Author: Nick Bromley (Company stage manager)
Publisher:
ISBN: 9780957268302
Category : Theater
Languages : en
Pages : 248
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Book Description
Author: Nick Bromley (Company stage manager)
Publisher:
ISBN: 9780957268302
Category : Theater
Languages : en
Pages : 248
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Book Description
Author: Paul Sills
Publisher: Hal Leonard Corporation
ISBN: 9781557833983
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
(Applause Books). The creator of Story Theater , the original director of Second City , and one of the greatest popularizers of improvisational theater, Paul Sills has assembled some of his favorite adaptations from world literature. Includes: The Blue Light and Other Stories, A Christmas Carol (Dickens), Stories of God, Rumi .
Author: Paul Kuritz
Publisher: PAUL KURITZ
ISBN: 9780135478615
Category : Performing Arts
Languages : en
Pages : 478
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Book Description
Author: A. M. Nagler
Publisher: Courier Corporation
ISBN: 0486315541
Category : Performing Arts
Languages : en
Pages : 642
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Book Description
An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.
Author: Daniel Rosenthal
Publisher: Bloomsbury Publishing
ISBN: 1849439435
Category : Biography & Autobiography
Languages : en
Pages : 1433
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Book Description
Winner of the STR Theatre Book Prize 2014 The National Theatre Story is filled with artistic, financial and political battles, onstage triumphs – and the occasional disaster. This definitive account takes readers from the National Theatre's 19th-century origins, through false dawns in the early 1900s, and on to its hard-fought inauguration in 1963. At the Old Vic, Laurence Olivier was for ten years the inspirational Director of the NT Company, before Peter Hall took over and, in 1976, led the move into the National's concrete home on the South Bank. Altogether, the NT has staged more than 800 productions, premiering some of the 20th and 21st centuries' most popular and controversial plays, including Amadeus, The Romans in Britain, Closer, The History Boys, War Horse and One Man, Two Guvnors. Certain to be essential reading for theatre lovers and students, The National Theatre Story is packed with photographs and draws on Daniel Rosenthal's unprecedented access to the National Theatre's own archives, unpublished correspondence and more than 100 new interviews with directors, playwrights and actors, including Olivier's successors as Director (Peter Hall, Richard Eyre, Trevor Nunn and Nicholas Hytner), and other great figures from the last 50 years of British and American drama, among them Edward Albee, Alan Bennett, Judi Dench, Michael Gambon, David Hare, Tony Kushner, Ian McKellen, Diana Rigg, Maggie Smith, Peter Shaffer, Stephen Sondheim and Tom Stoppard.
Author: Triffin I. Morris
Publisher: Taylor & Francis
ISBN: 1351052330
Category : Performing Arts
Languages : en
Pages : 223
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Book Description
A History of the Theatre Costume Business is the first-ever comprehensive book on the subject, as related by award-winning actors and designers, and first hand by the drapers, tailors, and craftspeople who make the clothes that dazzle on stage. Readers will learn why stage clothes are made today, by whom, and how. They will also learn how today’s shops and ateliers arose from the shops and makers who founded the business. This never-before-told story shows that there is as much drama behind the scenes as there is in the performance: famous actors relate their intimate experiences in the fitting room, the glories of gorgeous costumes, and the mortification when things go wrong, while the costume makers explain how famous shows were created with toil, tears, and sweat, and sometimes even a little blood. This is history told by the people who were present at the creation – some of whom are no longer around to tell their own story. Based on original research and first-hand reporting, A History of the Theatre Costume Business is written for theatre professionals: actors, directors, producers, costume makers, and designers. It is also an excellent resource for all theatregoers who have marveled at the gorgeous dresses and fanciful costumes that create the magic on stage, as well as for the next generation of drapers and designers.
Author: Glynne Wickham
Publisher: Phaidon
ISBN:
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
Outlines the development of drama throughout the world over the last 3000 years, from its origins in primitive dance rituals to the 1990s.
Author: Neil Fraser
Publisher: Crowood Press (UK)
ISBN: 9781861266590
Category : Theater
Languages : en
Pages : 0
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Book Description
Explores the art of western dramatic performance in chronological order.
Author: Christin Essin
Publisher: University of Michigan Press
ISBN: 0472054961
Category : Performing Arts
Languages : en
Pages : 287
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Book Description
Places backstage workers in the spotlight to acknowledge their essential roles in creating Broadway magic
Author: Kate Dossett
Publisher: UNC Press Books
ISBN: 1469654431
Category : History
Languages : en
Pages : 359
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Book Description
Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated "Negro Units" set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of "white" classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community—a broad network of actors, dramatists, audiences, critics, and community activists—who made and remade black theatre manuscripts for the Negro Units and other theatre companies from New York to Seattle. Tracing how African American playwrights and troupes developed these manuscripts and how they were then contested, revised, and reinterpreted, Dossett argues that these texts constitute an archive of black agency, and understanding their history allows us to consider black dramas on their own terms. The cultural and intellectual labor of black theatre artists was at the heart of radical politics in 1930s America, and their work became an important battleground in a turbulent decade.
