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Author: Lisa Jackson-Schebetta
Publisher: University of Alabama Press
ISBN: 0817371176
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
The official journal of the Mid-America Theatre Conference Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts & Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text and SIRS. Along with book reviews on the latest publications from established and emerging voices in the field, this issue of Theatre History Studies contains three sections with fourteen essays total. In the general section, three essays offer an array of insights, methods, and provocations. In the special section on care, contributors capture their experience as scholars, humans, and citizens in 2022. In Part III, the 2022 Robert A. Schanke Research Award-winning paper by Heidi L. Nees asks historians to rethink Western constructions of time. Taken together, volume 42 captures how this journal serves theatre historians as scholars and laborers as they work to attend and tend to their field. CONTRIBUTORS Cheryl Black / Shelby Brewster / Matthieu Chapman / Meredith Conti / Zach Dailey / Michael DeWhatley / Whit Emerson / Katherine Gillen / Miles P. Grier / Patricia Herrera / Lisa Jackson-Schebetta / Nancy Jones / Joshua Kelly / Felicia Hardison Londré / Bret McCandless / Marci R. McMahon/ Tom Mitchell / Sherrice Mojgani / John Murillo III / Heidi L. Nees / Jessica N. Pabón-Colón / Kara Raphaeli / Leticia L. Ridley / Cynthia Running-Johnson / Alexandra Swanson / Catherine Peckinpaugh Vrtis / Shane Wood / Christine Woodworth / Robert O. Yates
Author: Lisa Jackson-Schebetta
Publisher: University of Alabama Press
ISBN: 0817371176
Category : Performing Arts
Languages : en
Pages : 212
Get Book Here
Book Description
The official journal of the Mid-America Theatre Conference Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts & Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text and SIRS. Along with book reviews on the latest publications from established and emerging voices in the field, this issue of Theatre History Studies contains three sections with fourteen essays total. In the general section, three essays offer an array of insights, methods, and provocations. In the special section on care, contributors capture their experience as scholars, humans, and citizens in 2022. In Part III, the 2022 Robert A. Schanke Research Award-winning paper by Heidi L. Nees asks historians to rethink Western constructions of time. Taken together, volume 42 captures how this journal serves theatre historians as scholars and laborers as they work to attend and tend to their field. CONTRIBUTORS Cheryl Black / Shelby Brewster / Matthieu Chapman / Meredith Conti / Zach Dailey / Michael DeWhatley / Whit Emerson / Katherine Gillen / Miles P. Grier / Patricia Herrera / Lisa Jackson-Schebetta / Nancy Jones / Joshua Kelly / Felicia Hardison Londré / Bret McCandless / Marci R. McMahon/ Tom Mitchell / Sherrice Mojgani / John Murillo III / Heidi L. Nees / Jessica N. Pabón-Colón / Kara Raphaeli / Leticia L. Ridley / Cynthia Running-Johnson / Alexandra Swanson / Catherine Peckinpaugh Vrtis / Shane Wood / Christine Woodworth / Robert O. Yates
Author: Peter Schmitz
Publisher: Brookline Books
ISBN: 1955041385
Category : History
Languages : en
Pages : 330
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Book Description
A collection of stories and fascinating facets of theater history in Philadelphia. From the founding of The Walnut Street Theatre and the beginning of the American circus to the world premiere performance of Arthur Miller’s play Death of a Salesman, and from censorship and opposition to riots and deadly fires, this engaging collection of short, focused narratives introduces the reader to the often overlooked and frequently underappreciated topic of the history of theater in Philadelphia, and offer a new way of approaching the wider history of this unique and important American city. The stories are populated by some of the many notable visitors to the city’s theaters, including Oscar Wilde, Edmund Kean, John Wilkes Booth, Sarah Bernhardt, Ayn Rand, Tennessee Williams, Zsa Zsa Gabor, Muhammad Ali, Paul Robeson and Joseph Papp; and the stories of heroes of local theater including Edwin Forrest, Pearl Bailey, Molly Picon, and Charles Fuller and Kevin Bacon. Also putting in appearances are the mostly forgotten, but no less fascinating Annie Kemp Bowler “the Original Stalacta,” May Manning Lillile the Quaker Cowgirl, and tennis champion William (“Big Bill”) Tilden. All together, these lively and vivid stories—many of them little-known or unexplored—serve to form a larger narrative of the role that theater has played, and continues to play, in shaping and reflecting the texture of life in an American city.
Author: John Murillo III
Publisher:
ISBN: 9780814257777
Category :
Languages : en
Pages : 204
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Book Description
Bold new readings of recent and canonical Black creative works that excavate how time, space, and blackness intersect to show how through Afro-pessimism, Black people can fight the anti-Black cosmos.
Author: Anthea Taylor
Publisher: Taylor & Francis
ISBN: 1351717553
Category : Social Science
Languages : en
Pages : 224
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Book Description
Germaine Greer, Celebrity Feminism and the Archive, the first scholarly book on this internationally renowned feminist, draws upon Greer’s largely unexplored archive to demonstrate her impact on readers and viewers since the 1970s. Across many decades in the limelight and through multiple media forms, the provocative Greer has worked to shape audience understandings of gender, sexuality, and feminism. Through deep engagement with archival material, Anthea Taylor offers a compelling reassessment of Greer’s celebrity feminist labour and its effects over time. Examining archived letters from fans, anti-fans, and those in between, this innovative volume shows how and why readers and viewers have come to affectively invest – or disinvest – in this iconoclastic feminist. Advancing debates about the social and political function of celebrity, Germaine Greer, Celebrity Feminism and the Archive is essential reading for scholars in Gender Studies, History, Archival Studies, and Media and Cultural Studies.
Author: Trevor Boffone
Publisher: Bloomsbury Publishing
ISBN: 1350358576
Category : Performing Arts
Languages : en
Pages : 83
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Book Description
This book introduces readers to the widespread phenomenon of how social media platforms such as YouTube, Twitter, and TikTok become an extension of long-standing aspects of musical theatre engagement. Although casual observers may dismiss social media's import, social media has revolutionized the field of musical theatre since the early days of Web 2.0 with spaces such as AOL, LiveJournal, and Myspace. Now, as social media continues to grow in relevance, the nuanced ways in which digital platforms influence musical culture remain ripe for study. Social Media in Musical Theatre moves beyond viewing social media merely as a passing fad or a space free from critical engagement. Rather, this volume takes a serious look at the critical role social media play in musicals, thus challenging how social media users and musical theatre-makers alike approach digital spaces. This book introduces the relationship between musical theatre and social media in the 21st century as well as methods to study social media's influence on musicals through three in-depth case studies organized around marketing on YouTube, fan engagement on Twitter, and new musical development on TikTok.
Author: Yann Robert
Publisher: University of Pennsylvania Press
ISBN: 0812250753
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
For most of the seventeenth and eighteenth centuries, classical dogma and royal censorship worked together to prevent French plays from commenting on, or even worse, reenacting current political and judicial affairs. Criminal trials, meanwhile, were designed to be as untheatrical as possible, excluding from the courtroom live debates, trained orators, and spectators. According to Yann Robert, circumstances changed between 1750 and 1800 as parallel evolutions in theater and justice brought them closer together, causing lasting transformations in both. Robert contends that the gradual merging of theatrical and legal modes in eighteenth-century France has been largely overlooked because it challenges two widely accepted narratives: first, that French theater drifted toward entertainment and illusionism during this period and, second, that the French justice system abandoned any performative foundation it previously had in favor of a textual one. In Dramatic Justice, he demonstrates that the inverse of each was true. Robert traces the rise of a "judicial theater" in which plays denounced criminals by name, even forcing them, in some cases, to perform their transgressions anew before a jeering public. Likewise, he shows how legal reformers intentionally modeled trial proceedings on dramatic representations and went so far as to recommend that judges mimic the sentimental judgment of spectators and that lawyers seek private lessons from actors. This conflation of theatrical and legal performances provoked debates and anxieties in the eighteenth century that, according to Robert, continue to resonate with present concerns over lawsuit culture and judicial entertainment. Dramatic Justice offers an alternate history of French theater and judicial practice, one that advances new explanations for several pivotal moments in the French Revolution, including the trial of Louis XVI and the Terror, by showing the extent to which they were shaped by the period's conflicted relationship to theatrical justice.
Author: Jonah Salz
Publisher: Cambridge University Press
ISBN: 1316395324
Category : Drama
Languages : en
Pages : 1066
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Book Description
Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.
Author: Terrence McNally
Publisher: Dramatists Play Service, Inc.
ISBN: 0822230216
Category : Drama
Languages : en
Pages : 50
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Book Description
THE STORY: Warmly funny and unexpectedly touching, DEUCE tells the story of retired tennis stars Leona Mullen and Midge Barker, who once made up a championship doubles team. When they meet again at the U.S. Open, the women—now at the end of their lives—find themselves trying to make sense of the professional partnership that brought them to the top of the sports world in their youth.
Author: Clarence Gohdes
Publisher: Durham, N.C : Duke University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Author: Jarosław Milewski
Publisher: Taylor & Francis
ISBN: 1003853706
Category : Literary Criticism
Languages : en
Pages : 140
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Book Description
Queer Kinship in Sarah Schulman’s AIDS Novels is the first book to extensively discuss the works of Sarah Schulman, a journalist, activist and globally recognized novelist. This research monograph juxtaposes the works about the AIDS epidemic which were well-received by the mainstream America with Schulman’s own output as a “bard of AIDS burnout,” in the words of Edmund White. In contrast with the prevailing representations of the epidemic, her works emphasize the importance of queer kinship, chosen families and AIDS activist groups that fall outside of the heteronorm. Bearing witness to these voluntary collectivities means also surviving the traumatizing experience of ongoing, repeated death and refusing the idea of an easy solution to the crisis. The monograph tracks the tension between the dominant narratives about the epidemic and those articulated from the excluded positions, arguing that Schulman reformulates queer kinship as the locus of social change.
