Author: Martin Jörg Schäfer
Publisher: transcript Verlag
ISBN: 3839469651
Category : Performing Arts
Languages : en
Pages : 275
Book Description
In German spoken theatre, prompt books used to be written by multiple participants engaging in diverse manuscript practices which continually revise the unfixed literary text within its theatrical context. Based on examples of the vast Hamburg »Theatre-Library« from the 1770s to 1820s, this study proposes a transdisciplinary approach towards handwritten artefacts in modern European theatre. Martin Jörg Schäfer and Alexander Weinstock examine the many-handed creation, handwritten transformation and often decades of use of prompt books in a time increasingly dominated by print. This perspective changes our notion of theatre history around 1800 as well as that of literature and authorship.
Theatre in Handwriting
Author: Martin Jörg Schäfer
Publisher: transcript Verlag
ISBN: 3839469651
Category : Performing Arts
Languages : en
Pages : 275
Book Description
In German spoken theatre, prompt books used to be written by multiple participants engaging in diverse manuscript practices which continually revise the unfixed literary text within its theatrical context. Based on examples of the vast Hamburg »Theatre-Library« from the 1770s to 1820s, this study proposes a transdisciplinary approach towards handwritten artefacts in modern European theatre. Martin Jörg Schäfer and Alexander Weinstock examine the many-handed creation, handwritten transformation and often decades of use of prompt books in a time increasingly dominated by print. This perspective changes our notion of theatre history around 1800 as well as that of literature and authorship.
Publisher: transcript Verlag
ISBN: 3839469651
Category : Performing Arts
Languages : en
Pages : 275
Book Description
In German spoken theatre, prompt books used to be written by multiple participants engaging in diverse manuscript practices which continually revise the unfixed literary text within its theatrical context. Based on examples of the vast Hamburg »Theatre-Library« from the 1770s to 1820s, this study proposes a transdisciplinary approach towards handwritten artefacts in modern European theatre. Martin Jörg Schäfer and Alexander Weinstock examine the many-handed creation, handwritten transformation and often decades of use of prompt books in a time increasingly dominated by print. This perspective changes our notion of theatre history around 1800 as well as that of literature and authorship.
Writing Musical Theater
Author: A. Cohen
Publisher: Springer
ISBN: 1137048107
Category : Performing Arts
Languages : en
Pages : 293
Book Description
This guide to the modern musical covers the entire process of creating a show, from finding and working out the initial idea, through to the ways in which writers can market a finished show and get it produced. For the interested theatregoer and writers, it is written in a lively and user-friendly style and illustrated with numerous examples.
Publisher: Springer
ISBN: 1137048107
Category : Performing Arts
Languages : en
Pages : 293
Book Description
This guide to the modern musical covers the entire process of creating a show, from finding and working out the initial idea, through to the ways in which writers can market a finished show and get it produced. For the interested theatregoer and writers, it is written in a lively and user-friendly style and illustrated with numerous examples.
Theatre for Children
Author: David Wood
Publisher: Ivan R. Dee
ISBN: 1461664497
Category : Performing Arts
Languages : en
Pages : 277
Book Description
One of the world's leading children's dramatists provides a practical handbook of the skills involved in entertaining and involving audiences of children. A marvelous contribution to the world of Youth Theater...a must. —Robyn Flatt, Dallas Children's Theater. He has often been called the National Playwright for Children and he deserves it. —Cameron Mackintosh
Publisher: Ivan R. Dee
ISBN: 1461664497
Category : Performing Arts
Languages : en
Pages : 277
Book Description
One of the world's leading children's dramatists provides a practical handbook of the skills involved in entertaining and involving audiences of children. A marvelous contribution to the world of Youth Theater...a must. —Robyn Flatt, Dallas Children's Theater. He has often been called the National Playwright for Children and he deserves it. —Cameron Mackintosh
The Years of O'Casey, 1921-1926
Author: Robert Goode Hogan
Publisher: University of Delaware Press
ISBN: 9780874134216
Category : Literary Criticism
Languages : en
Pages : 446
Book Description
However, these contemporary accounts are frequently amplified and put into modern perspective, particularly at crucial moments such as a major production, a final production, or a death. The authors have particularly done so with writers of some importance such as Edward Martyn, William Boyle, or T.C. Murray. Since the theater of these years was especially influenced by the state of the country, the authors give considerable space to the disruptive political events of the times. Always, however, this is done from the particular vantage point of the theater and its workers, for the Irish theater vigorously reacted to and quickly assimilated the turbulent political events of the day: the raids, the reprisals, the burnings, and the murders. These 1,800 days really break into two periods. The first comprises the violence of the Black and Tan War, the exhaustion that led to the treaty, and the bitterness occasioned by the treaty that led to the culminating ferocity of the civil war.
Publisher: University of Delaware Press
ISBN: 9780874134216
Category : Literary Criticism
Languages : en
Pages : 446
Book Description
However, these contemporary accounts are frequently amplified and put into modern perspective, particularly at crucial moments such as a major production, a final production, or a death. The authors have particularly done so with writers of some importance such as Edward Martyn, William Boyle, or T.C. Murray. Since the theater of these years was especially influenced by the state of the country, the authors give considerable space to the disruptive political events of the times. Always, however, this is done from the particular vantage point of the theater and its workers, for the Irish theater vigorously reacted to and quickly assimilated the turbulent political events of the day: the raids, the reprisals, the burnings, and the murders. These 1,800 days really break into two periods. The first comprises the violence of the Black and Tan War, the exhaustion that led to the treaty, and the bitterness occasioned by the treaty that led to the culminating ferocity of the civil war.
British Theatre
Author: John Bell
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 392
Book Description
Theatre Magazine
Author: W. J. Thorold
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 632
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 632
Book Description
Bell's British Theatre
Author: John Bell
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 392
Book Description
Readers' Guide to Periodical Literature
Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 710
Book Description
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 710
Book Description
Eugene O'Neill
Author: Egil Törnqvist
Publisher: McFarland
ISBN: 9780786417131
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Eugene O'Neill wrote his plays for a theatre in which the playwright would take a central position. He presented himself as a controlling personality both in the texts--in the form of ample stage directions--and in performances based on these texts. His plays address several audiences--reader, spectator, and production team--and scripts were often different from the published versions. This study examines O'Neill's multiple roles as a writer for many audiences. After a description of O'Neill's working conditions and the multiple audiences of the plays, this study examines the various formal aspects of the plays: titles, settings in time and place, names and addresses, language, and connections and allusions to other works. An examination of the plays follows, with particular emphasis on Bound East for Cardiff, Long Day's Journey Into Night, and A Touch of the Poet.
Publisher: McFarland
ISBN: 9780786417131
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Eugene O'Neill wrote his plays for a theatre in which the playwright would take a central position. He presented himself as a controlling personality both in the texts--in the form of ample stage directions--and in performances based on these texts. His plays address several audiences--reader, spectator, and production team--and scripts were often different from the published versions. This study examines O'Neill's multiple roles as a writer for many audiences. After a description of O'Neill's working conditions and the multiple audiences of the plays, this study examines the various formal aspects of the plays: titles, settings in time and place, names and addresses, language, and connections and allusions to other works. An examination of the plays follows, with particular emphasis on Bound East for Cardiff, Long Day's Journey Into Night, and A Touch of the Poet.
The Dial
Author:
Publisher:
ISBN:
Category : Literature, Modern
Languages : en
Pages : 924
Book Description
Publisher:
ISBN:
Category : Literature, Modern
Languages : en
Pages : 924
Book Description